ISS 25 (1995).pdf - The International Council of Museums

ISS 25 (1995).pdf - The International Council of Museums ISS 25 (1995).pdf - The International Council of Museums

17.05.2013 Views

English term is broader and includes all these groups but also the public or society. This ambiguity is obvious in given preprints for this meeting, too. Both colleagues wh o presented the summaries in Beijing made the conclusions which are their own vision of the given relation between museum and community. So J. A. Gjestrun suggested the need of very different museums to fulfil various aims, from creating the national identity to opening wide possibilities, in becoming the part of the reorganization of man ' s ideas of himself and his sense of values i.e. his need to be a part o f present time. not oriented only to the past. He also accentuated the danger of ideological and other kinds of oppressing the minority and other social groups using the museum as an instrument o f the national policy. D. Natteyne tried to find the solution by analysing the relations among collections, professionals and users. including visitors. researchers and those who are deciding on the conditions of the museum work . A. Desvallees a ccentuated. in his final remarks. the necessity of establishing 'community museums to be fulfilling the needs of minority groups but also considering the dangers of using museums as a political instrument . With such an introduction the Stavanger meeting papers are repeating the same ambiguity that existed in Beijing last year . Some of the authors of the papers are trying to explain the general problem by analysing examples taken from their own or their country's practice (P. M. Raippalinna, J. Trudel, G. Zaucha ). Some of them are trying to follow a theoretical approach dealing with relation of museum and society with the stress put on the community (E. Antzoulatou-Retsila, M. Bellaigue, N. Ladkin, L. Maranda, R. Montpetit, T. C. Sheiner) and there are some who are trying to illustrate theoretical statements relying on the practical examples (M. Horta, H. Vieregg) . The theoretical approach has a wide scope from the identification of the problem of ideologization of museum work and the span between pluralism and nationalism (E. Antzoulatou-Retsila), over the examination of the term 'community' ranging from traditional communities and new individualism , and the role of museums in such a situation ( M. Bellaigue), all to the very interesting approach to the concept of the community as an ecosystem and to the interpretation of the term ' museum ecology' ( N. Ladkin) . Not less interesting appear to be the analytical approach to relations of community and museums, using the term community in the sense of social environment of museums ( L. Maranda ), as well as to the role of museums in interpreting the 10

heritage as community appropriation, with the differentiation between ' national ' and ' global ' heritage ( R. Montpetit ), and also to the elaboration of the idea of museum and of the concept of community ( T . C. Sheiner ) . This approach shows that there can be no consensus in defining 'community ' or 'museum ' either. The only common point appears to be the diversity of meanings and the wide scope of problems which can arise in relation to the concepts of museum and community. Very different approaches are established in the papers in which the authors try to support their theoretical statements with the real practice. On one side there is the universal question of power by which museums can control mental territories and play the important role in maintaining the identity of the community as interpreted by M. Horta by some actual examples taken from the southern region of Brazil, while on the other side there is a close and strict European analysis of H. Vieregg who on the basis of W. von Humboldt's theory, analyses the possibilities of the representation of contemporary history in museums using the term community in the sense of audience . The African problem is raised very clearly, It could be summarized in the questions: is the European model of museum adequate for African needs and are the existing museums in Africa able to realize the possibility of close connection with their communities, Let us very Stavanger papers ending with the countries. shortly give the essentials of the starting with the theoretical and particular examples from various Eurydice An tzoula tou-Retsila from Ionian University in Greece, in her paper ' Museums and Communities: Coping with Dilemmas. Or: Between Huseomania and Museotherapy ' accentuates that the awareness of the social role of museums has changed from the 1vory tower ' mentality to the sharing power with segments of a larger civic whole . Putting many questions about the role of museums in the society she states that museums have to shift from ' monologue to conversation'. She insists on a deep professional devotion of museum people and "a clear sense of responsibility to their communities" aiming to understand the nature and flexibility of individual and group identities. Hathilde recherche des museums for development of Bellaigue from Laboratoire de musees de France in her paper "Which which communities?" explains the museums in Europe and states that 11

English term is broader and includes all these<br />

groups but also the public or society. This<br />

ambiguity is obvious in given preprints for this<br />

meeting, too. Both colleagues wh o presented the<br />

summaries in Beijing made the conclusions which are<br />

their own vision <strong>of</strong> the given relation between<br />

museum and community. So J. A. Gjestrun suggested<br />

the need <strong>of</strong> very different museums to fulfil various<br />

aims, from creating the national identity to opening<br />

wide possibilities, in becoming the part <strong>of</strong> the<br />

reorganization <strong>of</strong> man ' s ideas <strong>of</strong> himself and his<br />

sense <strong>of</strong> values i.e. his need to be a part o f<br />

present time. not oriented only to the past. He also<br />

accentuated the danger <strong>of</strong> ideological and other<br />

kinds <strong>of</strong> oppressing the minority and other social<br />

groups using the museum as an instrument o f the<br />

national policy. D. Natteyne tried to find the<br />

solution by analysing the relations among<br />

collections, pr<strong>of</strong>essionals and users. including<br />

visitors. researchers and those who are deciding on<br />

the conditions <strong>of</strong> the museum work . A. Desvallees<br />

a ccentuated. in his final remarks. the necessity <strong>of</strong><br />

establishing 'community museums to be fulfilling<br />

the needs <strong>of</strong> minority groups but also considering<br />

the dangers <strong>of</strong> using museums as a political<br />

instrument .<br />

With such an introduction the Stavanger meeting<br />

papers are repeating the same ambiguity that existed<br />

in Beijing last year . Some <strong>of</strong> the authors <strong>of</strong> the<br />

papers are trying to explain the general problem by<br />

analysing examples taken from their own or their<br />

country's practice (P. M. Raippalinna, J. Trudel, G.<br />

Zaucha ). Some <strong>of</strong> them are trying to follow a<br />

theoretical approach dealing with relation <strong>of</strong> museum<br />

and society with the stress put on the community (E.<br />

Antzoulatou-Retsila, M. Bellaigue, N. Ladkin, L.<br />

Maranda, R. Montpetit, T. C. Sheiner) and there are<br />

some who are trying to illustrate theoretical<br />

statements relying on the practical examples (M.<br />

Horta, H. Vieregg) .<br />

<strong>The</strong> theoretical approach has a wide scope from<br />

the identification <strong>of</strong> the problem <strong>of</strong> ideologization<br />

<strong>of</strong> museum work and the span between pluralism and<br />

nationalism (E. Antzoulatou-Retsila), over the<br />

examination <strong>of</strong> the term 'community' ranging from<br />

traditional communities and new individualism , and<br />

the role <strong>of</strong> museums in such a situation ( M.<br />

Bellaigue), all to the very interesting approach to<br />

the concept <strong>of</strong> the community as an ecosystem and to<br />

the interpretation <strong>of</strong> the term ' museum ecology' ( N.<br />

Ladkin) . Not less interesting appear to be the<br />

analytical approach to relations <strong>of</strong> community and<br />

museums, using the term community in the sense <strong>of</strong><br />

social environment <strong>of</strong> museums ( L. Maranda ), as well<br />

as to the role <strong>of</strong> museums in interpreting the<br />

10

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