The Fifth International Symposium on Traditional Polyphony ...
The Fifth International Symposium on Traditional Polyphony ... The Fifth International Symposium on Traditional Polyphony ...
68 maikl tenzeri. danarTi Michael Tenzer. APPENDIX magaliTi 2g. gadaxra sawinaaRmdego moZraobiT sxvadasxva diapazonis instrumentebTan asocire– buli idiomebis SepirispirebiT (taruna jaia) Example 2c. Divergence through contrary motion arising unavoidably from the juxtaposition of idioms associated with instruments with different ranges (Taruna Jaya) magaliTi 3a. kontrapunqtuli, araregularuli frazireba da dauSrevebeli faqtura sekar sung– sangSi Example 3a. counterpoint, irregular phrasing and non-stratification in Sekar Sungsang
maikl tenzeri. danarTi Michael Tenzer. APPENDIX magaliTi 3b. melodiuri xazebis damoukidebeli damuSaveba aseTi parale-lizmis ganmsazRvereli kiloebisa da wyobebis mqone repertuaris paralelur harmoniaSi sekar ginotan Example 3b. the independent elaboration of melodic lines in parallel harmony in repertoire associated with scales and tunings allowing for such parallelism Sekar Ginotan 69
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68<br />
maikl tenzeri. danarTi<br />
Michael Tenzer. APPENDIX<br />
magaliTi 2g. gadaxra sawinaaRmdego moZraobiT sxvadasxva diapaz<strong>on</strong>is instrumentebTan asocire–<br />
buli idiomebis SepirispirebiT (taruna jaia)<br />
Example 2c. Divergence through c<strong>on</strong>trary moti<strong>on</strong> arising unavoidably from the juxtapositi<strong>on</strong> of idioms associated with<br />
instruments with different ranges (Taruna Jaya)<br />
magaliTi 3a. k<strong>on</strong>trapunqtuli, araregularuli frazireba da dauSrevebeli faqtura sekar sung–<br />
sangSi<br />
Example 3a. counterpoint, irregular phrasing and n<strong>on</strong>-stratificati<strong>on</strong> in Sekar Sungsang
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