Chapter 11 - The Library of Iberian Resources Online
Chapter 11 - The Library of Iberian Resources Online
Chapter 11 - The Library of Iberian Resources Online
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[16] . Luis P. Villalba Muñoz, Cantigas a la Inmaculada Virgen Maria: cantiga X de el rey D . Alfonso<br />
el Sabio (Madrid: Ildefonso Alier , 190?).<br />
[17] . Keller , " An Unknown Castilian Lyric Poem : <strong>The</strong> Alfonsine Translation <strong>of</strong> Cantiga X <strong>of</strong> the<br />
Cantigas de Santa Maria," Hispanic Review 43 (1975): 43-47. Keller discovered the poem among the<br />
Castilian prosifications <strong>of</strong> the first twenty-six cantigas, which, according to recent investigations,<br />
could have been made during the reign <strong>of</strong> Sancho IV (1284- 1295), by Sancho himself, or by Alfonso's<br />
nephew, Juan Manuel (1282-1348/49), or perhaps much later. For a discussion <strong>of</strong> the prosifications,<br />
see Anthony C á rdenas, "A Study <strong>of</strong> Alfonso's Role in Selected Cantigas and the Castilian<br />
Prosifications <strong>of</strong> Escorial Codex T.I.1," in Studies on the Cantigas, 248-68.<br />
[18] . Compare Keller's textual transcription with that <strong>of</strong> José Filgueira Valverde, Alfonso X el Sabio.<br />
Cantigas de Santa María (Madrid: Editorial Castalia, 1985), 352. For modern Castilianized versions,<br />
see Angel del Río, Antología general de la literatura española (New York: Holt, Rinehart and<br />
Winston, 1960), 1: 50-51, and Filgueira Valverde, Alfonso: Cantigas, 29. See also the instructive<br />
comments on the text by Augusto J. Magne , " Afonso X, o Sabio. Excerptos anotados," Revista da<br />
lingua portuguesa 8/44 (1926): 55-<strong>11</strong>0, esp. 68-69.<br />
[19] . <strong>The</strong> text is taken from Walter Mettmann , Alfonso X, el Sabio. Cantigas de Santa Maria<br />
(cantigas 1 a 100) (Madrid: Editorial Castalia, 1986), 84-85. Mettmann , "Die altportugiesische<br />
Marienlyrik vor 1300," in Grundriss der romanischen Literaturen des Mittelalters , ed. H. H. Jauss<br />
(Heidelberg: Carl Winter, 1968), 18, cites Sennor and Sennor das Sennores among the most traditional<br />
names and Marian epithets and refers to the phrases <strong>of</strong> the first textual strophe "Rosa das rosas, etc."<br />
as Hebrew superlatives.<br />
[20] . This was given to me as a gift by Hugh Ross, Schindler's successor at the Schola Cantorum.<br />
[21] . For other free as well as literal English translations, see (1) Robert Eisenstein, Program notes<br />
for the Folger Consort's program "A Medieval Tapestry" presented at Corpus Christi church (New<br />
York, Sunday, 27 November 1983), 5; (2) Kathleen Kulp -Hill, Cantigas (see above, ch . 4, n. 13),<br />
109; (?) Lorraine Noel Finney, in Reese, Music in the Middle Ages, 248; (4) Medieval Lyrics <strong>of</strong><br />
Europe, ed. Willard R. Trask (New York: World Publishing Co., 1969), 130; and (5) Américo Castro,<br />
<strong>The</strong> Structure <strong>of</strong> Spanish History, trans. Edmund L. King (Princeton: Princeton University Press,<br />
1954), 362.<br />
[22] Officially, his final concert with the Schola Cantorum took place ten days later at the high school<br />
auditorium in Summit, New Jersey.<br />
[23] . This certainly is not true. During Alfonso's reign (1252-1284), there was no fixed capital.<br />
Seville, however, was the most favored city <strong>of</strong> the court.<br />
[24] . He is referring here to Las Cantigas de Santa Maria de Alfonso el Sabio, ed . Leopoldo Augusto<br />
de Cueto, Marqués de Valmar, 2 vols. (Madrid: Real Academia Espa ñ ola, 1889).<br />
[25] . Schindler was ignorant <strong>of</strong> the existence <strong>of</strong> the four extant Cantigas codices. At the Hispanic<br />
Society, the former work can be seen in a photographic copy under the call name Cantigas de Santa