The Ethnicity of the Sea Peoples - RePub - Erasmus Universiteit ...
The Ethnicity of the Sea Peoples - RePub - Erasmus Universiteit ...
The Ethnicity of the Sea Peoples - RePub - Erasmus Universiteit ...
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after <strong>the</strong> end <strong>of</strong> <strong>the</strong> Bronze Age. 43 Drews fur<strong>the</strong>r shows<br />
that <strong>the</strong> round shield is used toge<strong>the</strong>r with a slashing<br />
sword, two spears or javelins, and metal greaves in handto-hand<br />
fighting by skirmishers. 44 In an earlier period,<br />
Greek infanterists were used to <strong>the</strong> towershield, which<br />
covered <strong>the</strong> entire body. <strong>The</strong> latter shield also turns up in<br />
<strong>the</strong> Iliad particularly in association with <strong>the</strong> Salaminian<br />
hero Aias. But sometimes <strong>the</strong> poet (= poetic tradition<br />
epitomized in Homeros) gets confused and calls <strong>the</strong> towershield<br />
(sakos) “small” (Iliad XIV, 376) and wrongly associates<br />
it with greaves (Iliad III, 330-5), whereas <strong>the</strong> round<br />
shield (aspis) is stated to “reach <strong>the</strong> feet” (Iliad XV, 645-<br />
6). 45 Ano<strong>the</strong>r striking Late Bronze Age reminiscent besides<br />
<strong>the</strong> towershield is <strong>the</strong> boar’s tusk helmet (Iliad X,<br />
261-5). An important factor, however, in Late Bronze Age<br />
fighting is formed by <strong>the</strong> chariot. In Egyptian reliefs it is<br />
shown that <strong>the</strong> chariot was used as a mobile platform to<br />
shoot arrows with <strong>the</strong> composite bow. 46 In <strong>the</strong> Iliad <strong>the</strong><br />
chariots are sometimes used for fighting with a long lance<br />
or spear, just as it is depicted on a Late Helladic IIA seal<br />
from Vapheio in <strong>the</strong> Argolid. 47 But in general <strong>the</strong> original<br />
use <strong>of</strong> <strong>the</strong> chariot as a mobile platform from which <strong>the</strong><br />
warrior actually fights seems no longer clear to <strong>the</strong> poet<br />
and he stages it, in line with pictorial evidence from Late<br />
Helladic IIIC, 48 as a taxi for elite warriors to move to <strong>the</strong><br />
front, where <strong>the</strong>y get out and fight on foot as infanterists<br />
(note, however, that in some instances, as at <strong>the</strong> beginning<br />
<strong>of</strong> Iliad XII, this tactic is merely determined by <strong>the</strong> terrain,<br />
because <strong>the</strong> chariots cannot possibly cross <strong>the</strong> ditch in<br />
front <strong>of</strong> <strong>the</strong> wall near <strong>the</strong> ships <strong>of</strong> <strong>the</strong> Greek camp).<br />
43 Drews 1993a: 177-9.<br />
44 Drews 1993a: 176-208.<br />
45 For <strong>the</strong> erroneous coalescence <strong>of</strong> <strong>the</strong>se data into a very “big<br />
round shield” which can only be carried by fairy tale heroes, see<br />
van Wees 1992: 17-22.<br />
46 Drews 1993a: 104-34; Drews 1988: 84 ff.<br />
47 Crouwel 1981: Pl. 11; cf. Wiesner 1968: F 27; F 95.<br />
48 E.g. Crouwel 1981: Pl. 59; note that Crouwel’s (1981: 119 ff.)<br />
downplaying <strong>of</strong> <strong>the</strong> early evidence for Mycenaean warriors actually<br />
fighting from <strong>the</strong> chariot, reducing it to <strong>the</strong> scene <strong>of</strong> <strong>the</strong> seal<br />
from Vapheio just mentioned to <strong>the</strong> neglect <strong>of</strong>, for example, <strong>the</strong><br />
scenes on <strong>the</strong> stelae from <strong>the</strong> shaft graves (Crouwel 1981: Pls. 35-<br />
7), is induced by his preoccupation with <strong>the</strong> most common Homeric<br />
use <strong>of</strong> <strong>the</strong> chariot as a taxi, so that his conclusion (Crouwel<br />
1981: 151) that <strong>the</strong> iconographic evidence agrees with this particular<br />
Homeric use is not only a simplification <strong>of</strong> <strong>the</strong> state <strong>of</strong> affairs<br />
but in effect rests on circular reasoning.<br />
26<br />
<strong>The</strong> palace-bound civilization <strong>of</strong> Late Bronze Age<br />
Greece was characterized by an intricate system <strong>of</strong> administration<br />
on clay tablets inscribed in Linear B. Homeros, on<br />
<strong>the</strong> o<strong>the</strong>r hand, is totally unaware <strong>of</strong> this script – his only<br />
reference to a regular script, <strong>the</strong> smata lugra “baneful<br />
signs” in <strong>the</strong> Bellerophon story (Iliad VI, 168), defines this<br />
as an exotic phenomenon.<br />
It also seems reasonable to suggest that <strong>the</strong> use <strong>of</strong><br />
clothing pins or fibulae, as referred to in both <strong>the</strong> Iliad (X,<br />
133; XIV, 180 [both verbal forms]) and <strong>the</strong> Odyssey (XIX,<br />
226; 256), constitutes an Early Iron Age feature, because<br />
<strong>the</strong>se objects only turn up in graves from <strong>the</strong> latter period.<br />
Note in this connection that <strong>the</strong> peron according to Herodotos<br />
is a characteristic feature <strong>of</strong> Doric dress. 49<br />
Finally, <strong>the</strong>re are some names paralleled only for<br />
Early Iron Age texts. This has a bearing on <strong>the</strong> Arimoi in<br />
<strong>the</strong> territory where Typhoeus is situated, which probably<br />
refers to <strong>the</strong> volcanic island <strong>of</strong> Pi<strong>the</strong>cussae <strong>of</strong>f <strong>the</strong> coast <strong>of</strong><br />
present-day Naples in Italy, and hence we are likely to be<br />
dealing here with Aramaeans (Iliad II, 781-3); 50 <strong>the</strong> Kimmerians,<br />
who invaded Anatolia and nor<strong>the</strong>rn Mesopotamia<br />
from <strong>the</strong> Russian Crimea at <strong>the</strong> end <strong>of</strong> <strong>the</strong> 8th century BC<br />
and <strong>the</strong>refore are thoroughly out <strong>of</strong> place in <strong>the</strong> context <strong>of</strong><br />
Odysseus’ visit to <strong>the</strong> underworld somewhere in <strong>the</strong> central<br />
Mediterranean (Odyssey XI, 14); lake Gygaia in Maeonia,<br />
likely to be named after <strong>the</strong> Lydian tyrant Gyges, who<br />
ruled from 685 to 657 BC (Iliad XX, 390-1; cf. II, 865); 51<br />
and <strong>the</strong> Dorians on Crete, who, as we have shown above,<br />
can only be surmised to have colonized <strong>the</strong> island at <strong>the</strong><br />
end <strong>of</strong> <strong>the</strong> Submycenaean or beginning <strong>of</strong> <strong>the</strong> Protogeometric<br />
period (Odyssey XIX, 177).<br />
Notwithstanding <strong>the</strong>se Early Iron Age features, which<br />
have filtered in during <strong>the</strong> hundreds <strong>of</strong> years <strong>of</strong> improvised<br />
epic performances by <strong>the</strong> bards and which no doubt can be<br />
multiplied by closer study, <strong>the</strong> heart and core <strong>of</strong> <strong>the</strong> Homeric<br />
poems reflects a Late Bronze Age politico-historical<br />
setting. One <strong>of</strong> <strong>the</strong> strongest arguments to underline this<br />
statement is formed by <strong>the</strong> fact that Heinrich Schliemann<br />
on <strong>the</strong> basis <strong>of</strong> <strong>the</strong> geographical information in Homeros’<br />
epics excavated <strong>the</strong> citadels <strong>of</strong> Troy (1870), Mycenae<br />
(1876), and Tiryns (1884) – an empirical approach in <strong>the</strong><br />
49 Lorimer 1950: 337; cf. also porp mentioned in Iliad XVIII,<br />
401. For <strong>the</strong> Dark Ages in general, see Desborough 1972 and<br />
Snodgrass 2000.<br />
50 Bernal 1991: 192.<br />
51 Kullmann 1999: 192.