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american political poetry in the 21st century - STIBA Malang

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230 INDEX<br />

form––cont<strong>in</strong>ued<br />

and music, 195–7<br />

poetic, 16–18, 38, 203 n. 5<br />

formalism, 15, 16–17<br />

Frazier, Jane, 28, 80<br />

free verse, 16–18, 20<br />

Frost, Robert<br />

“The Road Not Taken,” 11<br />

Frye, Northrop, 20, 25<br />

Gadamer, Hans-Georg, 7<br />

Gard<strong>in</strong>ier, Suzanne, 6<br />

Gardner, Joann, 39<br />

Gates, Jr., Henry Louis, 161<br />

George, Nelson, 171–2,<br />

176, 182<br />

Gery, John, 12, 18–19<br />

Gibbons, Reg<strong>in</strong>ald, 7–8, 10, 11, 17,<br />

19, 20, 22, 28, 54, 204 n. 8<br />

Giddens, Anthony, 5, 22–3, 84, 87,<br />

165, 201 n. 7<br />

Gilbert, Roger, 26–7<br />

Gillan, Jennifer, 107<br />

G<strong>in</strong>sberg, Allen, 205 n. 16<br />

Gioia, Dana, 15, 195<br />

Giovanni, Nikki<br />

“My Poem,” 56–7<br />

“The True Import of Present<br />

Dialogue, Black vs. Negro,”<br />

53–6<br />

Good, Carl, 146–7<br />

Goodman, Jenny, 9–10, 14–15, 27,<br />

36, 89–90<br />

Grae, Jean<br />

“Block Party,” 154–5, 161–2<br />

Graham, Jorie, 73, 114<br />

Grass, Gxnter, 7<br />

Greer, Michael, 67, 70, 87<br />

Gugelberger, Georg M., 33, 151<br />

Hall, Stuart, 155–6, 161, 163<br />

Halpern, Nick, 62<br />

Hamill, Sam, 8, 99<br />

Hamlet, 77–8<br />

Hansen, Miriam, 169–70, 173–4,<br />

179–80<br />

Harjo, Joy, 9, 15<br />

“A Postcolonial Tale,” 78, 88–91<br />

Harper, Michael S.<br />

“Deathwatch,” 41–4, 78–9<br />

Harper, Phillip Brian, 54, 56<br />

Harr<strong>in</strong>gton, Joseph, 30<br />

Harris, Victoria Frenkel, 100<br />

Hass, Robert<br />

and equivocal agency, 114<br />

on poetic form, 17, 195–6<br />

and poets’ roles, 8<br />

on witness, 74–5, 144, 153–4<br />

Helms, Alan, 106<br />

hermeneutics, 7<br />

Herrnste<strong>in</strong>-Smith, Barbara, 9, 88<br />

Herzog, Anne, 26, 60, 62<br />

hip-hop<br />

agency, 29–31, 153–6<br />

form of, 17–18<br />

<strong>in</strong>fluence on values and<br />

commitments of, ix, 3,<br />

15–16, 29–30, 153–4, 168<br />

live, xi, 3, 7, 23, 29, 31, 166–84<br />

lyrics, 157–66<br />

v. rap, 201 n. 1<br />

sampl<strong>in</strong>g, xii<br />

tropes, 2, 156–62<br />

Hirsch, Edward, 1, 6, 9, 12, 15, 104<br />

history<br />

as absence, 131–4<br />

concept of, 47–8<br />

models of, 81–2<br />

as <strong>the</strong> “official story,” 47, 66,<br />

81–2, 159–60<br />

imagery, 38–9, 57–9, 101–2,<br />

105–6<br />

imag<strong>in</strong>ation<br />

and authority, 72<br />

and equivocal agency, 77–84,<br />

88–91, 113–15<br />

and experience, 36–40<br />

and <strong>poetry</strong>, 8, 23<br />

v. referentiality, 8, 12, 23, 27–8<br />

<strong>in</strong>direction, 3, 9–10, 27–8, 77–9,<br />

84, 99–103

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