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ISS 25 (1995).pdf - The International Council of Museums

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continent, but where the feeling <strong>of</strong> national identity is not a questionable<br />

idea. As an emerging nation in the arena <strong>of</strong> economical growth, Brazil<br />

faces today another kind <strong>of</strong> warfare: the problem <strong>of</strong> Power is not a<br />

question <strong>of</strong> political boundaries and territories, it is a problem <strong>of</strong> social<br />

boundaries and <strong>of</strong> the ownership <strong>of</strong> land and wealth. <strong>The</strong> unbalance <strong>of</strong><br />

Power is at the basis <strong>of</strong> social struggle, <strong>of</strong> death, corruption and<br />

destruction <strong>of</strong> human values, in the core <strong>of</strong> Brazilian nationality. Three<br />

case studies may be presented in order to approach the problem <strong>of</strong><br />

museums and museology, and their roles and relationships with different<br />

communities, in different situations. In only one <strong>of</strong> these cases, there is a<br />

Museum: a community based museum. In the two other cases, there are<br />

no museums at stake, but no more than potato fields, a big river, and<br />

what I would call an experiment <strong>of</strong> "popular museology", if one may<br />

consider this possibility .. .<br />

Not by coincidence, the three cases take place in the southern region <strong>of</strong><br />

the country, in an area <strong>of</strong> great rural properties and <strong>of</strong> small agricultural<br />

farms, <strong>of</strong> highly developed industrial plants concentrated around rich<br />

urban centres, <strong>of</strong> fast growing towns and <strong>of</strong> thousands <strong>of</strong> villages and<br />

rural nuclei spread along the vast territory <strong>of</strong> fields and mountains. It is<br />

not difficult to imagine the variety and the strength <strong>of</strong> social contrasts<br />

one can find there (as in many other regions <strong>of</strong> Brazil). <strong>The</strong> great<br />

majority <strong>of</strong> the population in this area has an European origin, chiefly<br />

German and Italian, constituting the third or fourth generation <strong>of</strong><br />

descendants <strong>of</strong> the immigrants who came to this country since the second<br />

half <strong>of</strong> the 19th century until early this century. <strong>The</strong> problem <strong>of</strong> identity<br />

is a major point in the development <strong>of</strong> these communities, having still<br />

strong links with their cultural roots but already merged in what we<br />

could call the Brazilian cultural melting pot, and environment. In the last<br />

8 years, I had the opportunity to work as a consultant and a partner in<br />

three projects that may be seen as "case studies" for the discussion <strong>of</strong> the<br />

role <strong>of</strong> museums and <strong>of</strong> cultural heritage in the life <strong>of</strong> people and <strong>of</strong> their<br />

communities.<br />

1. <strong>The</strong> "Schmitt-Presser" House<br />

<strong>The</strong> place is New Hamburg, a rich town growing fast with the industry <strong>of</strong><br />

shoes production, exported all over the world. From its name one can<br />

easily know the cultural origins <strong>of</strong> its population (around 300 thousand<br />

people). After years <strong>of</strong> decay, an old house in the oldest quarter <strong>of</strong> the<br />

town, the "Old Hamburg", has been restored by the local authorities and<br />

protected under the list <strong>of</strong> national monuments, as a true example <strong>of</strong> the<br />

46

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