The Numismatic Chronicle 171 Offprint - Royal Numismatic Society
The Numismatic Chronicle 171 Offprint - Royal Numismatic Society
The Numismatic Chronicle 171 Offprint - Royal Numismatic Society
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100<br />
RICHARD SCHAEFER and ANDREW McCABE<br />
easily be distinguished from a number of other Star asses and semisses, which are<br />
artistically less competent and are of slightly lower weight standard although their<br />
weights do overlap with the bronzes of good style. <strong>The</strong> style of these other pieces,<br />
RRC 196/1 and 196/2 (Figs 3, 4), coincides with that of the other Period 2 bronze<br />
issues (for example RRC 192, 193, 194 and 195). So d’Ailly had reached the point<br />
of distinguishing two different issues of Star bronzes.<br />
Fig. 1: Period 1 as Fig. 2: Period 1 semis<br />
Fig. 3: Period 2 as Fig. 4: Period 2 semis<br />
Fractional Star bronzes are all rare except for the very common quadrantes with<br />
star before the prow. D’Ailly divides the corpus into various styles but does not<br />
propose any specifi c arrangement. However, since he notes that the star-before<br />
quadrantes are lighter and more erratically engraved (Figs 12, 13), this is generally<br />
taken to mean that they are to be associated with Period 2 asses and semisses.<br />
D’Ailly did not notice that among the many lower-weight star-before quadrantes in<br />
his own collection there were four that were of higher weight and in style equal to<br />
the fi ne-style (Period 1) asses and semisses. When the star-before quadrantes were<br />
assigned to Period 2, by association the other star-before fractions became linked to<br />
the Period 2 asses and semisses, and, by default, fractions with star above the prow<br />
were linked to the Period 1 fi ne-style series. <strong>The</strong> arrangement is easy to use, the large<br />
denominations being distinguished on the grounds of Period 1 or 2 style, and the<br />
smaller star-before denominations classifi ed to Period 2 and, by default, star-above<br />
to Period 1.<br />
Crawford does not dispute this arrangement. For RRC 113, he illustrates the as.<br />
For RRC 196 he illustrates the as and the quadrans, although the quadrans which<br />
he uses, the key coin in the story, is of a different and fi ner style than that usually<br />
encountered.