Abstracts - International Initiative for Georgian Cultural Studies
Abstracts - International Initiative for Georgian Cultural Studies
Abstracts - International Initiative for Georgian Cultural Studies
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CONTENTS<br />
Preface<br />
Nikoloz Vacheishvili. Minister of Culture, Monuments Protection and Sports of Georgia ------------------- 12<br />
Maka Dvalishvili. Project Leader, <strong>Georgian</strong> Arts and Culture Center ------------------------------------------ 13<br />
Symposium Bodies ----------------------------------------------------------------------------------------------------- 16<br />
Acknowledgments ------------------------------------------------------------------------------------------------------ 17<br />
Foreword<br />
Dimiti Tumanishvili. G. Chubunashvili National Center of <strong>Georgian</strong><br />
Art History and Monuments Protection, Tbilisi State Academy of Art --------------------------------------------20<br />
Teimuraz Sakvarelidze. G. Chubunashvili National Center of <strong>Georgian</strong><br />
Art History and Monuments Protection -------------------------------------------------------------------------------21<br />
I. Section Ancient Georgia AG<br />
Nino Jakeli. Ancient Jewelry and Other Works of Art from the Upper<br />
Paleolithic Site of Dzudzuana Cave (Western <strong>Georgian</strong>) -----------------------------------------------------------<br />
Nino Shanshashvili, Giorgi Narimanishvili. <strong>Cultural</strong> Interaction of Mesopotamia<br />
with the South Caucasus in the Early Bronze Age -------------------------------------------------------------------<br />
Zurab Makharadze. The Works of Art from Multilayered Site at Tsikhiagora ---------------------------------<br />
Karen S. Rubinson. A Re-evaluation of Kuftin’s Analysis of the Trialeti Silver Goblet and<br />
Bucket in Light of Modern Theory and Current Archaeological Knowledge ------------------------------------<br />
Anna Kldiashvili. Image Semantics and the Model of the Universe in Pre-Christian <strong>Georgian</strong> Culture -----------<br />
Mikheil Abramishvili. From Çatalhöyük to Svetitskhoveli - Extracts from the Enduring Cult of the Bull ------------<br />
Goderdzi Narimanashvili, Kakha Khimshiashvili. Bronze Age Settlements in Trialeti ---------------------<br />
Ketevan Ramishvili. Horse Figurines in Old Georgia and Names Relating<br />
to Horse-Breeding in the <strong>Georgian</strong> Language -----------------------------------------------------------------------<br />
Nino Gomelauri. Georgia and Eurasia in the 2nd-1st 38<br />
39<br />
39<br />
40<br />
40<br />
41<br />
41<br />
42<br />
Millennia BC according to Minor Bronze Plastics --------------43<br />
Manana Tsereteli. Colchian Ritual Axe / Semantics and Artistic Style ------------------------------------------43<br />
Ori Soltes. Defining <strong>Georgian</strong>ness in Antiquity --------------------------------------------------------------------- 44<br />
Tamaz Sanikidze. About the Main Stages in the History of the Rock-Carved Town of Uplistsikhe ------------44<br />
Mariam Gvelesiani. For the Interpretation of an Anthropomorphic Figure from Katlanikhevi ------------- 45<br />
Vakhtang Shatberashvili. Two Painted Glass Jugs from the Village Khovle ----------------------------------46<br />
Teimuraz Bibiluri. Temple of Apollo in Greater Mtskheta -------------------------------------------------------- 47<br />
Amiran Kakhidze, Michael Vickers. Trade, Economic and <strong>Cultural</strong> Connections between<br />
Athens and Colchis in the Classical Period (According to the Material Obtained by<br />
the Joint <strong>Georgian</strong>-British Expedition to Pitchvnari) ---------------------------------------------------------------47<br />
Nino Dzneladze. Greek Painted Pottery from Pitchvnari ----------------------------------------------------------48<br />
Tamar Shalikadze, Emzar Ebralidze. Commercial and <strong>Cultural</strong> Ties between<br />
Gonio-Apsaros and the Western Mediterranean --------------------------------------------------------------------- 48<br />
Merab Khalvashi. Imported Amphorae at Pitchvnari ------------------------------------------------------------- 49<br />
Irine Varshalomidze. Roman Coins from Gonio-Apsaros ---------------------------------------------------------49<br />
Shota Mamuladze, Emzar Kakhidze. Apsaros – The Roman <strong>Cultural</strong> Centre<br />
at the Eastern Black Sea Coast ---------------------------------------------------------------------------------------- 50<br />
II. Medieval Georgia MG<br />
Christopher Haas. Ioane Zedazneli: A <strong>Georgian</strong> Saint in the Syrian Ascetical Tradition -------------------- 75<br />
Alexei M. Lidov. Eastern Christian ‘Image-Paradigms’: A Hierotopic Dimension of<br />
Medieval Art History ---------------------------------------------------------------------------------------------------- 75<br />
Ekaterine Gedevanishvili, Marine Kenia. The Correlation of the Word and Image in<br />
the Medieval <strong>Georgian</strong> Mural Painting -------------------------------------------------------------------------------76<br />
Ori Soltes. The Art of “The Knight” in its Contexts ---------------------------------------------------------------- 76<br />
7
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