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170<br />

WHO IS JOHN GALT? 1957–1968<br />

More oxford books @ www.OxfordeBook.com<br />

to Galt’s Gulch, a refuge nestled deep in the mountains of Colorado,<br />

where they re-create a nineteenth-century world. Residents of the valley<br />

are on a fi rst-name basis with each other and attend Chautauqua-type<br />

lectures at night. The former head of Sanders Aircraft is a hog farmer;<br />

a federal court judge supplies the eggs and butter. Rand’s heroes are a<br />

diverse band of “producers,” including industrialists, artists, and scientists,<br />

whom she intended to embody moral truths. These producers<br />

lead moral lives because they do not extract resources from others, but<br />

depend on their own talents and ingenuity to advance. Once gathered<br />

together in the strike, they represent the pure and honest West, set<br />

against the corruption and overweening power of Washington.<br />

Rand made clear that these individualist principles underlay not only<br />

Galt’s Gulch, but industrial corporate capitalism, properly understood.<br />

In books like The Organization Man, White Collar, and The Lonely Crowd<br />

contemporary social scientists bemoaned the large company as a place<br />

of soulless conformity. By contrast, Rand presented corporate capitalism<br />

as the ultimate fi eld for expression of self. She was able to offer this<br />

alternate vision because she focused entirely on heroic individuals like<br />

Taggart and Rearden, who are able to shape great organizations in their<br />

own image.<br />

For those who could plausibly self-identify as the “producers” that<br />

Rand celebrated, the novel was a powerful justifi cation of their livelihood.<br />

Rand’s defense of wealth and merit freed capitalists from both<br />

personal and social guilt simultaneously. A businessman who reprinted<br />

fi ve hundred copies of her speech “Faith and Force” for distribution<br />

at his own expense made this clear in his cover letter: “Dear Friend:<br />

Is success wrong? Is it evil to earn a profi t—as much profi t as you can<br />

make honestly? Why should the morality of the successful person be<br />

criticized because of his success? . . . You may not agree with Miss Rand’s<br />

answers, but I don’t think you will ever forget her basic message.” 6<br />

A potent source of Rand’s appeal was “The Meaning of Money,” a<br />

speech from Atlas Shrugged. “So you think that money is the root of all<br />

evil?” asks dissolute copper magnate Francisco D’Anconia, misquoting<br />

the biblical injunction against love of money. He draws a direct correlation<br />

between money and merit, identifying wealth as the product of virtue,<br />

and concludes, “money is the root of all good.” This message spurred<br />

many corporations to spread the good news, and Rand granted several<br />

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