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More oxford books @ www.OxfordeBook.com<br />

S E CONDARY SOURCE S<br />

ESSAY ON SOURCES 295<br />

There is a large body of secondary scholarship on Rand, much of which has enhanced and<br />

sharpened my own ideas, and only a fraction of which I can mention here. Scholarship<br />

on Rand has gone through roughly three overlapping waves. The fi rst books written<br />

about Rand attempted to either vindicate or denounce her philosophy. Into the critical<br />

camp fall works like William O’Neil’s With Charity towards None: An Analysis of Ayn<br />

Rand’s Philosophy (1971) and Sidney Greenberg’s Ayn Rand and Alienation (1977). Books<br />

that defend Rand, many written by her former students, include Douglas J. Den Uyl and<br />

Douglass B. Rasmussen’s The Philosophic Thought of Ayn Rand (1984), Leonard Peikoff’s<br />

Ominous Parallels: The End of Freedom in America (1982), and David Kelley’s Evidence of the<br />

Senses (1986). These works were largely consumed by the Objectivist community itself, a<br />

world riven with breaks and schisms dating from Rand’s day. These dynamics are described<br />

in Kelley, Truth and Toleration (1990) and The Contested Legacy of Ayn Rand: Truth and<br />

Toleration in Objectivism (2000).<br />

The 1986 publication of Barbara Branden’s Passion of Ayn Rand, followed by Nathaniel<br />

Branden’s Judgment Day: My Years with Ayn Rand (1989), decisively shifted the terms of<br />

debate by bringing Rand’s personal life front and center, at the same time attracting a<br />

broad popular audience. As a historical source, Barbara Branden’s biography has both<br />

strengths and weaknesses. Like the material issued by Rand’s estate, it does not adhere<br />

to rigorous standards of accuracy. Sentences that are presented in quotes as if they were<br />

spoken verbatim by Rand have been signifi cantly edited and rewritten, as anyone who<br />

listens to or reads the original interviews Branden used will quickly detect. Rand never<br />

lost either her Russian accent or her awkward sentence structure, and her actual words<br />

are full of circumlocutions and jarring formulations. Like the editors of Rand’s journals,<br />

Branden has created a new Rand, one far more articulate than in life.<br />

Moreover, Branden’s biography is marred by serious inaccuracies and tales that do<br />

not stand up to historical investigation, including the now debunked story that Rand<br />

named herself after her typewriter. Too often Branden takes Rand’s stories about herself<br />

at face value, reporting as fact information contradicted by the historical record.<br />

Although Branden’s biography was the fi rst book to describe Rand’s early life, it should<br />

be used with caution and in conjunction with volumes like Jeff Britting’s short biography,<br />

Ayn Rand (2004) and Anne Heller’s Ayn Rand and the World She Made (2009).<br />

Shoshana Milgram’s forthcoming authorized biography should become another<br />

resource of note.<br />

Nonetheless, as Rand’s closest friends for nearly twenty years, the Brandens’ memoirs<br />

remain important as accounts of Rand’s personal life. Barbara and Nathan were privy<br />

to Rand’s inner doubts, triumphs, and insecurities as were no others. Both memoirs are<br />

marked by a certain amount of score settling, often between the Brandens themselves.<br />

Responding to postpublication criticism, Nathaniel Branden released a revised My Years<br />

with Ayn Rand (1999), notable primarily for its softened portrait of Barbara Branden and<br />

an addendum describing Rand’s encounter with his third wife. All three of the Brandens’<br />

books concur in the fundamentals of their fi rst meeting with Rand, the progress of<br />

their relationship with her, and the events surrounding the rise and fall of NBI. Still the<br />

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