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Abstracts - International Initiative for Georgian Cultural Studies

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(per<strong>for</strong>med at the laboratory of the Tbilisi Art Academy); and photospectometral analysis of the binder—an<br />

infrared spectrometry (per<strong>for</strong>med at the STU laboratory of the Chair of Mineralogy). Further investigation<br />

of the icon using physical-optical (radiographic) methods is necessary.<br />

In order to investigate the binder used first the etalons were studied and then the micro fragments of the<br />

icon itself.<br />

Based on the result of the study, we consider that <strong>for</strong> the conservation of the icon the following methods<br />

should be used:<br />

Antisepticise the canvas and mechanically remove the fungi; 2) Remove the paper from the surface using<br />

dry method; 3) Individually allocate and fix all the micro fragments during the consolidation of gesso and<br />

painting by micro injecting organic glue under each fragment; this should be per<strong>for</strong>med using binocular,<br />

dosimeter, Teflon plates, and microspatel while fixing the painting; 4) attach of the canvas on the Japanese<br />

paper of relevant thickness; 5) Anoxia of the board and further consolidation of especially fragile parts with<br />

Paraloid B-72; filling the board losses with light wooden fragments; (This is also necessary <strong>for</strong> the fixation<br />

of repousse fragments). 6) After conservation, the canvas with the painting should be attached to a board.<br />

And, finally, to protect the icon from further damage, it is necessary to encase it in a special container<br />

with a Plexiglas organic glass cover to ensure stable climate conditions.<br />

Darejan Gogashvili<br />

Tbilisi State Academy of Art Georgia. Georgia<br />

Several Issues Relating to the Conservation of the Papyruses Kept in the National Centre of<br />

Manuscripts<br />

The National Centre of Manuscripts keeps approximately 160 papyrus fragments, including astrological<br />

and medical treatises, legal documents, psalms, a variety of receipts, and fragments of epistolary and literary<br />

texts, which range in date from the 3rd century BC to the 8th century.<br />

In the 1950s, many of these artifacts were placed between two sheets of glass. Most of the papyruses<br />

are fragile and brittle. The texts were executed primarily in carbon, and occasionally, in iron gall ink. This<br />

presentation examines damages to this ink layer as well as studies the causes of such damage. There are<br />

many instances of stratification and de<strong>for</strong>mation of vertical and horizontal stripes and of fibers. Some of<br />

the papyruses also preserve paper fragments that have been glued to them. Earth, dirt and dust can be seen<br />

on the folio surfaces. Damage can be explained by the technologies used in producing papyrus as writing<br />

material, the <strong>for</strong>m of manuscripts (a scroll or codex) and their settings in which the papyruses were found<br />

(their majority had been buried in earth).<br />

Furthermore, crystals of precipitated salt can be detected on the papyruses and glass surfaces. Research<br />

samples were prepared <strong>for</strong> salt identification. Qualitative analysis has been conducted to detect Na + , K + ,<br />

Cu2+ , Fe2+ , Cl- 2+ SO ions. The content of natrium, potassium and copper ions was determined on an atomic<br />

4<br />

absorption spectrometre, Perkin Elmer 300. Potassium rhodante was used <strong>for</strong> the detection of iron ions,<br />

2+ and silver nitrate <strong>for</strong> detection of chlorine nitrate, while the presence of SO content was determined by<br />

4<br />

means of BaCI Analysis has also shown the existence of natrium and chlorine ions in the solution that was<br />

2.<br />

studied. The precipitation of NaCI is a permanent, gradual process caused by the changing temperature and<br />

humidity.<br />

Relying on the findings of the research, the conclusive part of the presentation provides recommendations<br />

on conservation measures. The state of preservation of the papyruses, the type of damages and their<br />

causes, as well as the compatibility of conservation material and ink were taken into account while choosing<br />

conservation methods and materials.<br />

136<br />

RESTORATION/CONSERVATION

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