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Something in the Air<br />

Après mai<br />

Fri 7 – Thu 13 June<br />

Olivier Assayas (Summer Hours, Carlos)<br />

explores a period of contemporary French<br />

history rich with dramatic content: the years<br />

following the summer of 1968, when student<br />

uprisings took the nation by storm. Something<br />

in the Air centres on Gilles, who in 1971 is still<br />

committed to the cause and actively involved<br />

in local demonstrations. When a security guard<br />

is injured by his group, they break apart for a<br />

while and Gilles travels to Italy where he<br />

encounters conflicting ideologies and is<br />

eventually forced to choose between his<br />

political ideals and his ever growing artistic<br />

ambitions.<br />

In a loosely autobiographical story, Assayas<br />

captures the excitement and idealism of a<br />

generation who felt that they could (and in<br />

some cases did) evoke real societal reform.<br />

While some criticisms have been levelled at<br />

the film for being overly optimistic, it is certainly<br />

free of nostalgia and paints an accurate portrait<br />

of a time of youth, turbulence and change in<br />

France.<br />

Dir: Olivier Assayas<br />

France 2012 / 2h02m / Digital / cert tbc<br />

French with English subtitles<br />

Beware of Mr. Baker<br />

Fri 7 – Thu 13 June<br />

Long before the supergroup or fabricated pop star was invented<br />

there was Ginger Baker, a true original. An extraordinarily gifted<br />

artist, he has lived life on his own terms and is still a legend<br />

amongst his peers. Born in South East London the same week<br />

the Nazis began bombing, Baker’s first memories were of the<br />

sound of explosions. Intense and angry as a young man, he was<br />

always drumming. When jazz great Phil Seaman introduced him<br />

the sounds of African drumming (as well as heroin), Baker's<br />

unique sound took off. Success came quickly, but Baker<br />

chucked it all in in 1972 to drive the first Range Rover ever<br />

produced from London to Nigeria in pursuit of the African<br />

rhythms of musical icon Fela Kuti. There he found his Mecca of<br />

drumming and introduced African beats and world music to the<br />

West, years before any other musicians in the field.<br />

Unfortunately Baker’s African glory days were short-lived as he<br />

found himself looking down the barrel of a Nigerian officer’s<br />

machine gun. Leaving the continent significantly poorer, he<br />

returned to England where a pattern of divorces, self-destruction<br />

and countless groundbreaking musical works continued.<br />

Featuring testimonials from Eric Clapton, Jack Bruce, Stuart<br />

Copeland, Nick Mason, Johnny Rotten and Baker too, this<br />

documentary is a marriage of the film and music worlds through<br />

the life of an unforgettable and controversial musician. He shared<br />

the drugs, the music, the names, the groups, while stripping<br />

away the other voices as the conductor, time keeper, the master<br />

drummer of our time. Beware of Mr. Baker catapults the viewer<br />

into his beat – with every smash of the bass drum there is a man<br />

behind it smashing his way through life.<br />

Dir: Jay Bulger<br />

USA 2012 / 1h40m / Digital / cert tbc<br />

Bring a Baby screening Thu 13 June, 10:30<br />

Tickets 01382 909 900 11

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