The Fifth International Symposium on Traditional Polyphony ...

The Fifth International Symposium on Traditional Polyphony ... The Fifth International Symposium on Traditional Polyphony ...

06.05.2013 Views

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DEVELOPMENT OF A NEW POLYPHONIC STYLE – CASE OF THE TAIWAN ABORIGINES 77 YU-HSIU LU (TAIWAN) Abstract ong>Theong> population of aborigines in Taiwan is more than 480 000 population (about 2.11% of the island). ong>Theong>y are now divided into 14 tribes. Numerous polyphonic forms can be found in their traditional music, passed along orally through generations. Heterophony, canon, parallel, drone, ostinato, harmony and free counterpoint are found in their traditional songs. Although they have musical instruments, they seldom use them for solo or ensemble performances. ong>Theong> modernization and westernization of Taiwan in the second half of the 20th century has extended to aboriginal society. American pop music has influenced aboriginal traditional song. ong>Theong>se influences include not only western functional harmonies, but also the use of western musical instruments including guitar, bass, jazz drums, and MIDI. All of them result in the development of a new polyphonic method of the Taiwan aborigines – a combination of the indigenous polyphonic style with western polyphonic methods. ong>Theong>re are 14 tribes of aborigines in Taiwan, who speak languages belonging to the Austronesian language family. ong>Theong> aborigine population is estimated at about 480,000, representing 2.11% of the island’s population (tab. 1). ong>Theong>ir language, blood, society and culture are significantly different from the other 97.89% of population whose ancestors are mostly Han people from mainland China. Tab. 1: 14 aboriginal tribes and their population (2009) 1 Tribe (traditional classification) Tribe (accepted year after lifting of the Taiwan Martial Law) Population Amis 183 799 (was classified as Amis) Sakizaya (since 2007) 442 Paiwan 88 323 Atayal 80 061 (was classified as Atayal) Taroko (since 2004) 25 857 (was classified as Atayal) Seediq (since 2008) 6 606 Bunun 51 447 Rukai 11 911 Puyuma 11 850 Tsou 6 733 Saysiyat 5 900 Thao 3 748 Thao (since 2001) 693 Kavalan (since 2002) 1 218 1. ong>Theong> Traditional Form of Polyphony – Sound and Concept Despite representing only a small portion of Taiwan’s population, aborigines use a wide variety of polyphonic sounds (tab. 2) (Hsu, 1991, 1994). Pasibutbut, a prayer song traditionally performed only once a year for millet harvest from the Bunun tribe is a well-known example. Takatomo Kurosawa 2 , an authority

DEVELOPMENT OF A NEW<br />

POLYPHONIC STYLE – CASE OF THE TAIWAN ABORIGINES<br />

77<br />

YU-HSIU LU (TAIWAN)<br />

Abstract<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> populati<strong>on</strong> of aborigines in Taiwan is more than 480 000 populati<strong>on</strong> (about 2.11% of the island).<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>y are now divided into 14 tribes. Numerous polyph<strong>on</strong>ic forms can be found in their traditi<strong>on</strong>al music,<br />

passed al<strong>on</strong>g orally through generati<strong>on</strong>s. Heteroph<strong>on</strong>y, can<strong>on</strong>, parallel, dr<strong>on</strong>e, ostinato, harm<strong>on</strong>y and free<br />

counterpoint are found in their traditi<strong>on</strong>al s<strong>on</strong>gs. Although they have musical instruments, they seldom use<br />

them for solo or ensemble performances.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g> modernizati<strong>on</strong> and westernizati<strong>on</strong> of Taiwan in the sec<strong>on</strong>d half of the 20th century has extended to<br />

aboriginal society. American pop music has influenced aboriginal traditi<strong>on</strong>al s<strong>on</strong>g. <str<strong>on</strong>g>The</str<strong>on</strong>g>se influences include<br />

not <strong>on</strong>ly western functi<strong>on</strong>al harm<strong>on</strong>ies, but also the use of western musical instruments including guitar, bass,<br />

jazz drums, and MIDI. All of them result in the development of a new polyph<strong>on</strong>ic method of the Taiwan<br />

aborigines – a combinati<strong>on</strong> of the indigenous polyph<strong>on</strong>ic style with western polyph<strong>on</strong>ic methods.<br />

<str<strong>on</strong>g>The</str<strong>on</strong>g>re are 14 tribes of aborigines in Taiwan, who speak languages bel<strong>on</strong>ging to the Austr<strong>on</strong>esian language<br />

family. <str<strong>on</strong>g>The</str<strong>on</strong>g> aborigine populati<strong>on</strong> is estimated at about 480,000, representing 2.11% of the island’s populati<strong>on</strong><br />

(tab. 1). <str<strong>on</strong>g>The</str<strong>on</strong>g>ir language, blood, society and culture are significantly different from the other 97.89% of populati<strong>on</strong><br />

whose ancestors are mostly Han people from mainland China.<br />

Tab. 1: 14 aboriginal tribes and their populati<strong>on</strong> (2009) 1<br />

Tribe (traditi<strong>on</strong>al classificati<strong>on</strong>)<br />

Tribe (accepted year after lifting of the<br />

Taiwan Martial Law)<br />

Populati<strong>on</strong><br />

Amis 183 799<br />

(was classified as Amis) Sakizaya (since 2007) 442<br />

Paiwan 88 323<br />

Atayal 80 061<br />

(was classified as Atayal) Taroko (since 2004) 25 857<br />

(was classified as Atayal) Seediq (since 2008) 6 606<br />

Bunun 51 447<br />

Rukai 11 911<br />

Puyuma 11 850<br />

Tsou 6 733<br />

Saysiyat 5 900<br />

Thao 3 748<br />

Thao (since 2001) 693<br />

Kavalan (since 2002) 1 218<br />

1. <str<strong>on</strong>g>The</str<strong>on</strong>g> Traditi<strong>on</strong>al Form of Polyph<strong>on</strong>y – Sound and C<strong>on</strong>cept<br />

Despite representing <strong>on</strong>ly a small porti<strong>on</strong> of Taiwan’s populati<strong>on</strong>, aborigines use a wide variety of<br />

polyph<strong>on</strong>ic sounds (tab. 2) (Hsu, 1991, 1994). Pasibutbut, a prayer s<strong>on</strong>g traditi<strong>on</strong>ally performed <strong>on</strong>ly <strong>on</strong>ce<br />

a year for millet harvest from the Bunun tribe is a well-known example. Takatomo Kurosawa 2 , an authority

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