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The Ethnicity of the Sea Peoples - RePub - Erasmus Universiteit ...

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after <strong>the</strong> end <strong>of</strong> <strong>the</strong> Bronze Age. 43 Drews fur<strong>the</strong>r shows<br />

that <strong>the</strong> round shield is used toge<strong>the</strong>r with a slashing<br />

sword, two spears or javelins, and metal greaves in handto-hand<br />

fighting by skirmishers. 44 In an earlier period,<br />

Greek infanterists were used to <strong>the</strong> towershield, which<br />

covered <strong>the</strong> entire body. <strong>The</strong> latter shield also turns up in<br />

<strong>the</strong> Iliad particularly in association with <strong>the</strong> Salaminian<br />

hero Aias. But sometimes <strong>the</strong> poet (= poetic tradition<br />

epitomized in Homeros) gets confused and calls <strong>the</strong> towershield<br />

(sakos) “small” (Iliad XIV, 376) and wrongly associates<br />

it with greaves (Iliad III, 330-5), whereas <strong>the</strong> round<br />

shield (aspis) is stated to “reach <strong>the</strong> feet” (Iliad XV, 645-<br />

6). 45 Ano<strong>the</strong>r striking Late Bronze Age reminiscent besides<br />

<strong>the</strong> towershield is <strong>the</strong> boar’s tusk helmet (Iliad X,<br />

261-5). An important factor, however, in Late Bronze Age<br />

fighting is formed by <strong>the</strong> chariot. In Egyptian reliefs it is<br />

shown that <strong>the</strong> chariot was used as a mobile platform to<br />

shoot arrows with <strong>the</strong> composite bow. 46 In <strong>the</strong> Iliad <strong>the</strong><br />

chariots are sometimes used for fighting with a long lance<br />

or spear, just as it is depicted on a Late Helladic IIA seal<br />

from Vapheio in <strong>the</strong> Argolid. 47 But in general <strong>the</strong> original<br />

use <strong>of</strong> <strong>the</strong> chariot as a mobile platform from which <strong>the</strong><br />

warrior actually fights seems no longer clear to <strong>the</strong> poet<br />

and he stages it, in line with pictorial evidence from Late<br />

Helladic IIIC, 48 as a taxi for elite warriors to move to <strong>the</strong><br />

front, where <strong>the</strong>y get out and fight on foot as infanterists<br />

(note, however, that in some instances, as at <strong>the</strong> beginning<br />

<strong>of</strong> Iliad XII, this tactic is merely determined by <strong>the</strong> terrain,<br />

because <strong>the</strong> chariots cannot possibly cross <strong>the</strong> ditch in<br />

front <strong>of</strong> <strong>the</strong> wall near <strong>the</strong> ships <strong>of</strong> <strong>the</strong> Greek camp).<br />

43 Drews 1993a: 177-9.<br />

44 Drews 1993a: 176-208.<br />

45 For <strong>the</strong> erroneous coalescence <strong>of</strong> <strong>the</strong>se data into a very “big<br />

round shield” which can only be carried by fairy tale heroes, see<br />

van Wees 1992: 17-22.<br />

46 Drews 1993a: 104-34; Drews 1988: 84 ff.<br />

47 Crouwel 1981: Pl. 11; cf. Wiesner 1968: F 27; F 95.<br />

48 E.g. Crouwel 1981: Pl. 59; note that Crouwel’s (1981: 119 ff.)<br />

downplaying <strong>of</strong> <strong>the</strong> early evidence for Mycenaean warriors actually<br />

fighting from <strong>the</strong> chariot, reducing it to <strong>the</strong> scene <strong>of</strong> <strong>the</strong> seal<br />

from Vapheio just mentioned to <strong>the</strong> neglect <strong>of</strong>, for example, <strong>the</strong><br />

scenes on <strong>the</strong> stelae from <strong>the</strong> shaft graves (Crouwel 1981: Pls. 35-<br />

7), is induced by his preoccupation with <strong>the</strong> most common Homeric<br />

use <strong>of</strong> <strong>the</strong> chariot as a taxi, so that his conclusion (Crouwel<br />

1981: 151) that <strong>the</strong> iconographic evidence agrees with this particular<br />

Homeric use is not only a simplification <strong>of</strong> <strong>the</strong> state <strong>of</strong> affairs<br />

but in effect rests on circular reasoning.<br />

26<br />

<strong>The</strong> palace-bound civilization <strong>of</strong> Late Bronze Age<br />

Greece was characterized by an intricate system <strong>of</strong> administration<br />

on clay tablets inscribed in Linear B. Homeros, on<br />

<strong>the</strong> o<strong>the</strong>r hand, is totally unaware <strong>of</strong> this script – his only<br />

reference to a regular script, <strong>the</strong> smata lugra “baneful<br />

signs” in <strong>the</strong> Bellerophon story (Iliad VI, 168), defines this<br />

as an exotic phenomenon.<br />

It also seems reasonable to suggest that <strong>the</strong> use <strong>of</strong><br />

clothing pins or fibulae, as referred to in both <strong>the</strong> Iliad (X,<br />

133; XIV, 180 [both verbal forms]) and <strong>the</strong> Odyssey (XIX,<br />

226; 256), constitutes an Early Iron Age feature, because<br />

<strong>the</strong>se objects only turn up in graves from <strong>the</strong> latter period.<br />

Note in this connection that <strong>the</strong> peron according to Herodotos<br />

is a characteristic feature <strong>of</strong> Doric dress. 49<br />

Finally, <strong>the</strong>re are some names paralleled only for<br />

Early Iron Age texts. This has a bearing on <strong>the</strong> Arimoi in<br />

<strong>the</strong> territory where Typhoeus is situated, which probably<br />

refers to <strong>the</strong> volcanic island <strong>of</strong> Pi<strong>the</strong>cussae <strong>of</strong>f <strong>the</strong> coast <strong>of</strong><br />

present-day Naples in Italy, and hence we are likely to be<br />

dealing here with Aramaeans (Iliad II, 781-3); 50 <strong>the</strong> Kimmerians,<br />

who invaded Anatolia and nor<strong>the</strong>rn Mesopotamia<br />

from <strong>the</strong> Russian Crimea at <strong>the</strong> end <strong>of</strong> <strong>the</strong> 8th century BC<br />

and <strong>the</strong>refore are thoroughly out <strong>of</strong> place in <strong>the</strong> context <strong>of</strong><br />

Odysseus’ visit to <strong>the</strong> underworld somewhere in <strong>the</strong> central<br />

Mediterranean (Odyssey XI, 14); lake Gygaia in Maeonia,<br />

likely to be named after <strong>the</strong> Lydian tyrant Gyges, who<br />

ruled from 685 to 657 BC (Iliad XX, 390-1; cf. II, 865); 51<br />

and <strong>the</strong> Dorians on Crete, who, as we have shown above,<br />

can only be surmised to have colonized <strong>the</strong> island at <strong>the</strong><br />

end <strong>of</strong> <strong>the</strong> Submycenaean or beginning <strong>of</strong> <strong>the</strong> Protogeometric<br />

period (Odyssey XIX, 177).<br />

Notwithstanding <strong>the</strong>se Early Iron Age features, which<br />

have filtered in during <strong>the</strong> hundreds <strong>of</strong> years <strong>of</strong> improvised<br />

epic performances by <strong>the</strong> bards and which no doubt can be<br />

multiplied by closer study, <strong>the</strong> heart and core <strong>of</strong> <strong>the</strong> Homeric<br />

poems reflects a Late Bronze Age politico-historical<br />

setting. One <strong>of</strong> <strong>the</strong> strongest arguments to underline this<br />

statement is formed by <strong>the</strong> fact that Heinrich Schliemann<br />

on <strong>the</strong> basis <strong>of</strong> <strong>the</strong> geographical information in Homeros’<br />

epics excavated <strong>the</strong> citadels <strong>of</strong> Troy (1870), Mycenae<br />

(1876), and Tiryns (1884) – an empirical approach in <strong>the</strong><br />

49 Lorimer 1950: 337; cf. also porp mentioned in Iliad XVIII,<br />

401. For <strong>the</strong> Dark Ages in general, see Desborough 1972 and<br />

Snodgrass 2000.<br />

50 Bernal 1991: 192.<br />

51 Kullmann 1999: 192.

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