The Fifth International Symposium on Traditional Polyphony ...
The Fifth International Symposium on Traditional Polyphony ... The Fifth International Symposium on Traditional Polyphony ...
76 iu-siu lu 4 paralelur kvartebsa da kvintebs vxvdebiT 1940-1970-iani wlebis CanawerebSi, mReris es meTodi aRar gamoiyeneba dRevandeli aborigenebis yofaSi (Lu, Sun, 2007: 21-42) 5 do-mi-sol akordi terciuli da kvinturi intervalebiT dasavlur harmoniul TeoriaSi ganixileba rogorc harmoniis fuZe akordi da funqcionaluri harmoniis safuZvels warmoadgens audiomagaliTi 1. Cross (2003). Feiyu yunbao audiomagaliTi 2. Kimbo in a Flash (2005). WFM05001 audiomagaliTebi Targmna baia JuJunaZem
DEVELOPMENT OF A NEW POLYPHONIC STYLE – CASE OF THE TAIWAN ABORIGINES 77 YU-HSIU LU (TAIWAN) Abstract
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- Page 28 and 29: 28 Joseph Jordania 2. Asian polypho
- Page 30 and 31: 30 Joseph Jordania gestion not only
- Page 32 and 33: 32 virtualuri heterofonia: kompozic
- Page 34 and 35: 34 munir nuretin bekeni (aSS) migvi
- Page 36 and 37: 36 MÜNIR NURETTIN BEKEN (USA) VIRT
- Page 38 and 39: 38 Münir Nurettin Beken This becam
- Page 40 and 41: 40 munir nuretin bekeni. danarTi M
- Page 42 and 43: 42 nino ciciSvili (avstralia, saqar
- Page 44 and 45: 44 nino ciciSvili (2) reCitaciuli b
- Page 46 and 47: 46 nino ciciSvili upirveles yovlisa
- Page 48 and 49: 48 nino ciciSvili kulturis arsebobi
- Page 50 and 51: 50 NINO TSITSISHVILI (AUSTRALIA, GE
- Page 52 and 53: 52 Nino Tsitsishvili Factor 3: scal
- Page 54 and 55: 54 Nino Tsitsishvili A historical i
- Page 56 and 57: 56 Nino Tsitsishvili References Ale
- Page 58 and 59: 58 kunZul balis gamelanis musikis p
- Page 60 and 61: 60 maikl tenzeri saciis xangrZliobi
- Page 62 and 63: 62 maikl tenzeri arsebobas, Sreebs
- Page 64 and 65: 64 Michael Tenzer repeats cyclicall
- Page 66 and 67: 66 Michael Tenzer pulsations serves
- Page 68 and 69: 68 maikl tenzeri. danarTi Michael T
- Page 70 and 71: 70 magaliTi 4. bgeris simaRlis, dro
- Page 72 and 73: 72 iu-siu lu Tsou (Tsou) 6 733 seis
- Page 74 and 75: 74 iu-siu lu sawyis etapze taivanel
- Page 78 and 79: 78 Yu-Hsiu Lu in Taiwanese aborigin
- Page 80 and 81: 80 Yu-Hsiu Lu earliest tribes in th
- Page 82 and 83: 82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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- Page 86 and 87: 86 marina qavTaraZe, ekaterine buCu
- Page 88 and 89: 88 marina qavTaraZe, ekaterine buCu
- Page 90 and 91: 90 marina qavTaraZe, ekaterine buCu
- Page 92 and 93: 92 Marina Kavtaradze, Ekaterine Buc
- Page 94 and 95: 94 Marina Kavtaradze, Ekaterine Buc
- Page 96 and 97: 96 Marina Kavtaradze, Ekaterine Buc
- Page 98 and 99: 98 rie koCi akompanementiT, instrum
- Page 100 and 101: 100 cxr. 3 rie koCi 1) kanonuri uko
- Page 102 and 103: 102 rie koCi rasac mReroda wamyvani
- Page 104 and 105: 104 ON THE POLYPHONIC SINGING STYLE
- Page 106 and 107: 106 singing the same melody followi
- Page 108 and 109: 108 Rie Kôchi 3. Recent movements
- Page 110 and 111: 110 Rie Kôchi Kôchi, Rie. (ed.).
- Page 112 and 113: 112 rie koCi. danarTi Rie Kôchi. A
- Page 115 and 116: 115 ala sokolova (adiRe, ruseTi) ad
- Page 117 and 118: adiReas tradiciuli kulturis ameburi
- Page 119 and 120: adiReas tradiciuli kulturis ameburi
- Page 121 and 122: adiReas tradiciuli kulturis ameburi
- Page 123 and 124: 123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
- Page 125 and 126: The Meanings and C
DEVELOPMENT OF A NEW<br />
POLYPHONIC STYLE – CASE OF THE TAIWAN ABORIGINES<br />
77<br />
YU-HSIU LU (TAIWAN)<br />
Abstract<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> populati<strong>on</strong> of aborigines in Taiwan is more than 480 000 populati<strong>on</strong> (about 2.11% of the island).<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>y are now divided into 14 tribes. Numerous polyph<strong>on</strong>ic forms can be found in their traditi<strong>on</strong>al music,<br />
passed al<strong>on</strong>g orally through generati<strong>on</strong>s. Heteroph<strong>on</strong>y, can<strong>on</strong>, parallel, dr<strong>on</strong>e, ostinato, harm<strong>on</strong>y and free<br />
counterpoint are found in their traditi<strong>on</strong>al s<strong>on</strong>gs. Although they have musical instruments, they seldom use<br />
them for solo or ensemble performances.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g> modernizati<strong>on</strong> and westernizati<strong>on</strong> of Taiwan in the sec<strong>on</strong>d half of the 20th century has extended to<br />
aboriginal society. American pop music has influenced aboriginal traditi<strong>on</strong>al s<strong>on</strong>g. <str<strong>on</strong>g>The</str<strong>on</strong>g>se influences include<br />
not <strong>on</strong>ly western functi<strong>on</strong>al harm<strong>on</strong>ies, but also the use of western musical instruments including guitar, bass,<br />
jazz drums, and MIDI. All of them result in the development of a new polyph<strong>on</strong>ic method of the Taiwan<br />
aborigines – a combinati<strong>on</strong> of the indigenous polyph<strong>on</strong>ic style with western polyph<strong>on</strong>ic methods.<br />
<str<strong>on</strong>g>The</str<strong>on</strong>g>re are 14 tribes of aborigines in Taiwan, who speak languages bel<strong>on</strong>ging to the Austr<strong>on</strong>esian language<br />
family. <str<strong>on</strong>g>The</str<strong>on</strong>g> aborigine populati<strong>on</strong> is estimated at about 480,000, representing 2.11% of the island’s populati<strong>on</strong><br />
(tab. 1). <str<strong>on</strong>g>The</str<strong>on</strong>g>ir language, blood, society and culture are significantly different from the other 97.89% of populati<strong>on</strong><br />
whose ancestors are mostly Han people from mainland China.<br />
Tab. 1: 14 aboriginal tribes and their populati<strong>on</strong> (2009) 1<br />
Tribe (traditi<strong>on</strong>al classificati<strong>on</strong>)<br />
Tribe (accepted year after lifting of the<br />
Taiwan Martial Law)<br />
Populati<strong>on</strong><br />
Amis 183 799<br />
(was classified as Amis) Sakizaya (since 2007) 442<br />
Paiwan 88 323<br />
Atayal 80 061<br />
(was classified as Atayal) Taroko (since 2004) 25 857<br />
(was classified as Atayal) Seediq (since 2008) 6 606<br />
Bunun 51 447<br />
Rukai 11 911<br />
Puyuma 11 850<br />
Tsou 6 733<br />
Saysiyat 5 900<br />
Thao 3 748<br />
Thao (since 2001) 693<br />
Kavalan (since 2002) 1 218<br />
1. <str<strong>on</strong>g>The</str<strong>on</strong>g> Traditi<strong>on</strong>al Form of Polyph<strong>on</strong>y – Sound and C<strong>on</strong>cept<br />
Despite representing <strong>on</strong>ly a small porti<strong>on</strong> of Taiwan’s populati<strong>on</strong>, aborigines use a wide variety of<br />
polyph<strong>on</strong>ic sounds (tab. 2) (Hsu, 1991, 1994). Pasibutbut, a prayer s<strong>on</strong>g traditi<strong>on</strong>ally performed <strong>on</strong>ly <strong>on</strong>ce<br />
a year for millet harvest from the Bunun tribe is a well-known example. Takatomo Kurosawa 2 , an authority