Abstracts - International Initiative for Georgian Cultural Studies

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ACKNOWLEDGEMENTS Organizational Committee of the International Symposium of Georgian Art owes a special debt to Ministry of Culture, Monuments Protection and Sport of Georgia and Minister Nikoloz Vacheishvili, personally, for the generous support of the Symposium and to the Georgian Arts & Culture Center and its director Maka Dvalishvili for the initiative and organization of this event. We would like to acknowledge Ministry of Culture, Monuments Protection and Sport of Georgia, Department of Tourism and Resorts of Georgia; Ministry of Education, Tourism and Sports of Achara Autonomic Republic, Administration of Governor in Kakheti Region for their support in realization of the Symposium. We have the deepest gratitude for Georgian National Academy of Sciences , G. Chubunashvili National Center of Georgian Art History and Monuments Protection, I. Javakhishvili Tbilisi State University, Tbilisi State Academy of Arts, Georgian National Museum, The University of Georgia, Georgian Historical Monuments Defense and Survival Center; Merab Berdzenishvili International Culture Center «Muza». Our special appreciation and thanks goes to Alexander Dumas Centre of French Culture, Delegation of the European Commission to Georgia, Eurasia Partnership Foundation, European Foundation Stepbeyond Mobility Fund / Open Society Institute Budapest, Goethe Institute, GTZ, Harriman Institute at Columbia University, Georgian Studies Center, Italian Embassy in Georgia, Trust for Mutual Understanding, United States Embassy in Georgia, World Monuments Fund® Kress Program for their financial support. We have the deepest gratitude to the members of scientific council Dimitry Tumanishvili, Michael Abramishvili, Anna Kldiashvili, Nino Gaganidze, Nana Kuprashvili, Giulia Caneva for their enormous work. Special thanks to the Magi Style, Hosting Company “Mercury” Ltd, Grand Palace Hotel, Marco Polo, M-group, Georgian Public Broadcasting, Mze & Rustavi-2 for hosting, promotion and informational coverage of the Symposium. Particular gratitude to project team members whose efforts made this event possible: Ana Shanshiashvili, Eka Dvalishvili, Gega Paksashvili, Lia Sukhitashvili, Maka Dvalishvili, Maka Shavgulidze, Malkhaz Gelashvili, Maia Antadze, Molly Topuridze, Tamuna Kiknadze, Tatia Gvineria, Tea Gotsiridze, Sarah Bolson; We are also very grateful to all Symposium volunteers for their generous help. 17
winaTqma vaxtang beriZes, vgoneb, wardgena didad ar unda sWirdebodes. usacilod erTi uTvalsaCinoesi qarTveli xelovnebis istorikosi, xelovnebaTmcodneebis, arqiteqtorebis, mxatvrebis, TviT reJisorebisa da msaxiobebis ramdenime Taobis aRmzrdeli, mravali wamowyebis Tavkaci Tu monawile, igi verc rodis waiSleba qarTuli sazogadoebrivi mexsierebidan. Cinebulad icnobdnen b-n vaxtangs Cveni qveynis gareTac: kolegebi, rogorc gamorCeul swavluls, xolo yvela, visac odesme Sexvedria – rogorc farTod ganaTlebul, moazrovne, xiblian pirovnebas. swored vrceli Tvalsawieri uadvilebda v. beriZes urTierTobas sul gansxvavebul, sxvadasxva ganswavlis, asakis, erovnebis adamianebTan. am Tvisebamac gansazRvra warmateba b-ni vaxtangis da qarTuli kulturis italieli megobrebis, pirvel yovlisa, profesorebis adriano alpago-novelos da nino yauxCiSvilis mcdelobisa xangamoSvebiT Catarebuliyo saerTaSoriso samecniero Sexvedrebi Cveni xelovnebis istoriis Taobaze. qarTuli xelovnebisadmi miZRvnili simpoziumebi 1974-dan 1989 wlamde rogorc cnobilia, eqvsjer Catarda. sami maTgani g. CubinaSvilis saxelobis qarTuli xelovnebis istoriis institutis da misi direqtoris, b-ni v. beriZis moTaveobiT, saqarTveloSi gaimarTa da, saerTo aRiarebiT, masStabiTa da gaqanebiT qarTvelologiur kongresebs gautolda. amitomac, araferi gasakviria, rom rodesac 2007 wels niu-iorkSi, kolumbiis universitetis, xelovnebis saerTaSoriso centris da a. quTaTelaZis sax. Tbilisis saxelmwifo samxatvro akademiis erTobliv konferenciaze qarTuli xelovnebis Sesaxeb mkvlevarTa Tavyrilobebis yovelwliurad mowyobis survili gaCnda. daibada simpoziumebis aRorZinebisa da maTi vaxtang beriZis saxelTan dakavSirebis azric. momavali gviCvenebs, raoden nayofieri iqneba amjerad qarTveli da sxva qveynebis xelovnebis mkvlevarTa TanamSromloba, ra sixSiriTa da ra formiT warimarTeba igi. umTavresi, albaT, isaa, rom gadaidga pirveli nabiji SeerTebuli muSaobis gasacxoveleblad da didwilad Cvens SemarTebasa da SorsmWvretelobazea damokidebuli, iqneba Tu ara igi Sedegiani da mravlismomtani. 18 dimitri TumaniSvili simpoziumis samecniero sabWos Tavmjomare g. CubinaSvilis sax. qarTuli xelovnebis istoriis da ZeglTa dacvis erovnuli kvlevis centri
Page 2 and 3: vaxtang beriZis saxelobis qarTuli x
Page 4 and 5: Sinaarsi misalmeba nikoloz vaCeiSvi
Page 6 and 7: maria lidova. liturgiuli sivrcis Se
Page 8 and 9: CONTENTS Preface Nikoloz Vacheishvi
Page 10 and 11: Irine Abesadze. From Georgian Moder
Page 12 and 13: keTili iyos Tqveni mobrZaneba saqar
Page 14 and 15: I would like to wish you all a warm
Page 16 and 17: simpoziumi madlobas uxdis saqarTvel
Page 20 and 21: 1974 wels italiis qalaq, bergamoSi,
Page 22 and 23: In 1974, in Bergamo, Italy, an inte
Page 24 and 25: nino jayeli saqarTvelos erovnuli mu
Page 26 and 27: uZvelesi saqarTvelo Suabrinjaos xan
Page 28 and 29: uZvelesi saqarTvelo saqarTvelos ”
Page 30 and 31: uZvelesi saqarTvelo mis Tanadroul C
Page 32 and 33: uZvelesi saqarTvelo mamakacis muxle
Page 34 and 35: uZvelesi saqarTvelo Teimuraz bibilu
Page 36 and 37: uZvelesi saqarTvelo dasavleT xmelTa
Page 38 and 39: I SECTION ANCIENT GEORGIA
Page 40 and 41: ANCIENT GEORGIA Nino Shanshashvili,
Page 42 and 43: ANCIENT GEORGIA Mikheil Abramishvil
Page 44 and 45: ANCIENT GEORGIA Nino Gomelauri G. C
Page 46 and 47: ANCIENT GEORGIA the fourth arch (pl
Page 48 and 49: ANCIENT GEORGIA Teimuraz Bibiluri M
Page 50 and 51: ANCIENT GEORGIA Merab Khalvashi Bat
Page 52 and 53: II seqcia Sua saukuneebis saqarTvel
Page 54 and 55: Sua saukuneebis saqarTvelo xiluli d
Page 56 and 57: Sua saukuneebis saqarTvelo SeiZleba
Page 58 and 59: Sua saukuneebis saqarTvelo irine ma
Page 60 and 61: Sua saukuneebis saqarTvelo am relie
Page 62 and 63: Sua saukuneebis saqarTvelo jon vilk
Page 64 and 65: Sua saukuneebis saqarTvelo daviT xo
Page 66 and 67: Sua saukuneebis saqarTvelo mxat vru
Page 68 and 69:
Sua saukuneebis saqarTvelo adreqris
Page 70 and 71:
Sua saukuneebis saqarTvelo ufro ber
Page 72 and 73:
Sua saukuneebis saqarTvelo Tavis wa
Page 74 and 75:
Sua saukuneebis saqarTvelo izolda m
Page 76 and 77:
Christopher Haas Villanova Universi
Page 78 and 79:
from the 15th-18th c compare with i
Page 80 and 81:
define the place of action and emph
Page 82 and 83:
MEDIEVAL GEORGIA masters: Sometimes
Page 84 and 85:
MEDIEVAL GEORGIA the different Poly
Page 86 and 87:
Markus Bogisch University of Copenh
Page 88 and 89:
Edith Neubauer University of Leipzi
Page 90 and 91:
carving. The study of Georgian repo
Page 92 and 93:
MEDIEVAL GEORGIA Nino Kavtaria Nati
Page 94 and 95:
sastendo moxsenebebi / Poster Prese
Page 96 and 97:
III seqcia modernizmi saqarTveloSi
Page 98 and 99:
modernizmi saqarTveloSi gadawyvetas
Page 100 and 101:
modernizmi saqarTveloSi aRniSnuli t
Page 102 and 103:
modernizmi saqarTveloSi sacxovrebel
Page 104 and 105:
modernizmi saqarTveloSi maTi Semdgo
Page 106 and 107:
modernizmi saqarTveloSi ganviTarebi
Page 108 and 109:
modernizmi saqarTveloSi dakavSirebu
Page 110 and 111:
Gaston Buachidze de l’Académie d
Page 112 and 113:
MODERNISM IN GEORGIA Nana Kipiani G
Page 114 and 115:
MODERNISM IN GEORGIA Georgian Art N
Page 116 and 117:
MODERNISM IN GEORGIA Mzia Chikhradz
Page 118 and 119:
MODERNISM IN GEORGIA Tea Urushadze
Page 120 and 121:
IV seqcia restavracia/konservacia b
Page 122 and 123:
estavracia/konservacia gadawyvetile
Page 124 and 125:
estavracia/konservacia Selesilobis
Page 126 and 127:
estavracia/konservacia franCesko im
Page 128 and 129:
estavracia/konservacia da spilenZis
Page 130 and 131:
estavracia/konservacia Tea kinwuraS
Page 132 and 133:
Maia Shavishvili Department of Cult
Page 134 and 135:
RESTORATION/CONSERVATION Nicholas,
Page 136 and 137:
RESTORATION/CONSERVATION Francesco
Page 138 and 139:
RESTORATION/CONSERVATION Mari Claud
Page 140 and 141:
sastendo moxsenebebi / Poster Prese
Page 142 and 143:
knut gerberi GTZ. germania kulturul
Page 144 and 145:
kulturuli turizmi TovliT dafarul mw
Page 146 and 147:
kulturuli turizmi 4. uRimRamoa turi
Page 148 and 149:
kulturuli turizmi mqone biznesmeneb
Page 150 and 151:
kulturuli turizmi medali - evropa n
Page 152 and 153:
V SECTION CULTURAL TOURISM
Page 154 and 155:
CULTURAL TOURISM enjoy its riches.
Page 156 and 157:
CULTURAL TOURISM state and private
Page 158 and 159:
suggesting well-defined itineraries
Page 160 and 161:
At the same time, the inclusive nar
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