The Fifth International Symposium on Traditional Polyphony ...

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560 leila maruaSvili fugis analizi mkvlevars arwmunebs, rom kompozitoris mier fugis Janris arCevani, uda– od, ara SemTxveviTi, aramed gabeduli ganzraxva iyo. akademiuri musikaluri formis kanonebi da TviT musikis ararseboba _ Znelad warmosadgeni sinTezia. agrZelebs ra uZvelesi Janris tradiciebs, `polifoniuri leqsebis~ avtori inarCunebs fugis tradiciuli formis yvela elementsa da maT adgilmdebareobas. fuga oTxxmiania (oTxi mkiTxveli-solisti), fugis Te– ma _ poeturi teqstis striqonia, eqspoziciaSi Tema tardeba oTxjer safexureobrivi aRmav– lobis principiT (bani, tenori, alti, soprano). aris striqoni, romelic dapirispirebis rols asrulebs da, vinaidan eqspoziciaSi igi ucvlelia, dapirispirebac Sekavebulia. aris intermediebi. mTeli fuga samnawiliani aRnagobisaa. Sua, ganviTarebad monakveTSi, artiku– laciuri efeqtebis roli da saerTo dinamika izrdeba, sul ufro xazgasmulia ara sityvis, aramed bgeris mniSvneloba (JReradobiT, sonorulobiT `tkboba~), aqve puantilistur teqni– kaze agebuli streta gvxvdeba. reprizaSi Tema tardeba samjer, saerTo dinamika nel-nela iklebs (mag. 7). analizi gvarwmunebs, rom Seqmnili nawarmoebi musikaluri Semoqmedebis nayofia. magram, faqtobrivad, polifoniuri azrovnebis gamoxatva am nawarmoebSi xdeba metad originalurad – ara musikaluri, aramed wminda sametyvelo intonaciis meSveobiT. teqstis, sityvis, samety– velo bgeris mimarT damokidebuleba _ musikaluri frazis, motivis, musikaluri bgeris mimarT Cveuli damokidebulebis identuria. kompozitori cdilobs, bgera, rogorc poeturi teqstis safuZveli, Tavisi mniSvnelobiT, musikalur bgeras gauTanabros. mas poetur teqs– tSi ,,esmis~ swored musikaluri keTilxmovaneba, misTvis poeturi sityva musikaluri movle– nis adeqvaturia. nawarmoebisaTvis damaxasiaTebeli `notaciis~ pirobiToba, improvizacia _ TamaSi, simbo– likis mravalmniSvneloba, sonoruli da vizualuri rigebis asemanturoba, asociaciebis Tavi– sufleba da, rac yvelaze mniSvnelovania, – polifoniurobis axleburi gageba, calsaxad migviTiTebs `polifoniuri leqsebis~ prototipze, romelic zogadqarTuli xalxuri az– rovnebisa da tradiciebis wiaRSi unda veZeboT (maruaSvili, 2003). bolo magaliTi, iseve rogorc sxva mravali, gviCvenebs qarTveli kompozitorebis TviT– myofad midgomas, erTi mxriv, XX saukunis mniSvnelovani movlenebisadmi, meore mxriv ki – qarTuli xalxuri mravalxmianobisadmi, rac iZleva axali polifoniuri azrovnebis da originaluri stiluri gadawyvetis SesaZleblobas. Ddamowmebuli literatura maruaSvili, leila. (2003). ,,s. nasiZis polifoniuri azrovnebis Sesaxeb~. krebulSi: musikismcodneobis sakiTxebi. gv. 38-46. Tbilisi: Tbilisis saxelmwifo konservatoria maruaSvili, leila. (2003). ,,novatoroba rogorc fugis Janruli ganaxlebis safuZveli~. krebulSi: mu– sikismcodneobis sakiTxebi. gv. 50-64. Tbilisi: Tbilisis saxelmwifo konservatoria maruaSvili, leila. (1994). ,,polifoniuri formebis tipologiuri niSnebis Sesaxeb g. yanCelis Semoq– medebaSi~. krebulSi: musikismcodneobis sakiTxebi. gv. 279-291. Tbilisi: Tbilisis saxelmwifo konser– vatoria
qarTuli xalxuri polifoniis tradiciebis gardatexa profesiul musikaSi CxikvaZe, grigol. (1957). `xalxuri simRera~. wignSi: qarTuli musikaluri kultura. moskovi 561 wurwumia, rusudan. (2005). meoce saukunis qarTuli musika: TviTmyofadoba da RirebulebiTi orien– taciebi. Tbilisi: Tbilisis saxelmwifo konservatoria audiomagaliTebi audiomagaliTi 1. s. cincaZe. mexuTe kvarteti, I nawili (1962) audiomagaliTi 2. s. nasiZe, kameruli simfonia (1973) audiomagaliTi 3. xevsuruli simRera Sav ludsa audiomagaliTi 4 a) s. nasiZe, kameruli simfonia (1973) audiomagaliTi 4 b) s. nasiZe, simfonia Passione audiomagaliTi 5. s. nasiZe, safortepiano trio (1958) audiomagaliTi 6. g. yanCeli mexuTe simfonia (p. c. 28) audiomagaliTi 7. e. WabaSvili, polifoniuri leqsebi, fuga
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
Page 509 and 510: franc foedermairi. danarTi Franz F
Page 511 and 512: franc foedermairi. danarTi Franz F
Page 513: franc foedermairi. danarTi Franz F
Page 517 and 518: 517 morimoto masako, honda manabu,
Page 519 and 520: qarTuli tradiciuli mravalxmianobis
Page 521 and 522: 521 MORIMOTO MASAKO, HONDA MANABU,
Page 523 and 524: Study on the Sound Structure of Geo
Page 525 and 526: morimoto masako, honda manabu, niSi
Page 527 and 528: 527 kavai norie, morimoto masako, h
Page 537 and 538: kavai norie, morimoto masako, honda
Page 539 and 540: kaxuri simRerebis gaSifvris sakiTxe
Page 541 and 542: CHALLENGES IN MUSICAL TRANSCRIPTION
Page 543 and 544: nona lomiZe. danarTi Nona Lomidze.
Page 551: nona lomiZe. danarTi Nona Lomidze.
Page 555 and 556: 555 leila maruaSvili (saqarTvelo) q
Page 557 and 558: qarTuli xalxuri polifoniis tradicie
Page 559: qarTuli xalxuri polifoniis tradicie
Page 563 and 564: Refraction of Georgian Folk Polypho
Page 569 and 570: leila maruaSvili. danarTi Leila Mar
Page 571 and 572: leila maruaSvili. danarTi Leila Mar
Page 573 and 574: ioseb Jordania, xelovnebaTmcodneobi
Page 575 and 576: polo valeho, eTnomusikologiis doqto
Page 578 and 579: 578 simpoziumis organizatorebi mxar
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