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More oxford books @ www.OxfordeBook.com<br />

CHAPTER THREE<br />

A New Credo of Freedom<br />

$<br />

by the time she completed the “Manifesto of Individualism”<br />

Ayn Rand’s interest in politics was all-consuming and her literary<br />

life was at a standstill. She left The Fountainhead manuscript largely<br />

unattended and plunged into another round of organizing efforts.<br />

Wielding Channing Pollock’s name and her writing, Rand began meeting<br />

as many New York “reactionaries” as possible. She was in a city<br />

known as the reddest in America; indeed the very phrase “New York<br />

intellectual” came to connote a certain type of leftist-literary thinker<br />

with Communist sympathies. What Rand joined instead was an alternate<br />

universe of other New York intellectuals, committed to free markets<br />

and laissez-faire.<br />

These contacts, particularly her new friend Isabel Paterson, further<br />

introduced Rand to the American individualist tradition she had encountered<br />

through her opposition to Roosevelt. Rand found libertarian ideas<br />

compelling but the libertarian attitude alarming. The Willkie campaign<br />

had energized Rand and convinced her that Americans were receptive<br />

to capitalist ideas, but it had the opposite effect on others. Alone among<br />

her fellows, it seemed, she believed in the possibility of political change.<br />

Through months of letter writing, meetings, and impassioned talks,<br />

Rand found few willing to join her crusade to develop a “new credo of<br />

freedom.” 1 Her organizing failures increased Rand’s sense of urgency.<br />

As she wrote to Pollock, “Who is preaching philosophical individualism?<br />

No one. And if it is not preached, economic individualism will not survive.”<br />

2 Rand had a new sense of mission that would eventually fi nd its<br />

way into her uncompleted manuscript.<br />

When she fi nally secured a publisher for The Fountainhead Rand<br />

returned to the book a different person, with different ways of thinking<br />

about the world. In its origins The Fountainhead refl ected Rand’s earlier<br />

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67

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