The Fifth International Symposium on Traditional Polyphony ...
The Fifth International Symposium on Traditional Polyphony ... The Fifth International Symposium on Traditional Polyphony ...
536 kavai norie, morimoto masako, honda manabu, onodera eiko, niSina emi, oohaSi cutomu. danarTi Kawai Norie, Morimoto Masako, Honda Manabu, Onodera Eiko, Nishina Emi, Oohashi Tsutomu. APPENDIX magaliTi 1. o da-s simaRlis analizis Sedegebi (fragmenti). SeviswavloT qarTuli xalxuri simRerebi - megruli simRera, 2008 Figure 1. Results of pitch analysis of O da (segment). Teach Yourself Georgian Folk Songs - Megrelian song, 2008 +2 −4 −38 −11 +7 +5 +14 Fig. 1 Results of pitch analysis of “O da” (segment) −42 −42 −6 −6 −20 −24 −2 −23 −34 −4 −21−11 −17 −3 −2 −7 −7 +14 +24 +9 −34 +27 +37 +4 +4 +5 (Score cited from “Teach Yourself Georgian Folk Songs - Megrelian Song” [1]) magaliTi 2. o da simaRlis gadaxra saSualod Tanabari temperaciis Sesabamisi bgeridan Figure 2. Averaged pitch sift of O da from corresponding reference tone based on equal temperament la sol fa mi re do ti Equal temperament Georgian polyphony “O da” Fig. 2 Averaged pitch shift of “O da” from corresponding reference tone based on equal temperament +8 +18 +47 +11 +25 +30
kavai norie, morimoto masako, honda manabu, onodera eiko, niSina emi, oohaSi cutomu. danarTi Kawai Norie, Morimoto Masako, Honda Manabu, Onodera Eiko, Nishina Emi, Oohashi Tsutomu. APPENDIX magaliTi 3. gadaxra o da-s temperaciidan sxva temperaciebTan SedarebiT Figure 3. Deviation with other temperament in comparison to O da temperament Just intonation (pure temperament) Pythagorean tuning Meantone Werckmeister Kirnberger temperament temperament temperament Classical Georgian polyphony “O da” temperament la sol fa mi re do ti -12 -4 -37 -12 -9 -18 -12 -26 -59 -12 -30 -39 -1 -4 -26 -7 +80 -12 -12 -14 -41 -12 -24 -21 -8 -9 -37 -12 -19 -18 -1 -4 -68 -7 -14 -12 537 Fig. 3 Deviation with other temperaments in comparison to “O da” Temperament magaliTi 4. subieqturi STabeWdileba originalur da Tanabar temperaciaSi mocemuli o dasagan Figure 4. Subjective impression of original O da and O da pitch Shitfed equal temperament Not affective Meager information Boring Bad vocalizing Inharmonious Bad arrangement Bad singers Dark and heavy Artificial Poor in sound Unmoving performance Felt ill at ease Cacophonous Rough Low in density Not interesting Mundane Unlikable Tring Shallow -1.0 -0.5 0 0.5 1.0 1.5 "O da" Pitch-Shifted Into Equal Temperament Unpleasant Pleasant Original “O da” (N=19) Affective Rich information Not boring Good vocalizing Harmonious Good arrangement Good singers Clear and limpid * Natural Rich in sound Moving performance Felt at ease * Euphonious Smooth High in density Interesting Imaginative Likable * Restful Profound * p < 0.05 Fig. 4 Subjective impressions of Original “O da” and “O da” Pitch-Shifted Into Equal Temperament
- Page 485 and 486: 485 gerda lexlaitneri (avstria) non
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- Page 523 and 524: Study on the Sound Structure of Geo
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kavai norie, morimoto masako, h<strong>on</strong>da manabu, <strong>on</strong>odera eiko, niSina emi, oohaSi cutomu. danarTi<br />
Kawai Norie, Morimoto Masako, H<strong>on</strong>da Manabu, Onodera Eiko, Nishina Emi, Oohashi Tsutomu. APPENDIX<br />
magaliTi 3. gadaxra o da-s temperaciidan sxva temperaciebTan SedarebiT<br />
Figure 3. Deviati<strong>on</strong> with other temperament in comparis<strong>on</strong> to O da temperament<br />
Just<br />
int<strong>on</strong>ati<strong>on</strong><br />
(pure<br />
temperament)<br />
Pythagorean<br />
tuning<br />
Meant<strong>on</strong>e Werckmeister Kirnberger<br />
temperament temperament temperament Classical<br />
Georgian<br />
polyph<strong>on</strong>y<br />
“O da”<br />
temperament<br />
la<br />
sol<br />
fa<br />
mi<br />
re<br />
do<br />
ti<br />
-12<br />
-4<br />
-37<br />
-12<br />
-9<br />
-18<br />
-12<br />
-26<br />
-59<br />
-12<br />
-30<br />
-39<br />
-1<br />
-4<br />
-26<br />
-7<br />
+80<br />
-12<br />
-12<br />
-14<br />
-41<br />
-12<br />
-24<br />
-21<br />
-8<br />
-9<br />
-37<br />
-12<br />
-19<br />
-18<br />
-1<br />
-4<br />
-68<br />
-7<br />
-14<br />
-12<br />
537<br />
Fig. 3 Deviati<strong>on</strong> with other temperaments in comparis<strong>on</strong> to “O da” Temperament<br />
magaliTi 4. subieqturi STabeWdileba originalur da Tanabar temperaciaSi mocemuli o dasagan<br />
Figure 4. Subjective impressi<strong>on</strong> of original O da and O da pitch Shitfed equal temperament<br />
Not affective<br />
Meager informati<strong>on</strong><br />
Boring<br />
Bad vocalizing<br />
Inharm<strong>on</strong>ious<br />
Bad arrangement<br />
Bad singers<br />
Dark and heavy<br />
Artificial<br />
Poor in sound<br />
Unmoving performance<br />
Felt ill at ease<br />
Cacoph<strong>on</strong>ous<br />
Rough<br />
Low in density<br />
Not interesting<br />
Mundane<br />
Unlikable<br />
Tring<br />
Shallow<br />
-1.0 -0.5 0 0.5 1.0 1.5<br />
"O da" Pitch-Shifted<br />
Into Equal<br />
Temperament<br />
Unpleasant<br />
Pleasant<br />
Original<br />
“O da”<br />
(N=19)<br />
Affective<br />
Rich informati<strong>on</strong><br />
Not boring<br />
Good vocalizing<br />
Harm<strong>on</strong>ious<br />
Good arrangement<br />
Good singers<br />
Clear and limpid *<br />
Natural<br />
Rich in sound<br />
Moving performance<br />
Felt at ease *<br />
Euph<strong>on</strong>ious<br />
Smooth<br />
High in density<br />
Interesting<br />
Imaginative<br />
Likable *<br />
Restful<br />
Profound<br />
* p < 0.05<br />
Fig. 4 Subjective impressi<strong>on</strong>s of Original “O da” and “O da” Pitch-Shifted Into Equal Temperament
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