Abstracts - International Initiative for Georgian Cultural Studies
Abstracts - International Initiative for Georgian Cultural Studies
Abstracts - International Initiative for Georgian Cultural Studies
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Mariam Didebulidze. Secular Tendencies in the Culture of Queen Tamar’s Epoch and its<br />
Contemporaneous Mural Painting ------------------------------------------------------------------------------------<br />
Pavlos Flourentzos. The Byzantine Mosaics and Wall Painting of Churches in Cyprus ----------------------<br />
Aleksandra Davidov Temerinski. Eschatology, Ideology, Contextualisation:<br />
The Last Judgment in Dečani, Akhtala and Timotesubani ---------------------------------------------------------<br />
Ida Sinkevic. Fresco Icons in Monumental Art of Georgia and Byzantium: Meaning and Significance ----------------<br />
Irine Mamaiashvili. Post Byzantine Tendencies in 16th c. <strong>Georgian</strong> Mural Painting --------------------------<br />
Beatrice Tolidjian. <strong>Georgian</strong> Inspiration <strong>for</strong> External Wall Decoration of Gregorios<br />
Pakourianos Foundations Around Plovdiv, Bulgaria ---------------------------------------------------------------<br />
Tamar Khundadze. The Images of Historical Figures in Medieval (6th -11thc) <strong>Georgian</strong> Facade Sculpture --------------------------------------------------------------------------------------------<br />
Ekaterine Kvachatadze. The Main Trends of the Medieval <strong>Georgian</strong> Facade Sculpture After 11 th c -----------------<br />
Peter Grossmann. Roman and Late Roman Elements in the Early Christian<br />
Architecture of Egypt in Comparison with the Situation in Georgia ----------------------------------------------<br />
John Wilkinson. Where did Georgia’s Churches Start? -----------------------------------------------------------<br />
Irine Giviashvili. <strong>Georgian</strong> Polyapsidal Church Architecture ----------------------------------------------------<br />
Ketevan Abashidze. Stone Facing in <strong>Georgian</strong> Ecclesiastic Architecture --------------------------------------<br />
David Khoshtaria. Architecture of Tao-Klarjeti: History and Perspectives of Study --------------------------<br />
Dr. Bruno Baumgartner. Unknown and Less Known <strong>Georgian</strong> Monuments in Northeast Turkey ----------------<br />
Markus Bogisch. Some Remarks on <strong>Georgian</strong> Art History and the Cross-in-square<br />
Core of the Church in Oshki in the Historic Province of Tao (Northeast Turkey) -------------------------------<br />
Nato Gengiuri. Porches of <strong>Georgian</strong> Churches (From Early Christian Period to Advanced<br />
Middle Ages) --------------------------------------------------------------------------------------------------------------<br />
Irma Berdzenishvili. The Ecclesiastic Architecture of Abkhazeti in Early Middle Ages ----------------------<br />
Edith Neubauer. <strong>Georgian</strong> Medieval Architecture and Sculpture and the Central<br />
European Romanesque Period -----------------------------------------------------------------------------------------<br />
Veronica Kalas, Yavuz Özkaya. The <strong>Georgian</strong> Aspects of Medieval Architecture at Ani in<br />
the Thirteenth Century: The Church of Tigran Honents and the Mosque of Minuchir -------------------------<br />
Rosemary Basic. Georgia and Croatia: A Case of Common Source --------------------------------------------<br />
Leila Khuskivadze. Ornament in Medieval <strong>Georgian</strong> Repousse work ------------------------------------------<br />
Maria Lidova. Creating a Liturgical Space: the Sinai Complex of Icons by Ioannes Tsohabi --------------------<br />
Nana Burchuladze. <strong>Georgian</strong> Icons at St. Catherine’s Monastery on Mount Sinai<br />
(To <strong>Georgian</strong>-Byzantine interrelations) -------------------------------------------------------------------------------<br />
Alexsander Saminski. The Miniatures and Origin of the Berti Gospel-------------------------------------------<br />
Nino Kavtaria. Artistic Aspects of the 12th-13th 77<br />
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c <strong>Georgian</strong> Gospels Illumination ----------------------------- 91<br />
Lali Osepashvili. The Peculiarities of the Decorative Design of the <strong>Georgian</strong><br />
Liturgical Scrolls (XII-XIV centuries) --------------------------------------------------------------------------------- 91<br />
Izolda Melikishvili. The Symbolic Meaning of Color and Form of the Ecclesiastic Vestments ------------------- 92<br />
Poster Presentations ----------------------------------------------------------------------------------------------------93-94<br />
III Section Modernism in Georgia MIG<br />
Gaston Buachidze. <strong>Georgian</strong> Painting in European Context: Niko Pirosmani,<br />
Lado Gudiashvili, David Kakabadze ----------------------------------------------------------------------------------<br />
Gogi Khoshtaria. Binary Opposition in Niko Pirosmanashvili’s Works and Modernist Art ---------------------<br />
Liana Antelava. Continual Model of the Universal Space/Time in <strong>Georgian</strong> Paintings ----------------------<br />
Marina Medzmariashvili. Pirosmani’s Art in the Framework of European Modernism ---------------------<br />
Nana Kipiani. “Poetically Abides a Man” --------------------------------------------------------------------------<br />
Anna Shanshiashivili. The Painting of Niko Pirosmani in the Context of<br />
Late 19th –Early 20th 109<br />
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c. European Art --------------------------------------------------------------------------------------------- 111<br />
Nestan Tatarashvili. European <strong>Cultural</strong> Heritage - Art Nouveau Architecture in Georgia --------------------- 112<br />
Maia Tsitsishvili. From Expressionism to Dada: <strong>Georgian</strong> Painting from<br />
1910 to the 1930s (Based on Recent Discoveries) -------------------------------------------------------------------113<br />
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