"TeTri tba" da misi - Style Magazine

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Lulu Dadiani Lulu Dadiani's creative world is filled with power and intensity and maintains close connection with her ancestors' land, Georgia. Her art feeds on the inexhaustible source of myths, images, human relationships and southern life-style, mingled with sorrow and poverty. Lulu Dadiani attempts to bridge all this with the European art, with which she came in touch through western European language and literature studies back in the 1960'ies. The titles of Lulu Dadiani's paintings are also associated with literary sources, especially with R. M. Rilke's 96 stili #41. 2012 "Duineser Elegies", which she translated into Georgian and introduced to Georgian readers. The relationship between Lulu Dadiani's work and literary sources is not limited to naturalist motives, this is why her paintings cannot be categorized as simple illustrations - they rather represent a transposition of key subject-matter into art. Her paintings show how deeply she appreciates literary language, how well she has mastered it and how efficiently she expresses it through her own art. Lulu Dadiani's works are mainly abstract, sometimes figurative, based on impressions achieved through expressivity of color combinations and brush strokes. Colored spaces and surfaces narrate about architectonic structure of the paintings and the human environment, so that the form proper can be interpreted without objective or expositive expression. Apart from the works, inspired by literature, Lulu Dadiani paints original portraits, which are flows of associations, elusive hints, rather than outright expression of individuality - they feature the kind of heterogeneity, which does not fall under precise definitions, but can be elevated to presentational principles. The works feature important conceptual gestures and psychological moods. The same approach Lulu Dadiani uses in her landscapes, which depict unknown, strange places with no beginning and no end. These boundless spaces probably reflect the artist's impressions from Georgian nature and land. Lulu Dadiani's paintings portray indefinite environment, emotional vistas, which have not been copied from anywhere, do not belong anywhere and are therefore modern and easy to perceive. Dr. Beate Reifenscheid Saarland Museum Art Critic Abstract from the introduction to album of Lulu Dadiani's works
pirveli personaluri... 2012 wlis Tebervlis TveSi, TbilisSi `or galerea~-s sagamofeno sivrceSi gaimarTa axalgazrda mxatvris giorgi qurcikiZis personaluri gamofena. naxatebi mnaxvels emociebis gare- Se namdvilad ver tovebs... lamazi, cocxali xazi, personaJebis metyveli, emociuri moZraoba – did STabeWdilebas axdens da masTan uxilav kavSirs amyarebs. giorgi qurcikiZe arqiteqtoria. man, 2003-2008 wlebSi miiRo umaRlesi ganaTleba Tbilisis saxelmwifo samxatvro akademiaSi - daamTavra arqiteqturis fakulteti. giorgi bavSvobidan xatavs. igi muSaobs sxvadasxva teqnikaSi da ukve aqvs mkafiod gamoxatuli individualuri da TviTmyofadi Sesrulebis manera. aRsaniSnavia grafikaSi Sesrulebuli portretebis seria, romelic gamofenis eqspozicias qmnida. mxatvari axerxebs Cawvdes gamosaxuli pirovnebis Sinagan bunebas da warmoaCinos misi saukeTeso Tvisebebi Tu figuris silamaze. axalgazrda mxatvri iswrafvis realizmidan modernizmisken da es absoluturad organulia. giorgis namuSevrebSi naTlad Cans, rom stilizacia, formebis varireba avtoriseulia. namuSevrebSi Segnebulad uaryofilia simaxinjis esTetika da mxatvrobis mizans sicocxliTa da silamaziT tkboba warmoadgens. vulocavT axalagazrda niWier adamians pirvel gamarjvebas da kvlav warmatebebs vusurvebT momavalSi. nino laRiZe stili #41. 2012 97
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#41 2012 May, June, Jule arqiteqtur
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Renovated Agmashenebeli Avenue Reha
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stili #41. 2012 "tramp Taueri", baT
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iusticiis saxli lazikaSi proeqtis m
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ar arsebobs, magram simarTled miiCn
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FACT SHEET Project - Office Buildin
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Rehabilitation of Uplistsikhe Secon
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House in Old Tbilisi Not long ago,
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Renovated Building in Akhaltsikhe A
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stili #41. 2012 ilias tba yvarelSi
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stili #41. 2012 Paulaner Tower Near
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as, erT-erTi mniSvnelovani faqtori
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stili #41. 2012 SourumSi msoflioSi
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njrebi, vidre mTeli fasadis sibrtye
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stili #41. 2012 Early on in the des
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