grammatical constraints and motivations for - University of the ...
grammatical constraints and motivations for - University of the ... grammatical constraints and motivations for - University of the ...
Suster? 292. Suster I remember Sid Going, um, behind the scrum = = 293. Clarence = = [laughter] 294. Suster = = um = = 295. Clarence = = childhood, childhood, not rugby. 296. Suster But that was my childhood = = 297. Clarence = = I’m dealing with your anger here. You’ve gotta go = = 298. Suster = = () = = 299. Clarence = = you’ve gotta go back to the foetus now. What, what is the last point that you can remember? 300. Suster Uh, uh, um, when, my childhood? 301. Clarence Yes. 302. Suster () Um, it’s when my mother told me “Stop shouting for the All Blacks”. Ja {Yes}, so = = 303. Clarence = = [laughter] 304. Suster = = that’s the earliest part of my childhood. 305. Clarence [music playing] Some magic for you. Zamajobe Sithole and of course its Suster’s last day on radio here on P4. Now that’s why you’re hearing her voice. You’ll be hearing it right through till three ‘o clock. Some magic, as promised, on P4. Music 306. Clarence It’s the heart and soul of Cape Town. From () taking us back to the eighties and “The Second Time Around.” We also had Darnell Jones, “Ill go” and Zamajobe Sithole with “Magic.” Had a call this morning from a complete, total stranger wanting to know if Zamajobe Sithole is in town and not as far as I know. I mean, I would know if Zamajobe Sithole is in town, but I know there are a couple of efforts afoot to get this young incredible talent from Johannesburg into the city for a performance. So, hopefully, there will be some good news coming your way shortly. Its time for us to give away twenty-five thousand rands in cash. I’d like to welcome Red Cross Ronnie into the studio. I’d also like to welcome Edward Robinson of KPMG. Draw takes place and is followed by some music. 307. Clarence It’s 104.9, the heart and soul of Cape Town. R Kelly and “Trapped in the closet, Chapter 3”. Nogal {Actually}. It’s a big story getting out of this closet, hey. 308. Suster Kyk hierso {Look here}, Clarence, is daai ou nou, is, is ‘it (is dit) ‘n personal storie {is that guy now, is, is it a personal story}? Is hy nou in’ie (in die) closet {Is he now in the closet}? 309. Clarence I dunno what his story is, but I know that he was, at one stage, living a pretty reckless life. Uh, what’s it, necrophilia (). No, not that one. 310. Suster [laughter] 311. Clarence Nog ‘n {Another} –philia. 312. Suster Paedophilia? Ja {Yes}. () 313. Clarence And then I know he was born again. I know he’s, he’s written a beautiful couple of gospel songs. Uh, and, uh, I, if, if I heard correctly, I’m sure I, I got an expletive in that song as well. So I don’t know [laughter] 314. Suster () Bietjie baie {A little bit very} confusing. Hulle moet daai song vir hom revive {They must revive that song for him} – I’m coming out. I’m coming. I’m coming out. This is Diana Ross [nə] {hey}? 315. Clarence Right. 316. Suster I’m coming out, ja {yes}. 317. Clarence You, you’re going back into the closet … tomorrow. 318. Suster Tomorrow? Uh, at one minute past three. 319. Clarence You’re in the closet. 320. Suster Mmm. 321. Clarence Back in the closet. Suster = =
322. Suster = = Nou {Now}, Clarence, is jy {are you} sad nou oor die hele ding {now about this whole thing}? 323. Clarence Cleopatra’s standing by. 324. Suster Mmm. Here’s the one ‘o clock news read by Cleopatra. 325. Clarence Cleopatra Khan, our news anchor, standing by with news at one ‘o clock. News follows. 326. Clarence Thank you Cleopatra. 327. Suster. Haml, Haml, Haml, uh, Hamilton. Ham, ham, what’s it? 328. Zulpha Khan Hamilton Street. 329. Suster Okay, okay. Got it, got it. 330. Clarence Zulpha Khan with news at one ‘o clock. Just this, this ‘new look’ Zulpha. I dunno if you’ve noticed. Looks, looks a little like those, those photographs of Cleopatra in the movies. 331. Suster I, I think it’s a newsroom effect. You know, there’s Poona and there’s Zulpha, and you just have to work on the blonde a bit. You know, maybe next week the blonde will come in with her. 332. Clarence You say the, say the roots are = = 333. Suster = = Ja {Yes}, no = = 334. Clarence = = are deep. 335. Suster Can you imagine () I mean Jan in a, in a black, you know (). I think it must just amuse her having this black hairdo. 336. Clarence Jan also with a black hairdo? 337. Suster Ja {Yes}, there’s Jan and its like, like, NICE. Mmm, you step out = = 338. Clarence = = the All Blacks. 339. Suster [laughter] 340. Clarence [laughter] 341. Suster Mmm, sy blush {she’s blushing}. Haai {Oh} shame. 342. Clarence Okay. Right. Suster. Quarter past one. It’s the beautiful game with Nick Feinberg and then we’re probably gonna have a bit of a free, free for all from about half past one. 343. Suster Ja {Yes}. Clarence, you know, I, I sat, sat down this morning and I just looked at your, the, the past, what’s it nearly twelve years of, of broadcasting and, and the moments the two of us had together. Can you remember the times wat ons oorals gegaan het met daai helicopter, al oor die Kaap, verstaan jy {that we went everywhere with that helicopter, all over Cape Town, you understand}? Elke Sa’rag (Saterdag) middag is die helicopter die kant {Every Saturday afternoon the helicopter is this side}, die helicopter. Dan kom ons net Perel in {Then we just get into Paarl}. Can you remember that day we landed in Paarl in, on that sportsground? Toe haloop (hardloop) al die mense nader aan die {So all the people ran closer to the} helicopter. Toe spring jy van ten metres high, spring jy uit, uit die helicopter uit soos watse Jeb Jungle {So you jumped from ten metres high, you jumped out, out of the helicopter like some kind of Jeb Jungle} [laughter]. Just because, en al wat die mense wil gehad het is, hulle wil hulle hare ge-blowdry het {and all the people wanted is, they wanted to blowdry their hair}, because of the down draught van die {of the} helicopter. En toe {And so}, you know, you, you spoiled their whole afternoon because die {the} rollers en al het geha’loep (gehardloop) na die {and all ran to the} helicopter. Ja, en {Yes, and}() 344. Clarence It sounds like even in your, in death throws. Suster is in death throws. Even in death throws Suster’s still taking the Mickey out the Paarl. 345. Suster No Clarence (), moet nou nie daar gat’ie (gaan nie) {don’t go there now} (). Nevermind days of Fairways. I mean, I had really, really rude letters from the people of Fairways. Kyk {Look}, Fairways was my favourite place, you know. They wrote “Leave Fairways alone” and “You can’t afford us and that’s why you’re talking about us” and, and, ek kry een brief nog van {I still get a letter from} Fairways – “Since you’ve been talking about Fairways on radio, uh, all of a sudden people in, in taxis with all kinds of advertising is pulling up and trying to buy houses in Fairways and, and you’re downgrading our place.” Verstaan jy {You understand}? I really got letters like that. I, I must stop talking about Fairways, its not my
- Page 83 and 84: the violation of this constraint, p
- Page 85 and 86: nouns) are used. I have selected a
- Page 87 and 88: What follows are a few switches to
- Page 89 and 90: The next switch is the insertion of
- Page 91 and 92: has chosen to split the phrase into
- Page 93 and 94: The discourse suggests that the hos
- Page 95 and 96: speaker’s close association with
- Page 97 and 98: The next, and final, switch is to A
- Page 99 and 100: of proceedings throughout the show.
- Page 101 and 102: host is being somewhat sarcastic, b
- Page 103 and 104: also of the ways in which language
- Page 105 and 106: 6.0 Introduction Chapter 6 Conclusi
- Page 107 and 108: • While conjunctions do agree wit
- Page 109 and 110: References Appel, R & Muysken, P. (
- Page 111 and 112: Hamers, J. & Blanc, M. (2000). Bili
- Page 113 and 114: Ponelis, F. (1993). The Development
- Page 115 and 116: Young, D. (1988). Bilingualism and
- Page 117 and 118: APPENDIX
- Page 119 and 120: First Transcript: Update Kaapse Vla
- Page 121 and 122: 52. Clarence: Wilfred? 53. Suster:
- Page 123 and 124: [laughter] 62. Clarence: Die’s (d
- Page 125 and 126: terrace and so I couldn’t go up t
- Page 127 and 128: {So he got an sms back} to say, “
- Page 129 and 130: then you go from Notre-Dame up the
- Page 131 and 132: 201. Suster: Yes Clarence, it’s,
- Page 133: 258. Suster Ja {Yes}, my introducti
- Page 137 and 138: 376. Suster Will do. Thank you my s
- Page 139 and 140: a short while. Music followed by ad
- Page 141 and 142: ecause … did I really say that, y
- Page 143 and 144: speaker}. En toe stoot hy nou die m
- Page 145 and 146: 627. Suster [laughter] 628. Caller
- Page 147 and 148: 699. Caller 13 Yes, uh, I know that
- Page 149 and 150: when I say that you do not have a,
- Page 151 and 152: 853. Caller 16 = = maar jy en Clare
- Page 153 and 154: for} innerly = = 897. Suster = = ja
- Page 155 and 156: 975. Caller 19 Hello Suster. 976. S
Suster?<br />
292. Suster I remember Sid Going, um, behind <strong>the</strong> scrum = =<br />
293. Clarence = = [laughter]<br />
294. Suster = = um = =<br />
295. Clarence = = childhood, childhood, not rugby.<br />
296. Suster But that was my childhood = =<br />
297. Clarence = = I’m dealing with your anger here. You’ve gotta go = =<br />
298. Suster = = () = =<br />
299. Clarence = = you’ve gotta go back to <strong>the</strong> foetus now. What, what is <strong>the</strong> last point that you can<br />
remember?<br />
300. Suster Uh, uh, um, when, my childhood?<br />
301. Clarence Yes.<br />
302. Suster () Um, it’s when my mo<strong>the</strong>r told me “Stop shouting <strong>for</strong> <strong>the</strong> All Blacks”. Ja {Yes}, so = =<br />
303. Clarence = = [laughter]<br />
304. Suster = = that’s <strong>the</strong> earliest part <strong>of</strong> my childhood.<br />
305. Clarence [music playing] Some magic <strong>for</strong> you. Zamajobe Sithole <strong>and</strong> <strong>of</strong> course its Suster’s last day on<br />
radio here on P4. Now that’s why you’re hearing her voice. You’ll be hearing it right through<br />
till three ‘o clock. Some magic, as promised, on P4.<br />
Music<br />
306. Clarence It’s <strong>the</strong> heart <strong>and</strong> soul <strong>of</strong> Cape Town. From () taking us back to <strong>the</strong> eighties <strong>and</strong> “The Second<br />
Time Around.” We also had Darnell Jones, “Ill go” <strong>and</strong> Zamajobe Sithole with “Magic.”<br />
Had a call this morning from a complete, total stranger wanting to know if Zamajobe Sithole<br />
is in town <strong>and</strong> not as far as I know. I mean, I would know if Zamajobe Sithole is in town, but<br />
I know <strong>the</strong>re are a couple <strong>of</strong> ef<strong>for</strong>ts afoot to get this young incredible talent from<br />
Johannesburg into <strong>the</strong> city <strong>for</strong> a per<strong>for</strong>mance. So, hopefully, <strong>the</strong>re will be some good news<br />
coming your way shortly. Its time <strong>for</strong> us to give away twenty-five thous<strong>and</strong> r<strong>and</strong>s in cash. I’d<br />
like to welcome Red Cross Ronnie into <strong>the</strong> studio. I’d also like to welcome Edward<br />
Robinson <strong>of</strong> KPMG.<br />
Draw takes place <strong>and</strong> is followed by some music.<br />
307. Clarence It’s 104.9, <strong>the</strong> heart <strong>and</strong> soul <strong>of</strong> Cape Town. R Kelly <strong>and</strong> “Trapped in <strong>the</strong> closet, Chapter 3”.<br />
Nogal {Actually}. It’s a big story getting out <strong>of</strong> this closet, hey.<br />
308. Suster Kyk hierso {Look here}, Clarence, is daai ou nou, is, is ‘it (is dit) ‘n personal storie {is that<br />
guy now, is, is it a personal story}? Is hy nou in’ie (in die) closet {Is he now in <strong>the</strong> closet}?<br />
309. Clarence I dunno what his story is, but I know that he was, at one stage, living a pretty reckless life.<br />
Uh, what’s it, necrophilia (). No, not that one.<br />
310. Suster [laughter]<br />
311. Clarence Nog ‘n {Ano<strong>the</strong>r} –philia.<br />
312. Suster Paedophilia? Ja {Yes}. ()<br />
313. Clarence And <strong>the</strong>n I know he was born again. I know he’s, he’s written a beautiful couple <strong>of</strong> gospel<br />
songs. Uh, <strong>and</strong>, uh, I, if, if I heard correctly, I’m sure I, I got an expletive in that song as<br />
well. So I don’t know [laughter]<br />
314. Suster () Bietjie baie {A little bit very} confusing. Hulle moet daai song vir hom revive {They<br />
must revive that song <strong>for</strong> him} – I’m coming out. I’m coming. I’m coming out. This is Diana<br />
Ross [nə] {hey}?<br />
315. Clarence Right.<br />
316. Suster I’m coming out, ja {yes}.<br />
317. Clarence You, you’re going back into <strong>the</strong> closet … tomorrow.<br />
318. Suster Tomorrow? Uh, at one minute past three.<br />
319. Clarence You’re in <strong>the</strong> closet.<br />
320. Suster Mmm.<br />
321. Clarence Back in <strong>the</strong> closet. Suster = =
Change language