Training in the Conservation of Paintings - Calouste Gulbenkian ...

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CONTENTS continued Para. Page 47. Instruction for curators and art historians 30 48. Training in a variety of media 30 50. Combination of apprenticeship and theoretical training 31 54. Pattern of training 33 55. Award 34 57. Student finance 34 4. Training already available in the U.K. 58. Training in the conservation of paintings 36 59. Training in the conservation of drawings 38 60. Training in the conservation of mural paintings 38 61. Award of proficiency 38 64. Student finance 39 5. Conclusions 65. Lack of a complete advanced course 40 66. Numbers involved 40 67. Craftsmen 41 68. Basic course 41 71. Advanced course 42 72. Possible extension of the Government Temporary Training Scheme 42 76. A Central Institute of Conservation 43 78. Location 44 79. Relation of the Central Institute to a national museum or gallery 44 81. Association of the Central Institute with an educational Institution 45 82. Attachment to a Polytechnic 46 83. Attachment to an Art School 47 84. University Art Schools 47 85. Attachment to the Courtauld Institute 47 88. Constitution of the Institute 48 89. Staff of the Institute 49 91. Location and space 49 93. Income 50
CONTENTS continued 6. Recommendations Para. Page 94. Summary of recommendations 51 95. Estimate of cost 53 Appendix A List of witnesses from whom we have received evidence either in person or by correspondence 55 Appendix B Approved posts in conservation departments in the U.K. and Northern Ireland 61 Appendix C Conservation training courses visited by the Committee 80
Page 1 and 2: Training in the conservation Calous
Page 3 and 4: Training in the conservation of pai
Page 5 and 6: Foreword The provision that is made
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Page 41 and 42: 5. Conclusions Lack of a complete A
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TRAINING IN THE CONSERVATION OF PAI
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Appendix B continued III. SURVEY OF
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Gallery I Museum Bolton: Museum & N
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Gallery I Museum Dundee Art Gallery
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Gallery I Museum Leeds: Temple News
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Gallery I Museum London: William Mo
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Gallery I Museum Stafffapproved com
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Gallery \ Museum Swansea : Glynn Vi
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V. SUMMARY: THE FOLLOWING FIGURES H
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Appendix C: Conservation training c
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