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Abstracts - International Initiative for Georgian Cultural Studies

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Maia Shavishvili<br />

Department of <strong>Cultural</strong> Heritage of the Ministry of Culture, Monuments Protection and Sport of Georgia.<br />

Georgia<br />

General Overview of the Restoration field in Georgia<br />

Recently the processes of heritage protection, as well as restoration and rehabilitation of cultural heritage<br />

sites, have been more actively managed by the Ministry of Culture, Monuments Protection and Sport<br />

of Georgia. The branch developed out of multidisciplinary studies and is based on international experience.<br />

Its work is promoted in different directions: “State Program <strong>for</strong> Rescuing Unique Monuments” is currently<br />

under way. Some one hundred monuments, including paintings, architecture and manuscripts, have been<br />

restored under this program. Special emphasis has also been placed on the monuments listed as the UNES-<br />

CO World Heritage Sites, and activity has begun on the following sites: Rehabilitation and infrastructure<br />

development of the Gelati Monastery complex; urgent intervention in a small Jvari Church in Mtskheta;<br />

documentation in the “Bagrati Church” in Kutaisi and carrying out research activities.<br />

The ministry collaborates with foundations <strong>for</strong> development of the branch to promote its work. Thanks<br />

to the support granted, the following work has been accomplished: translation and publication of a professional<br />

book under the authorship of I. Jakiletto, G. Caneva and I. Massari; publication of the collection of<br />

works “Conservation of Architectural Monuments”, among others.<br />

The Faculty of Restoration of Fine Arts and Architecture, earlier integrated with other faculties, was<br />

founded in 2004 as an individual unit at the A. Kutateladze Tbilisi State Academy of Art. A diagnosticresearch<br />

laboratory was set up at the above facility, and a special education program, which meets international<br />

standards, was developed.<br />

As a result, interest in the field has increased. <strong>Georgian</strong> government grants have paid more attention<br />

to restoration activities. Popularization of the branch has generated great demand. It is attracting young<br />

people, who now have of the opportunity to gain skills by working along side professionals.<br />

The Archives of the Department of Monuments’ Protection, <strong>for</strong>merly an independent body, was also<br />

integrated into the Ministry. Materials on restoration projects since 1920s are preserved in the archives. Today,<br />

parts of these documents can also be considered “monuments” of cultural heritage. They are of special<br />

value to restorers when accomplishing restoration and intervention activities.<br />

Sabina Vedovello<br />

C.B.C. Conservazione Beni <strong>Cultural</strong>i. Italy<br />

A Shared Project<br />

In this paper I would like to provide an overview of a long period of collaboration which began in 1996<br />

with funding from the World Bank Italian Trust Fund.<br />

That initial experience laid the foundations <strong>for</strong> an understanding of some of the principal problems<br />

facing the cultural heritage of <strong>Georgian</strong> monuments, and <strong>for</strong> the exchange of ideas about project planning<br />

and treatments.<br />

Three joint projects have been worked on up till now, in the churches at Kintsvisi, Timotesubani and<br />

Martvili. In each case, while the problems specific to the individual structures have been studied, at the same<br />

time each project has thrown light on approaches which can be applied in other situations. Furthermore, in<br />

each project <strong>Georgian</strong> professionals have shown ever higher levels and stronger senses of autonomy.<br />

The illustration of the three different projects, pointing out their intrinsic differences and sketching their<br />

separate evolutions, provides an idea of the complexity of the situations that had to be faced, and also shows<br />

how we arrived at the various treatment methods adopted, in each case following strict criteria aimed at<br />

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