Chapter 11 - The Library of Iberian Resources Online

versification, see Dorothy Clotelle Clarke, "Versification in Alfonso el Sabio's Cantigas," Hispanic
Review 23 (1955): 83-98.
[8]. See my article , "Higinio Angles and the Melodic Origins of the Cantigas de Santa María " in
Alfonso X the Learned King--An International Symposium, Harvard University, 17 November 1984,
ed. Francisco Márquez Villanueva (Cambridge, Mass.: Studies in Romance Languages Series,
Harvard University, 1989), 46-75.
[9] . Folk Music and Poetry of Spain and Portugal, with an introduction on Kurt Schindler and his
Spanish work (in English and Spanish ) by Federico de Onís (New York: Hispanic Institute, 1941).
Onís , then chairman of the Spanish department at Columbia University, supervised the final editing of
Schindller's field notations. Concerning its publication, see my article 'The Posthumous Publication of
Kurt Schindller's Folk Music and Poetry of Spain and Portugal (New York, 1941)," in Libraries,
History, Diplomacy, and the Performing Arts; Essays in Honor of Carleton Sprague Smith, ed. Israel
J. Katz (Stuyvesant, N.Y.: Pendragon , forthcoming).
[10] . The second field trip took place between July 1932 and December 1933, under the auspices of
Columbia University . The first trip , which took place between the fall of 1928 and fall of 1931, was
unsponsored .
[11] .Schindler, Folk Music and Poetry , 18.
[12] . Devoto, "Sobre la música tradicional española,"EFE 5 (1943): 344-66, esp. 352, n. 1. Reprinted
in Devoto, Las hojas (1940-1949) (Buenos Aires: Aldabahor , 1950): 24-48, esp. 36, n. 18.
[13] .Les Chansons a la Vierge de Gautier de Coinci (1177/78-1236), ed. Jacques Chailley (Paris:
Huegel , 1959), 45, n. 1.
[14] . Katz, "The Traditional Folk Music of Spain: Explorations and Perspectives," Yearbook of the
International folk Music Council 6 (1974): 64-85, esp. 78. The other transcriptions were made by (i)
Fierre Aubry, " Iter Hispanicum . Notices et extraits de manuscripts de musique ancienne conserves
dans les bibliothéques d'Espagne. III. Les Cantigas de Santa Maria de don Alfonso el Sabio," Sammelbänder
der intemationalen Musik-Gesellschaft (1907): 32-51, esp. 43; (2) Julián Ribera Tarragó, La
música de las Cantigas: estudio sobre su origen y naturaleza, with photographic reproductions of the
text and in modern transcription, volume three of the Las Cantigas de Santa María, Real Academia
Española edn. (Madrid: Revista de Archivos, 1922), 127-28; (3) John Brande Tend, The Music of
Spanish History to 1600 (Oxford: Oxford University Press, 1926), 206 (after Aubry); and (4) Higinio
Anglés, taken from Gustave Reese, Music in the Middle Ages (New York: W.W. Norton, 1940), 247.
[15] . Manuel Pedro Ferreira, The Sound of Martin Codax : On the Musical Dimension of the
Galician-Portuguese Lyric (XII-XIV Century) (Lisbon: Unisys, Imprensa Nacional --Casa da Moeda ,
1986), bilingual edition, 190. Facing Schindler's transcription (which he transposed down a major
2nd), Ferreira provided his own of cantiga 10, from the Toledo codex, which he presumed to be the
oldest of the extant codices.