The Fifth International Symposium on Traditional Polyphony ...

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68 maikl tenzeri. danarTi Michael Tenzer. APPENDIX magaliTi 2g. gadaxra sawinaaRmdego moZraobiT sxvadasxva diapazonis instrumentebTan asocire– buli idiomebis SepirispirebiT (taruna jaia) Example 2c. Divergence through contrary motion arising unavoidably from the juxtaposition of idioms associated with instruments with different ranges (Taruna Jaya) magaliTi 3a. kontrapunqtuli, araregularuli frazireba da dauSrevebeli faqtura sekar sung– sangSi Example 3a. counterpoint, irregular phrasing and non-stratification in Sekar Sungsang
maikl tenzeri. danarTi Michael Tenzer. APPENDIX magaliTi 3b. melodiuri xazebis damoukidebeli damuSaveba aseTi parale-lizmis ganmsazRvereli kiloebisa da wyobebis mqone repertuaris paralelur harmoniaSi sekar ginotan Example 3b. the independent elaboration of melodic lines in parallel harmony in repertoire associated with scales and tunings allowing for such parallelism Sekar Ginotan 69
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
Page 18 and 19: 18 ioseb Jordania anobis arsebuli t
Page 20 and 21: 20 ioseb Jordania mkvlevarebis yura
Page 22 and 23: 22 ioseb Jordania xmianobasTan da T
Page 24 and 25: 24 TRADITIONAL POLYPHONY IN ASIA: P
Page 26 and 27: 26 Joseph Jordania scholar Schehera
Page 28 and 29: 28 Joseph Jordania 2. Asian polypho
Page 30 and 31: 30 Joseph Jordania gestion not only
Page 32 and 33: 32 virtualuri heterofonia: kompozic
Page 34 and 35: 34 munir nuretin bekeni (aSS) migvi
Page 36 and 37: 36 MÜNIR NURETTIN BEKEN (USA) VIRT
Page 38 and 39: 38 Münir Nurettin Beken This becam
Page 40 and 41: 40 munir nuretin bekeni. danarTi M
Page 42 and 43: 42 nino ciciSvili (avstralia, saqar
Page 44 and 45: 44 nino ciciSvili (2) reCitaciuli b
Page 46 and 47: 46 nino ciciSvili upirveles yovlisa
Page 48 and 49: 48 nino ciciSvili kulturis arsebobi
Page 50 and 51: 50 NINO TSITSISHVILI (AUSTRALIA, GE
Page 52 and 53: 52 Nino Tsitsishvili Factor 3: scal
Page 54 and 55: 54 Nino Tsitsishvili A historical i
Page 56 and 57: 56 Nino Tsitsishvili References Ale
Page 58 and 59: 58 kunZul balis gamelanis musikis p
Page 60 and 61: 60 maikl tenzeri saciis xangrZliobi
Page 62 and 63: 62 maikl tenzeri arsebobas, Sreebs
Page 64 and 65: 64 Michael Tenzer repeats cyclicall
Page 66 and 67: 66 Michael Tenzer pulsations serves
Page 70 and 71: 70 magaliTi 4. bgeris simaRlis, dro
Page 72 and 73: 72 iu-siu lu Tsou (Tsou) 6 733 seis
Page 74 and 75: 74 iu-siu lu sawyis etapze taivanel
Page 76 and 77: 76 iu-siu lu 4 paralelur kvartebsa
Page 78 and 79: 78 Yu-Hsiu Lu in Taiwanese aborigin
Page 80 and 81: 80 Yu-Hsiu Lu earliest tribes in th
Page 82 and 83: 82 iu-siu lu. danarTi Yu-Hsiu Lu. A
Page 84 and 85: 84 marina qavTaraZe, ekaterine buCu
Page 92 and 93: 92 Marina Kavtaradze, Ekaterine Buc
Page 98 and 99: 98 rie koCi akompanementiT, instrum
Page 100 and 101: 100 cxr. 3 rie koCi 1) kanonuri uko
Page 102 and 103: 102 rie koCi rasac mReroda wamyvani
Page 104 and 105: 104 ON THE POLYPHONIC SINGING STYLE
Page 106 and 107: 106 singing the same melody followi
Page 108 and 109: 108 Rie Kôchi 3. Recent movements
Page 110 and 111: 110 Rie Kôchi Kôchi, Rie. (ed.).
Page 112 and 113: 112 rie koCi. danarTi Rie Kôchi. A
Page 115 and 116: 115 ala sokolova (adiRe, ruseTi) ad
Page 117 and 118: adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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