ISS 25 (1995).pdf - The International Council of Museums
ISS 25 (1995).pdf - The International Council of Museums ISS 25 (1995).pdf - The International Council of Museums
into the region, to people living out of the center, and tried actively to create new ways to reach their undefined audience. circulating exhibitions took works of art out of the temples of art to ordinary people. Art was to be accessed in sub-libraries, schools, kindergartens, municipal halls. In the vanguaard of these activities also the idea of art education became a conscious part of the Finnish art museum activities. The new regional activities were adressed to a common man man living anywhere in the country. But nobody asked after or was even interested in, who was this ordinary man and what he liked, needed or appreciated. The target group for the new activities was considered homogenous in terms of national identity, although, we have a Swedish speaking minority on the southern and western coast, Saame-people living up to the North, karelians settled after World War Two or a small number of gypsies. Since those days we have got an additional group of minorities, refugees, whose position in our society is very vague. Anyhow the guestion of ethnic minorities or the current splitting up of the nation into A and B citizens due to the harsh figures of unemployment doesn't even today figure in our museums, even in regional museums. The community for regional museum in Finland is still, if differentiated at all, rather a mixture of people of different ages living in a certain area, rather than people with different interests or identities. The only explicated target group ever concerned within the regional art museum system has been the age-group of potential museum visitors - children - to be educated through art to art! We have got the system, but there is neither knowledge nor will, I'm afraid, to turn our regional museums into true community museums. Another factor is that the time, when also museums are measured only in terms of production and accountability - more institutional merits with less money, is not favourable to the idea of community museum. .. 2. 3. Regional art auseu.s activities were started as an ewperl.ent and the first reqlonal art auseuas were noainated at the beqinniq of 80s. Thomas S. Kuhn. The structure or SCientific Revolutions. 1969, The University of Chicago. Kenneth Hudson. The Great European Museu •. Mordlsk Huseoloql 2/1993. ISSM 1103-8152. 92
- Page 39 and 40: to promote communication and educat
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into the region, to people living out <strong>of</strong> the center, and tried<br />
actively to create new ways to reach their undefined audience.<br />
circulating exhibitions took works <strong>of</strong> art out <strong>of</strong> the temples <strong>of</strong><br />
art to ordinary people. Art was to be accessed in sub-libraries,<br />
schools, kindergartens, municipal halls. In the vanguaard <strong>of</strong><br />
these activities also the idea <strong>of</strong> art education became a<br />
conscious part <strong>of</strong> the Finnish art museum activities.<br />
<strong>The</strong> new regional activities were adressed to a common man man<br />
living anywhere in the country. But nobody asked after or was<br />
even interested in, who was this ordinary man and what he liked,<br />
needed or appreciated. <strong>The</strong> target group for the new activities<br />
was considered homogenous in terms <strong>of</strong> national identity,<br />
although, we have a Swedish speaking minority on the southern<br />
and western coast, Saame-people living up to the North,<br />
karelians settled after World War Two or a small number <strong>of</strong><br />
gypsies. Since those days we have got an additional group <strong>of</strong><br />
minorities, refugees, whose position in our society is very<br />
vague. Anyhow the guestion <strong>of</strong> ethnic minorities or the current<br />
splitting up <strong>of</strong> the nation into A and B citizens due to the<br />
harsh figures <strong>of</strong> unemployment doesn't even today figure in our<br />
museums, even in regional museums.<br />
<strong>The</strong> community for regional museum in Finland is still, if<br />
differentiated at all, rather a mixture <strong>of</strong> people <strong>of</strong> different<br />
ages living in a certain area, rather than people with different<br />
interests or identities. <strong>The</strong> only explicated target group ever<br />
concerned within the regional art museum system has been the<br />
age-group <strong>of</strong> potential museum visitors - children - to be<br />
educated through art to art!<br />
We have got the system, but there is neither knowledge nor will,<br />
I'm afraid, to turn our regional museums into true community<br />
museums. Another factor is that the time, when also museums are<br />
measured only in terms <strong>of</strong> production and accountability - more<br />
institutional merits with less money, is not favourable to the<br />
idea <strong>of</strong> community museum.<br />
..<br />
2.<br />
3.<br />
Regional art auseu.s activities were started as an ewperl.ent and the first reqlonal art<br />
auseuas were noainated at the beqinniq <strong>of</strong> 80s.<br />
Thomas S. Kuhn. <strong>The</strong> structure or SCientific Revolutions. 1969, <strong>The</strong> University <strong>of</strong> Chicago.<br />
Kenneth Hudson. <strong>The</strong> Great European Museu •. Mordlsk Huseoloql 2/1993. <strong>ISS</strong>M 1103-8152.<br />
92