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172<br />

WHO IS JOHN GALT? 1957–1968<br />

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Man, asking her to write about “A Faith for Modern Management.” 10<br />

The many executives who distributed excerpts from Atlas Shrugged or<br />

sent copies to their friends further spread her message.<br />

When professional reviewers looked at Atlas Shrugged, they tended to<br />

overlook this celebration of business and the tight philosophical system<br />

that Rand had woven into her story. Instead they focused on her bitter<br />

condemnation of second-handers, looters, moochers, and other incompetents.<br />

Atlas Shrugged inspired a shocking level of vituperation. Reviews<br />

were often savage and mocking commentaries rather than literary assessments.<br />

The New York Times Book Review, which had generously praised<br />

The Fountainhead, featured a scathing article by the former Communist<br />

Granville Hicks, who declared, “Loudly as Miss Rand proclaims her love<br />

of life, it seems clear that the book is written out of hate.” For the most<br />

part, reviewers did not primarily object to Rand’s political or moral<br />

views, or even her adulation of the superior man. What they focused on<br />

instead was her tone and style. “The book is shot through with hatred,”<br />

wrote the Saturday Review. Others complained about Rand’s repetition,<br />

grim earnestness, and utter lack of humor. 11<br />

Reviewers were right to notice that alongside its reverent depiction<br />

of capitalist heroes, Atlas Shrugged had a decidedly misanthropic cast.<br />

In many ways the novel was the fi nal summation of the theory of<br />

resentment Rand had fi rst formulated in Crimea. It was also a return to<br />

the mood of her earliest unfi nished fi ction. Once again Rand let loose<br />

all the bile that had accumulated in her over the years. Particularly<br />

when John Galt takes center stage, Rand’s text seethes with anger and<br />

frustration and yields to a conspiracy theory that sees the world as a<br />

battleground between competence and incompetence. Galt tells his<br />

radio audience, “What we are now asked to worship, what had once<br />

been dressed as God or king, is the naked, twisted, mindless fi gure of<br />

the human Incompetent. . . . But we—we, who must atone for the guilt<br />

of ability—we will work to support him as he orders, with his pleasure<br />

as our only reward. Since we have the most to contribute, we have the<br />

least to say” (688). Rand’s Manichaean worldview comes through in<br />

Galt’s speech, with a competent elite facing off against an ineffectual<br />

commons.<br />

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