ISS 25 (1995).pdf - The International Council of Museums
ISS 25 (1995).pdf - The International Council of Museums ISS 25 (1995).pdf - The International Council of Museums
climate around them, and once this need is recognised, they then can advocate it. Museum institutions face the problem of responding slowly to changes in the infrastructure that supports them, yet through their exhibits they have proved to be reflectors of change that can also take a proactive approach (Johnson, 1992; Kulik, 1992). It could be argued that museum professionals are not specifically qualified to suggest how individuals, cultures, or nations should behave. However, research carried out in museums, the collections on which this research is based, and the production of education programs and exhibits that are the vehicle for this presentation of this knowledge contradict this argument (Ladkin, 1993). Adaptations are adjustments that occur in species with respect to environmental forces, producing an adaptive response. These adaptations can be made genetically, as in natural selection, culturally, or environmentally. Museums can change their behaviour to better operate in their communities. They have, for example, adapted to the need for greater public accountability by devising and adhering to codes of ethics. They also have increased visitor numbers through the production of attractive public programmes. A niche is a functional position of a species in an environment, that includes habitat, timeframe of occurrence and resources gathered there. Museums have the unique role of holding collections and making them public through exhibit and research. Other entities, such as royal families and religious institutions, may hold collections, but may not necessarily make them publicly available, . Niches also can overlap somewhat in a 4iverse community, so museums may share niches with other species having similar functions, such as those relating to education, public policy, tourism and development, aesthetic appreciation, intellectual stimulation, and political empowerment. Diversity is the measurement of the richness of a community or area. A high level of diversity is associated with stable climax communities that have undergone uninterrupted development. Diversity produces stability because the community ecosystem has relatively little dependence on any single element. Diversity of both representation and appeal currently is strongly urged by the museum community (Karp and Lavine, 1991: Rice, 1993). Museums are both evidence of a diverse community with attendant stability, and its advocate. 60
- Page 7: SYMPOSIUM MUSEUM AND COMMUNITY, Par
- Page 11 and 12: heritage as community appropriation
- Page 13 and 14: and its plurality. Continuing on th
- Page 19: Dr. Eurydice in the paper 'Museums
- Page 22 and 23: For museums this would mean -among
- Page 24 and 25: Given the fact that museums have an
- Page 26 and 27: 5. CuraLOr 37. no 4 (1994), p. 227.
- Page 30 and 31: "pauimoine" de tous. n s'agit de re
- Page 35 and 36: La troisieme communaute - qui aujou
- Page 37 and 38: Heritage, Museum, Territory and Com
- Page 39 and 40: to promote communication and educat
- Page 41 and 42: ''The museum must openly embrace th
- Page 43 and 44: MUSEUMS and COMMUNITIES: a powerful
- Page 45 and 46: have many of the great museums adop
- Page 47 and 48: first immigrant housing. The first
- Page 49 and 50: plantation and harvesting times. Af
- Page 53: Museums and Communities - case stud
- Page 61 and 62: is made to produce a conceptual too
- Page 63: MUSEES ET COMMUNAUTES: UNE APPROCHE
- Page 66 and 67: irriage of, ifnot "superiority", th
- Page 68 and 69: The Finances The flow of money is a
- Page 71 and 72: «Les musees. interoretes du patrim
- Page 73 and 74: Seconde figure du patrimoine, celie
- Page 77 and 78: patrimoniale voudrait-elle incarner
- Page 81 and 82: MUSEUM AND COMMUNITY ,\nupama Nigam
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- Page 86 and 87: In order to attract the members of
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climate around them, and once this need is recognised, they then can advocate it.<br />
Museum institutions face the problem <strong>of</strong> responding slowly to changes in the<br />
infrastructure that supports them, yet through their exhibits they have proved to be<br />
reflectors <strong>of</strong> change that can also take a proactive approach (Johnson, 1992; Kulik, 1992).<br />
It could be argued that museum pr<strong>of</strong>essionals are not specifically qualified to suggest<br />
how individuals, cultures, or nations should behave. However, research carried out in<br />
museums, the collections on which this research is based, and the production <strong>of</strong><br />
education programs and exhibits that are the vehicle for this presentation <strong>of</strong> this<br />
knowledge contradict this argument (Ladkin, 1993).<br />
Adaptations are adjustments that occur in species with respect to environmental forces,<br />
producing an adaptive response. <strong>The</strong>se adaptations can be made genetically, as in<br />
natural selection, culturally, or environmentally. <strong>Museums</strong> can change their behaviour<br />
to better operate in their communities. <strong>The</strong>y have, for example, adapted to the need for<br />
greater public accountability by devising and adhering to codes <strong>of</strong> ethics. <strong>The</strong>y also<br />
have increased visitor numbers through the production <strong>of</strong> attractive public<br />
programmes.<br />
A niche is a functional position <strong>of</strong> a species in an environment, that includes habitat,<br />
timeframe <strong>of</strong> occurrence and resources gathered there. <strong>Museums</strong> have the unique role<br />
<strong>of</strong> holding collections and making them public through exhibit and research. Other<br />
entities, such as royal families and religious institutions, may hold collections, but may<br />
not necessarily make them publicly available, . Niches also can overlap somewhat in a<br />
4iverse community, so museums may share niches with other species having similar<br />
functions, such as those relating to education, public policy, tourism and development,<br />
aesthetic appreciation, intellectual stimulation, and political empowerment.<br />
Diversity is the measurement <strong>of</strong> the richness <strong>of</strong> a community or area. A high level <strong>of</strong><br />
diversity is associated with stable climax communities that have undergone<br />
uninterrupted development. Diversity produces stability because the community<br />
ecosystem has relatively little dependence on any single element. Diversity <strong>of</strong> both<br />
representation and appeal currently is strongly urged by the museum community (Karp<br />
and Lavine, 1991: Rice, 1993). <strong>Museums</strong> are both evidence <strong>of</strong> a diverse community with<br />
attendant stability, and its advocate.<br />
60