Carl%20Sagan%20-%20The%20Demon%20Haunted%20World
Carl%20Sagan%20-%20The%20Demon%20Haunted%20World Carl%20Sagan%20-%20The%20Demon%20Haunted%20World
THE DEMON-HAUNTED WORLD world. Penguins on the dimly lit Antarctic ice; okapi in the bright African veldt; a family of gorillas, the male beating his chest, in a shaded forest glade; an American grizzly bear standing on his hind legs, ten or twelve feet tall, and staring me right in the eye. These were three-dimensional freeze-frames captured by some genie of the lamp. Did the grizzly move just then? Did the gorilla blink? Might the genie return, lift the spell and permit this gorgeous array of living things to go on with their lives as, jaws agape, I watch? Kids have an irresistible urge to touch. Back in those days, the most commonly heard two words in museums were 'don't touch'. Decades ago there was almost nothing 'hands-on' in museums of science or natural history, not even a simulated tidal pool in which you could pick up a crab and inspect it. The closest thing to an interactive exhibit that I knew were the scales in the Hayden Planetarium, one for each planet. Weighing a mere forty pounds on Earth, there was something reassuring in the thought that if only you lived on Jupiter, you would weigh a hundred pounds. But sadly, on the Moon you would weigh only seven pounds; on the Moon it seemed you would hardly be there at all. Today, children are encouraged to touch, to poke, to run through a branched contingency tree of questions and answers via computer, or to make funny noises and see what the sound waves look like. Even kids who don't get everything out of the exhibit, or who don't even get the point of the exhibit, usually extract something valuable. You go to these museums and you're struck by the wide-eyed looks of wonder, by kids racing from exhibit to exhibit, by the triumphant smiles of discovery. They're wildly popular. Almost as many of us go to them each year as attend professional baseball, basketball and football games combined. These exhibits do not replace instruction in school or at home, but they awaken and excite. A great science museum inspires a child to read a book, or take a course, or return to the museum again to engage in a process of discovery - and, most important, to learn the method of scientific thinking. Another glorious feature of many modern scientific museums is a movie theatre showing IMAX or OMNIMAX films. In some cases the screen is ten storeys tall and wraps around you. The 328
House on Fire Smithsonian's National Air and Space Museum, the most popular museum on Earth, has premiered in its Langley Theater some of the best of these films. To Fly brings a catch to my throat even after five or six viewings. I've seen religious leaders of many denominations witness Blue Planet and be converted on the spot to the need to protect the Earth's environment. Not every exhibit and science museum is exemplary. A few still are commercials for firms that have contributed money to promote their products - how an automobile engine works or the 'cleanliness' of one fossil fuel as compared to another. Too many museums that claim to be about science are really about technology and medicine. Too many biology exhibits are still afraid to mention the key idea of modern biology: evolution. Beings 'develop' or 'emerge', but never evolve. The absence of humans from the deep fossil record is underplayed. We are shown nothing of the anatomical and DNA near-identity between humans and chimps or gorillas. Nothing is displayed on complex organic molecules in space and on other worlds, nor about experiments showing the stuff of life forming in enormous numbers in the known atmospheres of other worlds and the presumptive atmosphere of the early Earth. A notable exception: the Natural History Museum of The Smithsonian Institution once had an unforgettable exhibit on evolution. It began with two cockroaches in a modern kitchen with open cereal boxes and other food. Left alone for a few weeks, the place was crowded with cockroaches, buckets of them everywhere, competing for the little food now available, and the long-term hereditary advantage that a slightly better adapted cockroach might have over its competitors became crystal clear. Also, too, many planetaria are still devoted to picking out constellations rather than travelling to other worlds, and depicting the evolution of galaxies, stars and planets; they also have an insect-like projector always visible which robs the sky of its reality. Perhaps the grandest museum exhibit can't be seen. It has no home: George Awad is one of the leading architectural model makers in America, specializing in skyscrapers. He is also a dedicated student of astronomy who has made a spectacular model of the Universe. Starting with a prosaic scene on Earth, and 329
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THE DEMON-HAUNTED WORLD<br />
world. Penguins on the dimly lit Antarctic ice; okapi in the bright<br />
African veldt; a family of gorillas, the male beating his chest, in a<br />
shaded forest glade; an American grizzly bear standing on his hind<br />
legs, ten or twelve feet tall, and staring me right in the eye. These<br />
were three-dimensional freeze-frames captured by some genie of<br />
the lamp. Did the grizzly move just then? Did the gorilla blink?<br />
Might the genie return, lift the spell and permit this gorgeous<br />
array of living things to go on with their lives as, jaws agape, I<br />
watch?<br />
Kids have an irresistible urge to touch. Back in those days, the<br />
most commonly heard two words in museums were 'don't touch'.<br />
Decades ago there was almost nothing 'hands-on' in museums of<br />
science or natural history, not even a simulated tidal pool in which<br />
you could pick up a crab and inspect it. The closest thing to an<br />
interactive exhibit that I knew were the scales in the Hayden<br />
Planetarium, one for each planet. Weighing a mere forty pounds<br />
on Earth, there was something reassuring in the thought that if<br />
only you lived on Jupiter, you would weigh a hundred pounds.<br />
But sadly, on the Moon you would weigh only seven pounds; on<br />
the Moon it seemed you would hardly be there at all.<br />
Today, children are encouraged to touch, to poke, to run<br />
through a branched contingency tree of questions and answers via<br />
computer, or to make funny noises and see what the sound waves<br />
look like. Even kids who don't get everything out of the exhibit,<br />
or who don't even get the point of the exhibit, usually extract<br />
something valuable. You go to these museums and you're struck<br />
by the wide-eyed looks of wonder, by kids racing from exhibit to<br />
exhibit, by the triumphant smiles of discovery. They're wildly<br />
popular. Almost as many of us go to them each year as attend<br />
professional baseball, basketball and football games combined.<br />
These exhibits do not replace instruction in school or at home,<br />
but they awaken and excite. A great science museum inspires a<br />
child to read a book, or take a course, or return to the museum<br />
again to engage in a process of discovery - and, most important, to<br />
learn the method of scientific thinking.<br />
Another glorious feature of many modern scientific museums is<br />
a movie theatre showing IMAX or OMNIMAX films. In some<br />
cases the screen is ten storeys tall and wraps around you. The<br />
328