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ISS 25 (1995).pdf - The International Council of Museums

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events in France.in 196B. started the new movement<br />

among the French museums. New notions c ame into the<br />

museum world as: identity . territory. participation<br />

o r community. In the eighties the rentability o f<br />

museums and the prestigious arc hitectural projects<br />

pressed out the notion <strong>of</strong> community. Stating that<br />

the traditional communities have split and that<br />

individualism has got stronger, she notices the new<br />

social groups that have a need for museums:<br />

illiterates, immigrants rejected by the nationals,<br />

the unemployed left outside the working community.<br />

Posing questions like: how can museums cope with<br />

such situation, or , are there new forms <strong>of</strong> museal<br />

action to imagine, she opens the discussion about<br />

the new position and forms <strong>of</strong> museums.<br />

Lynn Haranda, from the Vancouver Museum in<br />

Canada in her paper '<strong>Museums</strong> and the community'<br />

tries to present analytically the given relation.<br />

Discussing more the concept <strong>of</strong> community than <strong>of</strong> the<br />

museums. she states that museums serve a community<br />

only by answering the fundamental questions on human<br />

existence . Community is an aggregate <strong>of</strong> people with<br />

a joint interest neighbourhood , pr<strong>of</strong>ession.<br />

intellectual inquiry , nationalist motives.<br />

Identifying the contemporary pressure. the conflict<br />

and the political meaning, she tries to search for a<br />

solution, saying that museums are becoming<br />

responsive to a variety <strong>of</strong> community voices and<br />

sensitive to financial relationships, Pleading for<br />

more complete studying <strong>of</strong> the public reactions ,<br />

sentiments and desire, she states that communities<br />

use the museum as a power basis from which to<br />

disseminate their messages.<br />

Raymond Hontpetit from the University <strong>of</strong> Quebec<br />

in Montreal, Canada, in his paper '<strong>Museums</strong>.<br />

interpreters <strong>of</strong> heritage for community<br />

appropriation' emphasizes the heritage belonging to<br />

the communities, discussing the features <strong>of</strong> heritage<br />

as: the living heritage <strong>of</strong> traditional cultures, the<br />

heritage <strong>of</strong> collections, the museum heritage and the<br />

cultural resources <strong>of</strong> postindustrial societies. He<br />

states that the present state <strong>of</strong> heritage is marked<br />

by hesitating between the 'national' and 'global'<br />

heritage. Presuming that a heritage is today defined<br />

in a more economic perspective as a leisure<br />

resource. he sees the importance <strong>of</strong> tourism and<br />

information highways as ways <strong>of</strong> reaching the global<br />

community.<br />

Teresa Cristina Scheiner from Brazil, in her<br />

paper 'On museum, communities and the relativity <strong>of</strong><br />

it all', insists on the relativity <strong>of</strong> museums.<br />

Discussing the idea <strong>of</strong> museum and museology she<br />

stresses two basic characteristics <strong>of</strong> the museum:<br />

its intrinsic relationship with nature and culture,<br />

12

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