Abstracts - International Initiative for Georgian Cultural Studies

Abstracts - International Initiative for Georgian Cultural Studies Abstracts - International Initiative for Georgian Cultural Studies

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suggesting well-defined itineraries both in Tao-Klarjeti and elsewhere Georgia, preparing visual material and texts for Turkish, Georgian, European and Asian tourist guides, and organizing seminars and lectures for hotel administrators and inhabitants in the vicinity of the monuments and museums, which will be discussed with the intention of initiating a Turkish-Georgian cooperation, not only to realize a well-equipped and organized program for cultural tourism but also to diminish the negative effects of mass tourism. Maka Dvalishvili Georgian Arts and Culture Center. Georgia Cultural Projects for Development CULTURAL TOURISM Throughout history, “Culture” (in particular “Art”) was considered to be a field of creativity, and of consumption of “noble” and “extraordinary” strata in society. Culture in the counties of the Soviet Union was subsidized by the government and was almost never regarded as an economically beneficial activity or business (except for artisanship). Contrary to in the West, this approach to culture still continues in Post Soviet countries, where the role of culture is merely reduced to aesthetic rather than economic value/ function. Therefore in terms of the market economy, culture should acquire an important role in economic development. The Western European and US experience proves that the percentage of cultural product income equals—and some cases exceeds—profits garnered in fields such as small businesses, tourism, crafts-based enterprises, and the movie or music industries. The field of culture acquires a special economic importance in a country such as Georgia, with its deeprooted cultural heritage and its tradition of cultural philosophy that has been an integral part of Georgian national identity for centuries. Despite the observed trends of overall cultural decline in modern Georgia, the idea of a national cultural identity has strong hold in Georgian consciousness, which makes transforming culture into profitable field viable. However, it is important to draw line between commercialized culture and authentic art. The culture economy is comprised of such field as cultural tourism, creative industries, cultural districts etc. that fosters an environment for further development of these fields as well as improves their sustainability. (It must be noted that this concerns only the applied fields but not the fine arts). Finally, the most important point is that transformation of culture into a profitable product should not threaten the artistic value of the art. Consequently, the tools for protection of artistic values should be determined and worked out. It is especially true that while cultural tourism is in its early stages of development in Georgia, all negative impacts of non-organized tourism should be investigated. To do so, we can consider the experiences of such cities as Venice, where the growth of the tourism industry has had a negative impact on local cultural heritage and infrastructure; The paper analyzes and presents considerations for the development cultural management and studies cases of cultural project development in Georgia. Mary Kay Judy Architectural and Cultural Heritage Conservation. USA Georgian Cultural Heritage as an Economic Resource The paper will establish that stewardship and legal protection of Georgian cultural heritage has direct benefits as a resource for local economic development. While the protection of local cultural heritage is vital for the preservation of national history and identity for generations to come- it also comprises a myriad of resources from Old Tbilisi, medieval churches and 157

wall paintings, the exceptional recent finds archaeological finds at Vani and Dmanisi, the towers of Svaneti, and more recently recognized Modernist heritage are imbued with great possibilities for Georgia’s future economic growth. Georgian cultural heritage, in addition to its intrinsic and irreplaceable values, also represents an important economic resource for the promotion of heritage tourism, support of local businesses, urban revitalization, increased employment opportunities, enhanced property values and the encouragement of foreign investment. Foreign investment in turn creates a vital tax base for the country in its continued economic development. The value of Georgian cultural heritage has been acknowledged internationally by the inscription of three UNESCO World Heritage Sites- and has the potential for many more sites to be nominated. Most recently, the restoration of the Virgin Church of Timotesubani received a Gold Medal in 2006 by the European Union’s Europa Nostra. This international stature was further illustrated by Georgia being the first country ever to be awarded an economic development loan on the basis of its exceptional cultural heritage by the World Bank in 1998. Before considering Georgian specific sites, international case studies will be presented with supporting financial data reflecting how cultural heritage is both an economically viable and sustainable resource. It is important to note however, that this does not propose the exploitation of resources or the promotion of unsustainable tourism. Potential case studies will include the following: • Heritage Tourism: The contributions of tourism to countries gross domestic product (GDP): For example, tourism in Cyprus accounts for 25% of the GDP, Malta 20% GDP, Germany 8% GDP and France 7% GDP. • Local Business Support: 60% of Macau’s retail revenue is generated in the country’s heritage conservation zones. • Enhanced Property Values: Published economic documentation on the rise of property values on buildings within Historic Landmarks Districts in New York City, by the New York City government. • Employment Opportunities: In Norway, historic restoration projects create on average 20% more jobs than comparably budgeted new construction projects. In France, 40,000 craftspeople are employed full-time in restoration work. 158 CULTURAL TOURISM • Owner Incentives: Britain and Italy both have property tax incentive programs for private heritage property owners that support and promote preservation, which in turn supports cultural heritage as an economic resource. After the international precedent of cultural heritage’s economic viability of cultural heritage has been established, existing and potential Georgian case studies that generate tourism and are economically sustainable will be profiled. The paper will conclude with proposals for several incentive plans and models, including tax credits/ abatements and revolving loans, designed for the local government and NGO’s to implement to promote awareness and benefits for the government and local private property owners of heritage buildings in Georgia. Maureen Doyle, Jeffrey Doyle Heritance. USA Cultural Tourism and the Open Museum Tourism is an industry based on difference. Cultural tourism engages the visitor by making difference and diversity intelligible through narrative. The key to great museograpy is telling engaging and convincing stories about real people and real events. And the best way to do this is to give all the characters a voice, because any story worth telling always has more than one side.

wall paintings, the exceptional recent finds archaeological finds at Vani and Dmanisi, the towers of Svaneti,<br />

and more recently recognized Modernist heritage are imbued with great possibilities <strong>for</strong> Georgia’s future<br />

economic growth.<br />

<strong>Georgian</strong> cultural heritage, in addition to its intrinsic and irreplaceable values, also represents an<br />

important economic resource <strong>for</strong> the promotion of heritage tourism, support of local businesses, urban<br />

revitalization, increased employment opportunities, enhanced property values and the encouragement of<br />

<strong>for</strong>eign investment. Foreign investment in turn creates a vital tax base <strong>for</strong> the country in its continued<br />

economic development.<br />

The value of <strong>Georgian</strong> cultural heritage has been acknowledged internationally by the inscription of three<br />

UNESCO World Heritage Sites- and has the potential <strong>for</strong> many more sites to be nominated. Most recently,<br />

the restoration of the Virgin Church of Timotesubani received a Gold Medal in 2006 by the European<br />

Union’s Europa Nostra.<br />

This international stature was further illustrated by Georgia being the first country ever to be awarded an<br />

economic development loan on the basis of its exceptional cultural heritage by the World Bank in 1998.<br />

Be<strong>for</strong>e considering <strong>Georgian</strong> specific sites, international case studies will be presented with supporting<br />

financial data reflecting how cultural heritage is both an economically viable and sustainable resource. It<br />

is important to note however, that this does not propose the exploitation of resources or the promotion of<br />

unsustainable tourism. Potential case studies will include the following:<br />

• Heritage Tourism: The contributions of tourism to countries gross domestic product (GDP): For<br />

example, tourism in Cyprus accounts <strong>for</strong> 25% of the GDP, Malta 20% GDP, Germany 8% GDP and<br />

France 7% GDP.<br />

• Local Business Support: 60% of Macau’s retail revenue is generated in the country’s heritage<br />

conservation zones.<br />

• Enhanced Property Values: Published economic documentation on the rise of property values on<br />

buildings within Historic Landmarks Districts in New York City, by the New York City government.<br />

• Employment Opportunities: In Norway, historic restoration projects create on average 20% more<br />

jobs than comparably budgeted new construction projects. In France, 40,000 craftspeople are employed<br />

full-time in restoration work.<br />

158<br />

CULTURAL TOURISM<br />

• Owner Incentives: Britain and Italy both have property tax incentive programs <strong>for</strong> private heritage<br />

property owners that support and promote preservation, which in turn supports cultural heritage as<br />

an economic resource.<br />

After the international precedent of cultural heritage’s economic viability of cultural heritage has been<br />

established, existing and potential <strong>Georgian</strong> case studies that generate tourism and are economically<br />

sustainable will be profiled.<br />

The paper will conclude with proposals <strong>for</strong> several incentive plans and models, including tax credits/<br />

abatements and revolving loans, designed <strong>for</strong> the local government and NGO’s to implement to promote<br />

awareness and benefits <strong>for</strong> the government and local private property owners of heritage buildings in<br />

Georgia.<br />

Maureen Doyle, Jeffrey Doyle<br />

Heritance. USA<br />

<strong>Cultural</strong> Tourism and the Open Museum<br />

Tourism is an industry based on difference. <strong>Cultural</strong> tourism engages the visitor by making difference<br />

and diversity intelligible through narrative. The key to great museograpy is telling engaging and convincing<br />

stories about real people and real events. And the best way to do this is to give all the characters a voice,<br />

because any story worth telling always has more than one side.

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