Abstracts - International Initiative for Georgian Cultural Studies
Abstracts - International Initiative for Georgian Cultural Studies Abstracts - International Initiative for Georgian Cultural Studies
At the same time, the inclusive narrative that makes a museum interesting and engaging for tourists is also beneficial to society at large, and not just because of increased tourist revenues: the atmosphere of an open museum fosters the constructive and inclusive dialog that is the bedrock of any enduring pluralistic society. Heritance developed the concept of the Open Museum in order to foster and promote open and inclusive museums. Heritance’s vision of the Open Museum is based on three core principles: Open Museography. Understanding others depends on listening to their stories and seeing things from their point of view. Open museums display objects and organize exhibits that tell stories from multiple and contrasting perspectives. Open Governance. Heritance believes that only museums that practice transparent, inclusive and open governance can consistently and reliably represent the diversity of any community. Moreover, open governance strengthens the community by modeling the practices essential to peaceful coexistence and local autonomy. Open Access. Open museums create an environment that is welcoming and accessible to the entire range of museum stakeholders. This means bringing the museum to the people through traveling exhibits, school outreach, performances, celebrations, and the Internet. Heritance was founded in February 2007 and during the first year of operation, delivered on-site workshops, consultations and seed grants to fifteen museums in eight countries, including Colombia, Kenya, Mexico, Rwanda, and South Africa Dimirti Japaridze Department of Tourism and Resorts of Georgia. Georgia Perspectives of Cultural Tourism in Georgia Ia Tabagari Caucasus Travel. Georgia Cultural Tourism - Relations Between Church and Tourism Industries Milan Prodanovic University of Novi Sad. Serbia CULTURAL TOURISM Dialogue of Cultures and the Clash of Civilization Agenda Related to The Issues of Educational/ Cultural Tourism and Related Topics of Regional Culture and Integration of European Heritage 159
160 vaxtang beriZis saxelobis qarTuli xelovnebis saerTaSoriso simpoziumi Vakhtang Beridze International Symposium of Georgian Art SeniSvnebi NOTES
- Page 110 and 111: Gaston Buachidze de l’Académie d
- Page 112 and 113: MODERNISM IN GEORGIA Nana Kipiani G
- Page 114 and 115: MODERNISM IN GEORGIA Georgian Art N
- Page 116 and 117: MODERNISM IN GEORGIA Mzia Chikhradz
- Page 118 and 119: MODERNISM IN GEORGIA Tea Urushadze
- Page 120 and 121: IV seqcia restavracia/konservacia b
- Page 122 and 123: estavracia/konservacia gadawyvetile
- Page 124 and 125: estavracia/konservacia Selesilobis
- Page 126 and 127: estavracia/konservacia franCesko im
- Page 128 and 129: estavracia/konservacia da spilenZis
- Page 130 and 131: estavracia/konservacia Tea kinwuraS
- Page 132 and 133: Maia Shavishvili Department of Cult
- Page 134 and 135: RESTORATION/CONSERVATION Nicholas,
- Page 136 and 137: RESTORATION/CONSERVATION Francesco
- Page 138 and 139: RESTORATION/CONSERVATION Mari Claud
- Page 140 and 141: sastendo moxsenebebi / Poster Prese
- Page 142 and 143: knut gerberi GTZ. germania kulturul
- Page 144 and 145: kulturuli turizmi TovliT dafarul mw
- Page 146 and 147: kulturuli turizmi 4. uRimRamoa turi
- Page 148 and 149: kulturuli turizmi mqone biznesmeneb
- Page 150 and 151: kulturuli turizmi medali - evropa n
- Page 152 and 153: V SECTION CULTURAL TOURISM
- Page 154 and 155: CULTURAL TOURISM enjoy its riches.
- Page 156 and 157: CULTURAL TOURISM state and private
- Page 158 and 159: suggesting well-defined itineraries
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vaxtang beriZis saxelobis qarTuli xelovnebis saerTaSoriso simpoziumi<br />
Vakhtang Beridze <strong>International</strong> Symposium of <strong>Georgian</strong> Art<br />
SeniSvnebi<br />
NOTES