The Fifth International Symposium on Traditional Polyphony ...
The Fifth International Symposium on Traditional Polyphony ... The Fifth International Symposium on Traditional Polyphony ...
518 morimoto masako, honda manabu, niSina emi, kavai norie, oohaSi cutomu 2004). pirvelyovlisa, gamovcadeT momRerlis Cawerili xmis monacemebi DAQ Card-6062E-is ga– moyenebiT da misi mowyobilobis programuli uzrunvelyofiT (National Instruments Co., Austin, USA), pirobiTi sixSiriT 250 kHz. yoveli 20-msec droisaTvis, 10 msec–is nawilobrivi damTx– veviT, xmis monacemebis siZlieris speqtri gamovTvaleT maqsimaluri enTropiis meTodiT, romelic, rogorc cnobilia, mosaxerxebelia swored mokle periodis monacemebis zusti speqtruli SefasebisaTvis. sixSiris rezolucia iyo 500 Hz. Sefasebuli simZlavris speqtri demonstrirebuli iyo samganzomilebian erTobliobaSi. speqtruli Sefaseba da samgan– zomilebiani gamosaxuleba Seqmna MATLAB-ma (
qarTuli tradiciuli mravalxmianobis bgeriTi struqturis kvleva: rxevis struqturis raodenobrivi analizi 519 Tanaxmadac, tradiciuli qarTuli simRera xasiaTdeba ufro kompleqsuri simZlavris speq– truli cvalebadobiT. suraTi 5 gviCvenebs ME speqtrul Slas qarTuli tradiciuli mravalxmianobis solo simRerasa da trioSi. trios simReris nimuSad Cven gamoviyeneT xasanbegura. trios simRera, solo simRerasTan SedarebiT, Seicavs ufro met smeniT araaRqmad maRali sixSiris kompo– nents. davZenT, rom trioSi speqtruli cvalebadoba ufro metad TvalSisacemia. suraTi 6 gviCvenebs solo simRerasTan SedarebiT udides 1 SDVM da 2 SDVM. trios simReraSi. miRe– buli SedegiT, savaraudoa, rom qarTul tradiciul polifoniaSi sami momRerlis xmis es kombinacia, solo simRerasTan SedarebiT, metad kompleqsur, rTul rxevebs warmoqmnis bge– ris struqturaSi. 4. msjeloba winamdebare gamokvlevaSi, bgeris struqturis rxevis raodenobrivi SefasebisTvis, Sevq– meniT indeqsebi ME speqtruli Slis meTodis gamoyenebiT, romelic Cven manamde SevimuSaveT. 1 SDVM warmoadgens indeqss, romelic Seicavs araTanabar cvlilebebs makrodroiT done–ze, rac Seesabameba musikalur bgerebs; da mikrodroiT doneze, romelic ukavSirdeba rever– beraciasa da atakas. meore mxriv, 2 SDVM ufro specifikurad asaxavs rxevis sirTules ME speqtrul SlaSi mikrodroiT doneze. indeqsebis gamoyenebiT, Cven SevadareT qarTuli tradiculi simRera da bel canto-s simRe– ra (orive SemTxvevaSi solo nimuSebi) da aRmovaCineT, rom 1 da 2 SDVM-dan, oriveSi, qarTul tradiciul simReras meti sidide aqvs, vidre bel canto simReras. davZenT, rom msgavsi sirTule kidev ufro gaZlierebulia trios simReraSi, sadac sami gansxvavebuli sasimRero xma ur– TierTqmedebs. gaanalizebuli periodebi winamdebare kvlevaSi Seesabameba erT musikalur bgeras da Sesabamisad, ar Seicavs cvlilebas musikalur intervalSi. vinaidan bel canto sim– Rera Seicavs vibratos, ME spetruli arealis araTanabari cvlileba smenad rigSi 20 kHz-is dabla ufro naTelia, gamokveTilia, vidre qarTuli simReris vizualur gamokvlevaSi. miu– xedavad amisa, orive _ 1 da 2 SDVM gviCvnebs udides Rirebulebas qarTul tradiciul simRe– raSi ufro metad, vidre bel canto-Si. aqedan SeiZleba vivaraudoT, rom qarTuli tradiciuli simRera Seicavs ukiduresad mdidar rxevaTa struqturas mikrodroiT domenSi, romelic aRemateba bel canto-s simRerisTvis maxasiaTebeli simZlavris speqtris martiv, periodul cvli– lebebs. qarTuli tadiciuli simReris bgeris struqturis daxasiaTeba zustad Seesabameba ooha– Sis mier SemoTavazebul, musikis biologiur koncefcias; avtoris mtkicebiT, musikis Sina– ganad damaxasiaTebeli Tvisebaa mikrodroiT doneze misi meryevi, mudmivad cvalebadi infor– maciuli struqtura. musikis dasavleTevropuli koncefciis Tanaxmad, musika xasiaTdeba artikulaciuri musikaluri tonebiT myari, ucvleli bgeris signalis struqturiT, rogorc ZiriTadi komponentiT; aseve, musika da musikaluri partitura erTmaneTs emTxveva. xolo rogorc qarTvelebi amboben, kargi qarTveli folkloruli momRerali orjer erTnairad arasdros mReris frazas (Teach Yourself Georgian Folk Songs - Megrelian song, 2008). sainteresoa, rom aradasavlur sasimRero stilebSi, qarTuli simReris CaTvliT, ZiriTadi tendenciaa, kom– pozitoris mier Seqmnil musikalur partiturasTan SedarebiT, didi mniSvneloba mieni– Wos momRerlis improvizacias. mikrodroiT doneze, bgeris struqturis ukiduresad kom–
- Page 467 and 468: New Tendencies in the Nineteenth-Ce
- Page 469 and 470: aia JuJunaZe. danarTi Baia Zhuzhuna
- Page 471 and 472: aia JuJunaZe. danarTi Baia Zhuzhuna
- Page 473 and 474: gamSvenebaTa struqturuli formulebi
- Page 475 and 476: ORNAMENTED STRUCTURAL FORMULAS IN T
- Page 477 and 478: Ornamented Structural Formulas in t
- Page 479 and 480: nino naneiSvili. danarTi Nino Nanei
- Page 481: nino naneiSvili. danarTi Nino Nanei
- Page 485 and 486: 485 gerda lexlaitneri (avstria) non
- Page 487 and 488: zogierTi mosazreba mravalxmiani mus
- Page 489 and 490: zogierTi mosazreba mravalxmiani mus
- Page 491 and 492: zogierTi mosazreba mravalxmiani mus
- Page 493 and 494: Some Considerations on the Interpre
- Page 495 and 496: Some Considerations on the Interpre
- Page 497 and 498: Some Considerations on the Interpre
- Page 499 and 500: gerda lexlaitneri, nona lomiZe. dan
- Page 501 and 502: gerda lexlaitneri, nona lomiZe. dan
- Page 503 and 504: 503 franc foedermairi (avstria) meg
- Page 505 and 506: megruli simReris sami Sedevri, Cawe
- Page 507 and 508: Three Masterpieces of Megrelian Son
- Page 509 and 510: franc foedermairi. danarTi Franz F
- Page 511 and 512: franc foedermairi. danarTi Franz F
- Page 513: franc foedermairi. danarTi Franz F
- Page 517: 517 morimoto masako, honda manabu,
- Page 521 and 522: 521 MORIMOTO MASAKO, HONDA MANABU,
- Page 523 and 524: Study on the Sound Structure of Geo
- Page 525 and 526: morimoto masako, honda manabu, niSi
- Page 527 and 528: 527 kavai norie, morimoto masako, h
- Page 529 and 530: qarTuli tradiciuli mravalxmianobis
- Page 531 and 532: qarTuli tradiciuli mravalxmianobis
- Page 533 and 534: Study on the Sound Structure of Geo
- Page 535 and 536: Study on the Sound Structure of Geo
- Page 537 and 538: kavai norie, morimoto masako, honda
- Page 539 and 540: kaxuri simRerebis gaSifvris sakiTxe
- Page 541 and 542: CHALLENGES IN MUSICAL TRANSCRIPTION
- Page 543 and 544: nona lomiZe. danarTi Nona Lomidze.
- Page 545 and 546: nona lomiZe. danarTi Nona Lomidze.
- Page 547 and 548: nona lomiZe. danarTi Nona Lomidze.
- Page 549 and 550: nona lomiZe. danarTi Nona Lomidze.
- Page 551: nona lomiZe. danarTi Nona Lomidze.
- Page 555 and 556: 555 leila maruaSvili (saqarTvelo) q
- Page 557 and 558: qarTuli xalxuri polifoniis tradicie
- Page 559 and 560: qarTuli xalxuri polifoniis tradicie
- Page 561 and 562: qarTuli xalxuri polifoniis tradicie
- Page 563 and 564: Refraction of Georgian Folk Polypho
- Page 565 and 566: Refraction of Georgian Folk Polypho
- Page 567 and 568: Refraction of Georgian Folk Polypho
qarTuli tradiciuli mravalxmianobis bgeriTi<br />
struqturis kvleva: rxevis struqturis raodenobrivi analizi<br />
519<br />
Tanaxmadac, tradiciuli qarTuli simRera xasiaTdeba ufro kompleqsuri simZlavris speq–<br />
truli cvalebadobiT.<br />
suraTi 5 gviCvenebs ME speqtrul Slas qarTuli tradiciuli mravalxmianobis solo<br />
simRerasa da trioSi. trios simReris nimuSad Cven gamoviyeneT xasanbegura. trios simRera,<br />
solo simRerasTan SedarebiT, Seicavs ufro met smeniT araaRqmad maRali sixSiris kompo–<br />
nents. davZenT, rom trioSi speqtruli cvalebadoba ufro metad TvalSisacemia. suraTi 6<br />
gviCvenebs solo simRerasTan SedarebiT udides 1 SDVM da 2 SDVM. trios simReraSi. miRe–<br />
buli SedegiT, savaraudoa, rom qarTul tradiciul polif<strong>on</strong>iaSi sami momRerlis xmis es<br />
kombinacia, solo simRerasTan SedarebiT, metad kompleqsur, rTul rxevebs warmoqmnis bge–<br />
ris struqturaSi.<br />
4. msjeloba<br />
winamdebare gamokvlevaSi, bgeris struqturis rxevis raodenobrivi SefasebisTvis, Sevq–<br />
meniT indeqsebi ME speqtruli Slis meTodis gamoyenebiT, romelic Cven manamde SevimuSaveT.<br />
1 SDVM warmoadgens indeqss, romelic Seicavs araTanabar cvlilebebs makrodroiT d<strong>on</strong>e–ze,<br />
rac Seesabameba musikalur bgerebs; da mikrodroiT d<strong>on</strong>eze, romelic ukavSirdeba rever–<br />
beraciasa da atakas. meore mxriv, 2 SDVM ufro specifikurad asaxavs rxevis sirTules ME<br />
speqtrul SlaSi mikrodroiT d<strong>on</strong>eze.<br />
indeqsebis gamoyenebiT, Cven SevadareT qarTuli tradiculi simRera da bel canto-s simRe–<br />
ra (orive SemTxvevaSi solo nimuSebi) da aRmovaCineT, rom 1 da 2 SDVM-dan, oriveSi, qarTul<br />
tradiciul simReras meti sidide aqvs, vidre bel canto simReras. davZenT, rom msgavsi sirTule<br />
kidev ufro gaZlierebulia trios simReraSi, sadac sami gansxvavebuli sasimRero xma ur–<br />
TierTqmedebs. gaanalizebuli periodebi winamdebare kvlevaSi Seesabameba erT musikalur<br />
bgeras da Sesabamisad, ar Seicavs cvlilebas musikalur intervalSi. vinaidan bel canto sim–<br />
Rera Seicavs vibratos, ME spetruli arealis araTanabari cvlileba smenad rigSi 20 kHz-is<br />
dabla ufro naTelia, gamokveTilia, vidre qarTuli simReris vizualur gamokvlevaSi. miu–<br />
xedavad amisa, orive _ 1 da 2 SDVM gviCvnebs udides Rirebulebas qarTul tradiciul simRe–<br />
raSi ufro metad, vidre bel canto-Si. aqedan SeiZleba vivaraudoT, rom qarTuli tradiciuli<br />
simRera Seicavs ukiduresad mdidar rxevaTa struqturas mikrodroiT domenSi, romelic<br />
aRemateba bel canto-s simRerisTvis maxasiaTebeli simZlavris speqtris martiv, periodul cvli–<br />
lebebs.<br />
qarTuli tadiciuli simReris bgeris struqturis daxasiaTeba zustad Seesabameba ooha–<br />
Sis mier SemoTavazebul, musikis biologiur k<strong>on</strong>cefcias; avtoris mtkicebiT, musikis Sina–<br />
ganad damaxasiaTebeli Tvisebaa mikrodroiT d<strong>on</strong>eze misi meryevi, mudmivad cvalebadi infor–<br />
maciuli struqtura. musikis dasavleTevropuli k<strong>on</strong>cefciis Tanaxmad, musika xasiaTdeba<br />
artikulaciuri musikaluri t<strong>on</strong>ebiT myari, ucvleli bgeris signalis struqturiT, rogorc<br />
ZiriTadi komp<strong>on</strong>entiT; aseve, musika da musikaluri partitura erTmaneTs emTxveva. xolo<br />
rogorc qarTvelebi amboben, kargi qarTveli folkloruli momRerali orjer erTnairad<br />
arasdros mReris frazas (Teach Yourself Georgian Folk S<strong>on</strong>gs - Megrelian s<strong>on</strong>g, 2008). sainteresoa, rom<br />
aradasavlur sasimRero stilebSi, qarTuli simReris CaTvliT, ZiriTadi tendenciaa, kom–<br />
pozitoris mier Seqmnil musikalur partiturasTan SedarebiT, didi mniSvneloba mieni–<br />
Wos momRerlis improvizacias. mikrodroiT d<strong>on</strong>eze, bgeris struqturis ukiduresad kom–