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ISS 25 (1995).pdf - The International Council of Museums

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Paivi-Marjut Raippalinna<br />

REGIONAL ART MUSEUMS AND CHALLENGES OF COMMUNITY ORIENTATION - A<br />

CASE STUDY<br />

In Finland there has been built up during about twenty' years a<br />

system <strong>of</strong> regional museums covering for example 13 mainly<br />

municipally run art museums and twenty cultural historical<br />

museums provided with the status <strong>of</strong> regional museum. <strong>The</strong> system<br />

was guaranteed by the law in the year 1989. <strong>The</strong>se museums stand<br />

for the pr<strong>of</strong>essional expertise and are responsible for the<br />

heritage activities related to visual art in the region. <strong>The</strong><br />

basic idea beyond the system was, that the nominated museums<br />

were subsidized by the state according to certain measures (for<br />

example number and the qualification <strong>of</strong> the museum<br />

pr<strong>of</strong>essionals) because <strong>of</strong> their duties as the central museum <strong>of</strong><br />

the region. <strong>The</strong> ideological background <strong>of</strong> the system was<br />

coloured by the cultural policies in the seventies, that focused<br />

on equality: Regardless <strong>of</strong> social or geographic setting he or<br />

she should have access to art and culture and public art<br />

activities, including also art museums, their collections and<br />

exhibitions. <strong>Museums</strong> as public institutions were a media par<br />

exellence to advance the idea <strong>of</strong> equality in terms <strong>of</strong> cultural<br />

consumption along with the municipally run theatres or<br />

orchestras.<br />

As the regional art museums were concerned their aims were<br />

explicated as the following:<br />

- to make artists, acting in the region, and their products<br />

known to everyone<br />

- distribute knowledge on art and advance positive attitude<br />

towards art<br />

- advance cooperation between museums<br />

- preserve and document art in the region<br />

- to encourage communities in the region to use and produce<br />

different activities related to visual art<br />

- to create new diversified activities to respond to new<br />

challenges <strong>of</strong> the community<br />

<strong>The</strong> new system for regional (art) museums created new jobs and<br />

even new museums in the field. <strong>The</strong>re were different approaches<br />

in different museums to carry out their new community orientated<br />

duties. Cultural historical museums found their way out into the<br />

region through excavations, cultural protection and through the<br />

numerous local museums with a lot <strong>of</strong> energy and a little <strong>of</strong><br />

expertise. A common art museum mode was that <strong>of</strong> circulating<br />

easy-to-handle-sized exhibitions. Each museum had their<br />

individual choice <strong>of</strong> exhibitions in terms <strong>of</strong> their collections<br />

and interests . In Finland there hasn't been such an<br />

comprehensive system as Riksutstallningar in Sweden to produce<br />

89

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