Edge Level B - Unit 3 - Reading and Literar Anal sis Test
Edge Level B - Unit 3 - Reading and Literar Anal sis Test Edge Level B - Unit 3 - Reading and Literar Anal sis Test
1/23/12 Test View - ( Level B - Unit 3 - Reading and Literary Analysis ) Edge Level B - Unit 3 - Reading and Literary Analysis Test Test Code: 163 Student Name: https://admin.hbedge.net/test_print_view.asp?id=163 Date: Copyright ?The Hampton-Brown Co., Inc. Page 1 1/14
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
<strong>Edge</strong> <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> <strong>Test</strong><br />
<strong>Test</strong> Code: 163<br />
Student Name:<br />
https://admin.hbedge.net/test_print_view.asp?id=163<br />
Date:<br />
Copyright ?The Hampton-Brown Co., Inc.<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
Directions: Read the question <strong>and</strong> choose the best answer.<br />
1 The word disbelief means<br />
2<br />
3<br />
anger.<br />
relief.<br />
doubt.<br />
change.<br />
Study the dictionary entry for coffee.<br />
cof fee (co'fe, cof'e), n. 1. a beverage made from the<br />
roasted ground seeds of the coffee tree. 2. the seeds<br />
of the coffee tree. 3. the coffee tree. 4. a cup of<br />
coffee. 5. a medium to dark brown color. [1590-1600;<br />
< Italian caffe < Turkish kahve < Arabic qahwah]<br />
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The word guidance means<br />
art.<br />
advice.<br />
exercise.<br />
happiness.<br />
From which language does the word coffee originally come?<br />
Italian<br />
English<br />
Arabic<br />
Turkish<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
4<br />
Study the dictionary entry for quilt.<br />
quilt (kwilt), n. v. –n. 1. a coverlet for a bed, made of<br />
two layers of fabric with a soft filling between them<br />
<strong>and</strong> stitched together in patterns. 2. anything quilted<br />
or resembling a quilt. –v.t. 3. to stitch together,<br />
usually in an ornamental pattern. 4. to pad or line<br />
with material. [1250-1300; Middle English quilte <<br />
Old French cuilte < Latin culcita mattress, cushion]<br />
From which language does the word quilt originally come?<br />
Latin<br />
Old French<br />
Middle English<br />
Modern English<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
Directions: Read the selection. Then read the question <strong>and</strong> choose the best answer.<br />
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Hypatia<br />
"She's coming!"<br />
The students hurried to their seats. The huge auditorium was designed with semi-circular rows of stone so everyone<br />
could face the high center seat from which their teacher, Hypatia, would speak. The students hushed as an older<br />
woman strode in briskly to take her place. She had a strong <strong>and</strong> confident bearing. She wore the robe of a scholar<br />
rather than the usual dress of a woman. Though her hair was streaked with silver, it was easy to see that Hypatia had<br />
been a great beauty in her youth.<br />
Hypatia scanned the rows of faces <strong>and</strong> welcomed her students warmly. They were all men, some young, some old.<br />
Many had come to Alex<strong>and</strong>ria from far away places such as Syria, Constantinople, <strong>and</strong> Libya to hear her speak about<br />
mathematics. Today, she lectured them on her improved technique for long division.<br />
Afterward, one of her pupils stayed behind <strong>and</strong> spoke in a hushed voice. "Honored Teacher, I saw something that<br />
worried me. A man passed by while a large crowd of us waited for you. When he learned it was Hypatia for whom so<br />
many men stood in attendance, he grew dark in the face <strong>and</strong> left in anger. I was told this man was Bishop Cyril. He<br />
leads a growing mob. You may no longer be safe here."<br />
Hypatia knew the name of Bishop Cyril well, but she made light of the news <strong>and</strong> distracted her pupil with a<br />
mathematical challenge until he forgot his anxiety.<br />
Later in the day, Hypatia lectured to another large class of men on the subject of philosophy, an area of study dear<br />
to her heart. Again a student warned her to beware the growing power of Bishop Cyril. After class, Hypatia left the<br />
museum. She stepped into her chariot, taking the horse's reins herself <strong>and</strong> driving as a man would drive.<br />
Rather than going directly home, she detoured to the home of her dear friend, Orestes. Only a few short years ago,<br />
the eastern Imperial Emperor had named Orestes the Prefect of Alex<strong>and</strong>ria. In that time, Orestes had come to value<br />
Hypatia's advice. She had been born <strong>and</strong> raised in Alex<strong>and</strong>ria. She knew the men of power <strong>and</strong> how to deal with them.<br />
The men listened to Hypatia because she was revered as a philosopher, mathematician, <strong>and</strong> astronomer.<br />
As she drove, Hypatia thought of how fortunate she had been. Her father, Theon, had also been a famous scholar.<br />
He saw her brilliance as a young child. Instead of enforcing her segregation into the world of women, Theon had trained<br />
her in the men's world of philosophy <strong>and</strong> science. Because of Theon's decision, Hypatia had become a respected<br />
teacher.<br />
Orestes made her welcome, but Hypatia's eyes were drawn to the scars visible on his face. A short time ago, a<br />
mob of Cyril's followers had tried to kill Orestes by pelting him with stones. Thankfully, Hypatia's friend was a survivor.<br />
"Perhaps it would be wise to talk with Cyril," Hypatia suggested.<br />
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"We have no evidence that he sent those men against you."<br />
"I will not," Orestes responded. "If he is not directly responsible, he has created <strong>and</strong> encouraged hatred among his<br />
followers. He seeks to control this city. It is a struggle for power, nothing less. I represent the will of the Emperor, but<br />
he mocks me at every turn. But it is for you that I am most concerned."<br />
Hypatia sighed. "Yes, I know. He has made me his enemy, for no reason."<br />
"He has reasons. He hates you because you are a woman, but you dare to dress as a scholar <strong>and</strong> hold power like<br />
a man. He hates you because you are learned in science <strong>and</strong> reason. Reason works against his teachings."<br />
"To teach superstitions as truth is a most terrible thing."<br />
Orestes smiled. "So you have said many times."<br />
Before Hypatia left, Orestes urged her to be careful <strong>and</strong> not to go abroad by herself. Hypatia did what she could to<br />
ease his concerns, but he watched her leave with fear in his eyes.<br />
Alone in her hilltop villa, Hypatia felt a dark cloud on her heart. She looked out over Alex<strong>and</strong>ria, her home. The great<br />
conqueror, Alex<strong>and</strong>er of Macedon, had founded the city in his name seven hundred years ago. Across the bay, the<br />
magnificent Lighthouse of Pharos towered above its isl<strong>and</strong>, its fire <strong>and</strong> mirror lighting the way for mariners crossing the<br />
Mesogios Sea from Greece or Rome here to Egypt.<br />
Her eyes passed over the ruins of the Temple of Serapis, where the last surviving part of the great Library of<br />
Alex<strong>and</strong>ria had been destroyed. It was burned by the same type of fanatics who now did Cyril's will. So much<br />
knowledge lost! It was a tragedy of epic size, a loss to historians, scientists, philosophers, <strong>and</strong> countless others.<br />
Hypatia felt love for the city well up inside her, yet even more, she loved the pursuit of science <strong>and</strong> rational thought.<br />
"Reserve your right to think, for even to think wrongly is better than not to think at all," she would tell her students.<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
Eyeing the bright Egyptian sun sinking toward the horizon, Hypatia thought ahead to the classes she was to hold<br />
on using the astrolabe, a device she had helped to perfect. She would teach her students to use the astrolabe to<br />
compute the time <strong>and</strong> location of the sun <strong>and</strong> stars for the study of astronomy. Her mind w<strong>and</strong>ered into mathematical<br />
computations, <strong>and</strong> she thought no more of Cyril.<br />
Cyril <strong>and</strong> his followers continued to think of Hypatia, though. One day, as so many had feared, a vicious mob<br />
dragged her from her chariot <strong>and</strong> murdered her. Her friend Orestes was unable to bring her killers to justice. Soon he left<br />
Alex<strong>and</strong>ria, ab<strong>and</strong>oning the city to the ruthless Cyril. The city that had once flourished with learning fell into darkness,<br />
but some of Hypatia's students survived to spread her words of wisdom <strong>and</strong> continue her work.<br />
5 Which sentence from the story most<br />
clearly shows the narrator's respect for<br />
Hypatia?<br />
6<br />
Hypatia scanned the rows of faces.<br />
She had a strong <strong>and</strong> confident bearing.<br />
Hypatia thought of how fortunate she<br />
had been.<br />
An older woman strode in briskly to take<br />
her place.<br />
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Which detail best shows that Hypatia is<br />
a popular, respected teacher?<br />
Her father was a famous scholar.<br />
Her students are both young <strong>and</strong> old<br />
men.<br />
She teaches her pupils mathematics<br />
<strong>and</strong> philosophy.<br />
Men travel from other places to study<br />
with her.<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
7 If "Hypatia" were rewritten so that<br />
Orestes was the narrator, the reader<br />
would most likely know less about<br />
9<br />
Orestes' attack.<br />
Cyril's followers.<br />
Hypatia's feelings.<br />
Hypatia's reputation.<br />
People hate what they cannot control.<br />
Everyone has the right to an education.<br />
People will respect others if they<br />
receive respect.<br />
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To be a survivor means to<br />
live through a hardship.<br />
imitate what others do.<br />
try to control other people.<br />
lie about something important.<br />
8 Which sentence best states a theme of<br />
this story?<br />
10 Evidence means information that<br />
Planning helps prevent problems.<br />
helps prove something.<br />
is collected from books.<br />
is exchanged by e-mail.<br />
appears in the newspaper.<br />
11<br />
A tragedy is a<br />
scary place.<br />
difficult task.<br />
terrible event.<br />
certain failure.<br />
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Snark Hunting<br />
J.R. is what you'd call the boss of the school. Everybody does what he says. Nobody disobeys him. If you're his<br />
friend, your life is easy, but if you provoke him…well, let's just say you don't want to see him when he is angry. We got<br />
along fine because I always went along with whatever he wanted to do—that is, until Mariko came along.<br />
Mariko was an exchange student from Tokyo. Why a big city girl decided to endure a year in a small country<br />
school like this is beyond me. She was always so polite <strong>and</strong> nice to everybody!<br />
Page 7<br />
That made her a prime c<strong>and</strong>idate for one of J.R.'s stupid jokes. It's not that he was prejudiced. Nobody was spared<br />
being the victim of his "jokes."<br />
Naturally, Mariko desperately wanted to make friends, so she was an easy target. He said he'd take her snark<br />
hunting. Most of us were tricked into going snark hunting in grade or middle school, when we'd spend a cold, scary<br />
night in the forest looking for an animal that didn't exist. Mariko, being from Japan, had never heard of snark hunting, so<br />
J.R. told her long stories about these "rare, shy creatures" that live only in our forests—an endangered species. He<br />
promised to show her a wild snark, but she had to swear to secrecy.<br />
J.R., his current girlfriend, his best friend, <strong>and</strong> I drove Mariko out to the forest preserve, miles from anywhere,<br />
bordered on one side by a small river. We trekked into the forest, <strong>and</strong> J.R. took her around in circles until she was<br />
thoroughly confused. I could see her anxiety rising. She would jump at the sound of old trees rubbing bark together in<br />
the wind, but I've heard it so much in my life, along with the other noises of the forest, that I hardly noticed. To someone<br />
from a big city, such as Mariko, every creak <strong>and</strong> groan, even the rurrup of a bullfrog, was something to worry about.<br />
J.R. took her to a cove <strong>and</strong> warned her to remain totally quiet so that the snarks would come out. He said we'd be<br />
close by, but we went to the car <strong>and</strong> drove back to town. J.R. said we'd go back for her in a few hours. We went to the<br />
diner to hang out, but every minute we sat there in warm comfort, I thought about Mariko alone in the darkness. "This is<br />
wrong, J.R.," I finally said. I stood up.<br />
J.R. jumped to his feet <strong>and</strong> blocked my way. He said menacingly, "Don't you dare spoil my fun."<br />
"What is she going to think of us after this? Do you want her to take that impression back to Japan? I don't."<br />
"If you set foot out that door now, don't bother coming back."<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
I swallowed hard. I knew what he meant, <strong>and</strong> there was no turning back.<br />
I raced back to the cove, but Mariko wasn't there. I began searching, calling her name. After what seemed an<br />
eternity, Mariko called back in a hushed voice. She reached out <strong>and</strong> took my h<strong>and</strong> in the darkness. I could feel that she<br />
was trembling.<br />
I blurted out the true story about snarks being a made-up story, a cruel joke. I must have apologized a hundred<br />
times.<br />
"But I have seen the snarks," she said. I never realized how perfect <strong>and</strong> precise her English was. Each word was so<br />
carefully spoken, like a river rock that had been polished into a fine gemstone.<br />
She led me to where the river formed a side pool. "Look," she whispered. "The snarks."<br />
Two dark, brown creatures frolicked in the pool, their slick fur gleaming in the moonlight. They dove in <strong>and</strong> out of the<br />
water, playing with ab<strong>and</strong>on like happy children. They stood erect, their whiskers quivering as they tasted the world<br />
around them. It was a pair of river otters. All my life, I've walked this river <strong>and</strong> never seen otters until this night. It was<br />
pure magic. It is funny that someone has to come from the other side of the world to show you what is in your own<br />
backyard.<br />
12 Which detail shows that the story is 13<br />
written in first-person point of view?<br />
It uses dialogue to tell what happens.<br />
The narrator is one of the characters.<br />
The conflict is between two characters.<br />
It has a beginning, a middle, <strong>and</strong> an<br />
end.<br />
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What is missing from the story because<br />
it is told from the first-person point of<br />
view?<br />
a description of the setting<br />
the narrator's opinion of Mariko<br />
the thoughts <strong>and</strong> feelings of J.R.<br />
Page 8<br />
an explanation of the narrator's actions<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
14 After the narrator rescues Mariko, J.R.<br />
will most likely<br />
16 To provoke people means to<br />
force them to act.<br />
apologize to Mariko.<br />
face them in battle.<br />
be cruel to the narrator.<br />
remain friends with the narrator.<br />
take Mariko snark hunting again.<br />
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protect them from harm.<br />
prepare them for challenges.<br />
15 Why does the narrator decide to rescue<br />
Mariko?<br />
He wants to see the snarks.<br />
He enjoys hiking in the forest.<br />
He cares what Mariko thinks of him.<br />
He is tired of J.R. telling him what to do.<br />
17 To endure means to<br />
continue to exist.<br />
wait for a chance.<br />
cure with medicine.<br />
end with a surprise.<br />
18<br />
Desperately means<br />
deeply.<br />
carefully.<br />
frantically.<br />
comfortably.<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
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Just Another Night<br />
Page 10<br />
They huddled under the heavy hedge as the footsteps came closer, crackling through the dead leaves. Gruff voices<br />
called to each other through the darkness—"Here? Naw, I already checked there. You take the left side <strong>and</strong> I'll take the<br />
right."<br />
Robert gazed calmly into the eyes of the couple with him. Only their eyes revealed their anxiety, containing the<br />
same question as always—would they survive this?<br />
Robert glanced at the boy huddled under his mother's arm. If he cried or even sneezed, their cause was lost. The<br />
mother tightened her grip on her son <strong>and</strong> nodded slightly at Robert. He guessed she was remembering his warning to<br />
keep the child quiet no matter what.<br />
Sweat glistened on the father's face as the searchers crashed through the woods. This was his family, his risk. It<br />
was a good thing it was a moonless night, Robert thought grimly. These bushes were not thick enough to hide them<br />
from a full moon.<br />
Why he chose to do this repeatedly was a mystery to those acquainted with him. Two years earlier he had taken<br />
the journey for the first time, escaping himself from the man who "owned" him.<br />
Robert had slipped away one evening while the master was distracted with his daughter's wedding party. He ran all<br />
night through the fields until, exhausted, he arrived at a "safe" house—his first stop on the Underground Railroad. For<br />
the next two months, kind families sheltered him along the way until he reached the safety of Philadelphia.<br />
Once Robert tasted freedom, he knew he could not just remain in Philadelphia. So many others deserved <strong>and</strong><br />
craved freedom. So he returned to the South, again <strong>and</strong> again. Each time he collected a few people, a family, whoever<br />
was willing. He guided so many former slaves to the North that there was a bounty on his head. But Robert was a<br />
survivor. He had made it his job to help others survive too.<br />
Robert watched the dancing of the searcher's lantern as the man peered into the shadows on the opposite side of<br />
the clearing. Suddenly, the little boy whimpered. The searcher whipped around <strong>and</strong> stood perfectly still, tilting his head<br />
slightly. Then he began to move slowly, menacingly, in their direction.<br />
The woman slipped her head down <strong>and</strong> noiselessly kissed the boy's ear. He buried his face in her dress. The light<br />
flickered through the thick shrub <strong>and</strong> past them. Then it came back. The woman's h<strong>and</strong>s gripped her faded skirt so<br />
tightly that her knuckles gleamed whitely through her brown skin. The searcher peered intently into the shrub, <strong>and</strong> just<br />
then, a rabbit burst out of it, startling him. It ran across his feet <strong>and</strong> disappeared into the darkness. The searcher<br />
laughed nervously <strong>and</strong> moved away to the next clearing.<br />
Robert was already planning the next step; they would remain hidden another hour, until he was certain the<br />
searchers were gone. Then they would continue on. It was just another night in the life of Robert Wilson.<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
19 The narrator in this story is someone 22<br />
who is<br />
a character who speaks directly to the<br />
reader.<br />
outside the story <strong>and</strong> knows what all the<br />
characters think.<br />
a character who experiences the events<br />
of the story.<br />
outside the story <strong>and</strong> knows what<br />
Robert thinks.<br />
20 Which word best describes Robert? 23 Anxiety means<br />
brave<br />
proud<br />
clever<br />
honest<br />
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Which detail from story best shows that<br />
the mother of the boy is frightened?<br />
She nods her head at Robert when he<br />
looks at her.<br />
She bends her head to kiss her son<br />
quietly on his ear.<br />
She holds her son tightly while they hide<br />
in the hedge.<br />
She holds her skirt so tightly that her<br />
knuckles are white.<br />
pride.<br />
worry.<br />
greed.<br />
anger.<br />
21 The man with the lantern most likely<br />
wants to<br />
take the family to the North.<br />
separate the family from Robert.<br />
share some news with the family.<br />
keep the family from escaping slavery.<br />
24<br />
Distracted means<br />
unable to agree.<br />
unable to pay attention.<br />
unsure about a decision.<br />
unsure about an answer.<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
Read the selection. Then read the question <strong>and</strong> write your answer in the box.<br />
25<br />
Alex is reading "Just Another Night." As he reads, he wants to make inferences. Write<br />
to recommend a strategy that you use for making inferences during reading:<br />
1. Explain the strategy.<br />
2. Give an example of how to use it, based<br />
on specific information from the story.<br />
Making Inferences Rubric<br />
Points Criteria<br />
8<br />
6<br />
4<br />
2<br />
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• Recommends <strong>and</strong> fully explains an appropriate strategy for making inferences during<br />
reading.<br />
• Provides an effective, specific example from the selection of how to use the<br />
recommended strategy for making inferences during reading.<br />
• Recommends <strong>and</strong> adequately explains an appropriate strategy for making inferences<br />
during reading.<br />
• Provides an appropriate, general example from the selection of how to use the<br />
recommended strategy for making inferences during reading.<br />
• Recommends <strong>and</strong> partially explains an appropriate strategy for making inferences<br />
during reading.<br />
• May or may not provide an example from the selection of how to use the<br />
recommended strategy for making inferences during reading.<br />
• Recommends <strong>and</strong> may minimally explain an appropriate strategy for making<br />
inferences during reading.<br />
• May or may not include an example from the selection.<br />
0 Response is totally incorrect or irrelevant.<br />
For Teacher Use Only<br />
Item 25 0 2 4 6 8<br />
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1/23/12 <strong>Test</strong> View - ( <strong>Level</strong> B - <strong>Unit</strong> 3 - <strong>Reading</strong> <strong>and</strong> <strong>Literar</strong>y <strong>Anal</strong>y<strong>sis</strong> )<br />
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