ISS 25 (1995).pdf - The International Council of Museums

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BIBLIOGRAPHY Bonfil Castro, Ramon; Garcia Canclini, Nestor et a/; Memorias del Simposio: Patrimonio, Museos y Participaci6n Social; INAH; Mexico; 1990. Braudel, Fernand; ECrits sur I'Histoire; Flammarion; Paris; 1969. Cassirer, Ernst; Antropologia Filos6fica ; Fondo de Cultura Economica;Mexico; 1975. --------------; Las Ciencias de la Cultura; Fondo de Cultura Economica S.A. de C.V. ; Mexico; 1993. Daly, Henman and Cobb Jr., John B.; For the Common Good - Redirecting the Economy Toward Community, the Environment and a Sustainable Future. Desvallees, Andre et al; Vagues - Une Anthologie de la Nouvelle Museologie, VoLl ; Editions W.M.N.E.S.; Paris; 1992. Harvey, David; Urbanismo y Desigualdad Social; Siglo XXI Editores de Espana SA; Madrid; Espana; 1979. 42
MUSEUMS and COMMUNITIES: a powerful equation ... Maria de Lourdes Horta The theme of the 1995 rCOM's General Conference, Museum and Communities, seems to be as vast and varied as museums and communities in themselves. From the titles of the keynote speech and of the four theme related speeches, announced in the programme for the Stavanger Conference, it is not difficult to trace the main approach which will govern the discussions: the political nature of the problem embedded in the subject theme. The "situation in Europe", as states the introductory text distributed to all rCOM members, appears to be the most pressing preoccupation, "in particular need of both reflection and action". While on the one hand political and chiefly economical agreements are trying to reduce the role of national boundaries, on the other hand the concept of national state is breaking up, splitting itself into new "national unities", which base their claims to existence and recognition on their cultural and historical roots. These "national unities", claiming their rights on the basis of a feeling of identity, built upon race, faith, history and traditions, could well be called "cultural unities", or "cultural communities": people who have important things "in common", common values, common beliefs, common social codes, common experiences, common histories, common ways of life, common expectations for the future. There is nothing more . "museological" than this field of investigation, or this subject theme. It is, in fact, the main source of museum's history and of museum's life, and the only struggle one could find here would be the dispute with anthropologists and sociologists, and even with social-psychologists, on who has the biggest slice of the cake. Archaeologists would claim for themselves the deepest stratum of the field. But we never heard of George Henry Riviere throwing a bomb at Levi-Strauss' house. Where is the core of the problem we see now developing in the so-called "developed" countries, as well as in those not yet so "developed" ones? Why is it so "striking", as the introductory text to the Conference states, that "many young nations have adopted a motto stressing national unity" and why will the Director of the Papua New Guinea National Museum address the topic on the role of museums in creating a national unity? Perhaps the answer could be found in the speech of Mr. Ole Henrik Magga, professor at the University of Oslo, who will talk about "Museums and cultural diversity: indigenous and dominant cultures". It is 43
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Page 4 and 5: IV MUSEUM AND MUSEOLOGY IN NORWAY A
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Page 11 and 12: heritage as community appropriation
Page 13 and 14: and its plurality. Continuing on th
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Page 22 and 23: For museums this would mean -among
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Page 30 and 31: "pauimoine" de tous. n s'agit de re
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Page 62 and 63: Fuller, Nancy J 1992 The Museum as
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Page 87 and 88: Paivi-Marjut Raippalinna REGIONAL A
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ON MUSEUM, COMMUNITIES AND THE RELA
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original environment - as if it was
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Des etudes recentes prevoient que,
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eserves, d'espaces d'exposition tem
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Si les musees du Quebec veulent etr
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These observations reprooving to th
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The Life Itself Provides The Topics
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MUSEUMS AND COMMUNITY FINAL REMARKS
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II MUSEUM AND COMMUNITY MUSEOLOGY A
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La question que I'on peut se poser
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ICOFOM Stavanger 1995 approaches do
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ICOFOM Stavanger 1995 The 'Declarat
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Paule Doucet (1995) «Les nouvelles
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politiques dans des efforts de depa
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constitution de leur action patrimo
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Conclusions Ces quelques dimensions
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ICOFOMIStavanger cours des annees 1
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ICOFOM/ Stavanger core dans une log
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ICOFOM/ Stavanger qualitative) est
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ICOFOMlStavanger Davallon (J.). 199
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) What is a museum? That is a recur
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IV MUSEUMS AND MUSEOLOGY IN NORWAY
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II. Looking at the Nordic museums,
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V,las founctea. ill llSbj. At 1 UfK
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Construction d'une identite nationa
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La culture nationale est fabriquee
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Le La pan - l' etranger de l'interi
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An Industrial Community and its Her
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and the curator has the role as a s
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and what we lost when the air and t
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Fig. :i 209
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ICOFOM LAM REPORT 1990 - 1995 Durin
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AUTHORS Per-Uno AGREN, Umea Univers
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