Abstracts - International Initiative for Georgian Cultural Studies

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I would like to wish you all a warm welcome to Georgia for the International Symposium of Georgian Arts, the Symposium named after noted Georgian scholar and art historian, Vakhtang Beridze. This year’s Symposium is the first international scholars meeting on Georgian Art to take place in Georgia after nearly a 20 year hiatus, when Vakhtang Beridze, director of Institute of Georgian Art History named after Giorgi Chubinashvili, organized the last of six Georgian Arts symposium in 1989. The initial rebirth of these scholarly discussions on Georgian Art happened in 2007 at Columbia University of New York City with the initiation and generous support of the Georgian Studies Center at Harriman Institute of Columbia University, in collaboration with Tbilisi State Academy of Art, the Georgian Arts and Culture Center, and the Fulbright Scholar Program. Georgian and American scholars gathered on Columbia’s campus to present their work to leading members of their respective fields as well as to discuss the future of Georgian cultural studies scholarship. The forthcoming symposium, “Georgian Arts in the Context of European and Asian Cultures,” builds on and expands the work started in the 2007 Symposium. With more than 115 leading scholars from the Georgia, Europe, Asia, and the United States presenting their papers and posters to highlight and summarize discoveries and investigations in the field from the past 20 years, to define trends of further art historical study, and to discuss the mechanisms available to raise the level of international scholarship of Georgian Cultural Studies, the Symposium likely will define the best methods of improving international collaboration and networking opportunities between art historians specializing in the South Caucasus area. Additionally, it will pay particular attention to the ever-evolving contextualization of Georgian art in relation to its European and Asian counterparts, as well as to Georgia’s contribution to past and present cultural world heritage. By taking into the consideration political and social changes in the region, the Symposium will focus on a combination of academic studies and the practice and problems of cultural heritage preservation in Georgia thereby fostering much-needed discussions on the practicality of cultural heritage for economic development via cultural tourism, cultural projects for development, etc. Onsite visits in Tbilisi, Western and Eastern Georgia will also highlight some of the important issues concerning cultural tourism and preservation. I have been especially pleased to note how many scholars expressed interest in presenting their works— this year’s Symposium will feature a total number of 5 sections, with 91 paper and 28 poster presentations—which speaks to the growing international importance of the subject of Georgian cultural studies. I would like to thank our many esteemed colleagues who have traveled from all over the world to join our meeting. As my final note, I must take this opportunity to thank all the members of the Organizational Committee and the Symposium Project Team for their creativity and hard work in assembling the program; Georgian authorities for their advisement; and local and international donor and sponsor organizations for their generous support in making this year’s Symposium a success. Maka Dvalishvili Project Leader Georgian Arts and Culture Center President 13
simpoziumis organizatorebi simpoziumi organizebulia saqarTvelos kulturis, ZeglTa dacvis da sportis saministros da xelovnebis saerTaSoriso centris mier simpoziumis Tanaorganizatorebi: aWaris avtonomiuri respublikis ganaTlebis, turizmisa da sportis saministro, g. CubinaSvilis sax. qarTuli xelovnebis istoriis da ZeglTa dacvis erovnuli kvlevis centri, Tbilisis saxelmwifo samxatvro akademia, ivane javaxiSvilis saxelobis Tbilisis saxelmwifo universiteti, saqarTvelos mecnierebaTa erovnuli akademia, saqarTvelos turizmisa da kurortebis departamenti mrCevelTa sabWo: nikoloz vaCeiSvili, Tavmjdomare, saqarTvelos kulturis, ZeglTa dacvisa da sportis ministri; dimitri TumaniSvili, g. CubinaSvilis saxelobis qarTuli xelovnebis istoriis da ZeglTa dacvis erovnuli kvlevis centri, Tbilisis saxelmwifo samxatvro akademia; giorgi buRaZe, Tbilisis saxelmwifo samxatvro akademiis reqtori; Tamaz gamyreliZe, saqarTvelos erovnuli mecnierebaTa akademiis prezidenti; Tamar beruCaSvili, saqarTvelos saxelmwifo ministris moadgile evrointegraciis sakiTxebSi; oTar bubaSvili, saqarTvelos turizmisa da kurortebis departamentis Tavmjdomare; roin (maTe) takiZe, aWaris avtonomiuri respublikis ganaTlebis, turizmisa da sportis ministri. samecniero sabWo: dimitri TumaniSvili, Tavmjdomare; mixeil abramiSvili, seqciis uZvelesi saqarTvelo koordinatori; ana kldiaSvili, seqciis Sua saukuneebis saqarTvelo koordinatori; nino RaRaniZe, seqciis modernizmi saqarTveloSi koordinatori; nana kupraSvili, seqciis restavracia/konservacia koordinatori; julia kaneva, qveseqciis biologiuri dazianebebi kulturul memkvidreobaSi koordinatori. proeqtis gundi: maka dvaliSvili, xelmZRvaneli, ana SanSiaSvili, koordinatori; gega paqsaSvili, dizaineri; eka dvaliSvili, lojistikis menejeri; TaTia Rvineria, koordinatori; Tamar kiknaZe, koordinatori; Tea gociriZe, eqspozicia; lia suxitaSvili, koordinatoris asistenti; maia anTaZe, finansebi; maka SavguliZe, komunikaciebis menejeri; malxaz gelaSvili, teqnikuri menejeri; moli TofuriZe, veb dizaini; sara bolsoni, inglisuri teqstis koordinatori. finansuri mxardaWera: aWaris avtonomiuri respublikis ganaTlebis, turizmisa da sportis saministro, Tbilisis saxelmwifo samxatvro akademia, ivane javaxiSvilis saxelobis Tbilisis saxelmwifo universiteti, kaxeTis mxareSi saxelmwifo rwmunebulis – gubernatoris administracia, merab berZeniSvilis saxelobis kulturis saerTaSoriso centri “muza“, saqarTvelos istoriul ZeglTa dacvis da gadarCenis fondi, saqarTvelos kulturis, ZeglTa dacvisa da sportis saministro, saqarTvelos mecnierebaTa erovnuli akademia, saqarTvelos turizmisa da kurortebis departamenti; al. diumas saxelobis franguli kulturis centri, aSS saelCo saqarTveloSi, germaniis teqnikuri TanamSromlobis sazogadoeba (GTZ ), goeTes instituti, evraziis partniorobis fondi, evrokomisiis warmomadgenloba saqarTveloSi, italiis saelCo saqarTveloSi, kolumbiis universitetis harimanis institutTan arsebuli qarTvelologiis centri, European Foundation Stepbeyond Mobility Fund / Open Society Institute Budapest, WORLD MONUMENTS FUND ® the Samuel H. Kress Foundation, Trust for Mutual Understanding. maspinZloba, sareklamo da sainformacio mxardaWera: Georgian Palace Hotel, magi stili, marko polo, mze, Mercury Classic, M jgufi, rusTavi-2, saqarTvelos sazogadoebrivi mauwyebeli 14
Page 2 and 3: vaxtang beriZis saxelobis qarTuli x
Page 4 and 5: Sinaarsi misalmeba nikoloz vaCeiSvi
Page 6 and 7: maria lidova. liturgiuli sivrcis Se
Page 8 and 9: CONTENTS Preface Nikoloz Vacheishvi
Page 10 and 11: Irine Abesadze. From Georgian Moder
Page 12 and 13: keTili iyos Tqveni mobrZaneba saqar
Page 16 and 17: simpoziumi madlobas uxdis saqarTvel
Page 18 and 19: ACKNOWLEDGEMENTS Organizational Com
Page 20 and 21: 1974 wels italiis qalaq, bergamoSi,
Page 22 and 23: In 1974, in Bergamo, Italy, an inte
Page 24 and 25: nino jayeli saqarTvelos erovnuli mu
Page 26 and 27: uZvelesi saqarTvelo Suabrinjaos xan
Page 28 and 29: uZvelesi saqarTvelo saqarTvelos ”
Page 30 and 31: uZvelesi saqarTvelo mis Tanadroul C
Page 32 and 33: uZvelesi saqarTvelo mamakacis muxle
Page 34 and 35: uZvelesi saqarTvelo Teimuraz bibilu
Page 36 and 37: uZvelesi saqarTvelo dasavleT xmelTa
Page 38 and 39: I SECTION ANCIENT GEORGIA
Page 40 and 41: ANCIENT GEORGIA Nino Shanshashvili,
Page 42 and 43: ANCIENT GEORGIA Mikheil Abramishvil
Page 44 and 45: ANCIENT GEORGIA Nino Gomelauri G. C
Page 46 and 47: ANCIENT GEORGIA the fourth arch (pl
Page 48 and 49: ANCIENT GEORGIA Teimuraz Bibiluri M
Page 50 and 51: ANCIENT GEORGIA Merab Khalvashi Bat
Page 52 and 53: II seqcia Sua saukuneebis saqarTvel
Page 54 and 55: Sua saukuneebis saqarTvelo xiluli d
Page 56 and 57: Sua saukuneebis saqarTvelo SeiZleba
Page 58 and 59: Sua saukuneebis saqarTvelo irine ma
Page 60 and 61: Sua saukuneebis saqarTvelo am relie
Page 62 and 63: Sua saukuneebis saqarTvelo jon vilk
Page 64 and 65:
Sua saukuneebis saqarTvelo daviT xo
Page 66 and 67:
Sua saukuneebis saqarTvelo mxat vru
Page 68 and 69:
Sua saukuneebis saqarTvelo adreqris
Page 70 and 71:
Sua saukuneebis saqarTvelo ufro ber
Page 72 and 73:
Sua saukuneebis saqarTvelo Tavis wa
Page 74 and 75:
Sua saukuneebis saqarTvelo izolda m
Page 76 and 77:
Christopher Haas Villanova Universi
Page 78 and 79:
from the 15th-18th c compare with i
Page 80 and 81:
define the place of action and emph
Page 82 and 83:
MEDIEVAL GEORGIA masters: Sometimes
Page 84 and 85:
MEDIEVAL GEORGIA the different Poly
Page 86 and 87:
Markus Bogisch University of Copenh
Page 88 and 89:
Edith Neubauer University of Leipzi
Page 90 and 91:
carving. The study of Georgian repo
Page 92 and 93:
MEDIEVAL GEORGIA Nino Kavtaria Nati
Page 94 and 95:
sastendo moxsenebebi / Poster Prese
Page 96 and 97:
III seqcia modernizmi saqarTveloSi
Page 98 and 99:
modernizmi saqarTveloSi gadawyvetas
Page 100 and 101:
modernizmi saqarTveloSi aRniSnuli t
Page 102 and 103:
modernizmi saqarTveloSi sacxovrebel
Page 104 and 105:
modernizmi saqarTveloSi maTi Semdgo
Page 106 and 107:
modernizmi saqarTveloSi ganviTarebi
Page 108 and 109:
modernizmi saqarTveloSi dakavSirebu
Page 110 and 111:
Gaston Buachidze de l’Académie d
Page 112 and 113:
MODERNISM IN GEORGIA Nana Kipiani G
Page 114 and 115:
MODERNISM IN GEORGIA Georgian Art N
Page 116 and 117:
MODERNISM IN GEORGIA Mzia Chikhradz
Page 118 and 119:
MODERNISM IN GEORGIA Tea Urushadze
Page 120 and 121:
IV seqcia restavracia/konservacia b
Page 122 and 123:
estavracia/konservacia gadawyvetile
Page 124 and 125:
estavracia/konservacia Selesilobis
Page 126 and 127:
estavracia/konservacia franCesko im
Page 128 and 129:
estavracia/konservacia da spilenZis
Page 130 and 131:
estavracia/konservacia Tea kinwuraS
Page 132 and 133:
Maia Shavishvili Department of Cult
Page 134 and 135:
RESTORATION/CONSERVATION Nicholas,
Page 136 and 137:
RESTORATION/CONSERVATION Francesco
Page 138 and 139:
RESTORATION/CONSERVATION Mari Claud
Page 140 and 141:
sastendo moxsenebebi / Poster Prese
Page 142 and 143:
knut gerberi GTZ. germania kulturul
Page 144 and 145:
kulturuli turizmi TovliT dafarul mw
Page 146 and 147:
kulturuli turizmi 4. uRimRamoa turi
Page 148 and 149:
kulturuli turizmi mqone biznesmeneb
Page 150 and 151:
kulturuli turizmi medali - evropa n
Page 152 and 153:
V SECTION CULTURAL TOURISM
Page 154 and 155:
CULTURAL TOURISM enjoy its riches.
Page 156 and 157:
CULTURAL TOURISM state and private
Page 158 and 159:
suggesting well-defined itineraries
Page 160 and 161:
At the same time, the inclusive nar
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