The Fifth International Symposium on Traditional Polyphony ...

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500 gerda lexlaitneri, nona lomiZe. danarTi Gerda Lechleitner, Nona Lomidze. APPENDIX suraTi 3. gakeTebulia Ph 524 Canaweridan: tamoTu (Tamotu) _ g. o. maningis (G.O. Manning) msa– xuri (nelsonis koncxi); Zabriseburi qaraxsa sagundo simRerisaTvis (rogorc Ph 509-Sia aRwerili), mamakacTa jgufi _ ZiriTadad baifelebisa Figure 3. Made in the course of recording Ph 524: Tamotu – servant of G.O. Manning (Cape Nelson), the funnel enlarged for chorus song (as described in Ph 509), men’s group, mostly Baifa suraTi 4. poxi, Ph 758: kacebis cekva qalebis simRerisa da taSis TanxlebiT; Cawerili 1908 wlis 12 aprils oasSi (germaniis kolonia samxreT-dasavleT afrikaSi) Figure 4. Pöch Ph 758: women’s singing and handclapping accompanying men’s dance; rec. April 12, 1908 in |Oas, German South-West Africa
gerda lexlaitneri, nona lomiZe. danarTi Gerda Lechleitner, Nona Lomidze. APPENDIX 501 suraTi 5. kubiki, B 10668 (nawyveti): qalebis simRera taSis TanxlebiT. Cawerili angolaSi (An– gola), 1965 wlis noemberi Figure 5. Kubik B 10668 (excerpt), women’s singing and handclapping; rec. November 1965 in Angola suraTi 6. trebiCi, Ph 593: sami simRera dasartyami sakraviT, Cawerili 1906 wlis 23 ivliss umanat– siakSi (naw. I) Figure 6. Trebitsch Ph 593: three drum songs, rec. July 23, 1906 in Umanatsiak (part 1)
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
Page 449 and 450: mravalxmianobis formebi rusul saekl
Page 451 and 452: mravalxmianobis formebi rusul saekl
Page 453 and 454: Polyphonic Forms in 17th century Ru
Page 455 and 456: Polyphonic Forms in 17th century Ru
Page 457 and 458: ekaterine diasamiZe. danarTi Ekater
Page 459 and 460: 459 baia JuJunaZe (saqarTvelo) XIX
Page 461 and 462: XIX saukunis qarTuli samgaloblo tra
Page 463 and 464: XIX saukunis qarTuli samgaloblo tra
Page 465 and 466: New Tendencies in the Nineteenth-Ce
Page 467 and 468: New Tendencies in the Nineteenth-Ce
Page 469 and 470: aia JuJunaZe. danarTi Baia Zhuzhuna
Page 471 and 472: aia JuJunaZe. danarTi Baia Zhuzhuna
Page 473 and 474: gamSvenebaTa struqturuli formulebi
Page 475 and 476: ORNAMENTED STRUCTURAL FORMULAS IN T
Page 477 and 478: Ornamented Structural Formulas in t
Page 479 and 480: nino naneiSvili. danarTi Nino Nanei
Page 481: nino naneiSvili. danarTi Nino Nanei
Page 485 and 486: 485 gerda lexlaitneri (avstria) non
Page 487 and 488: zogierTi mosazreba mravalxmiani mus
Page 493 and 494: Some Considerations on the Interpre
Page 499: gerda lexlaitneri, nona lomiZe. dan
Page 503 and 504: 503 franc foedermairi (avstria) meg
Page 505 and 506: megruli simReris sami Sedevri, Cawe
Page 507 and 508: Three Masterpieces of Megrelian Son
Page 509 and 510: franc foedermairi. danarTi Franz F
Page 511 and 512: franc foedermairi. danarTi Franz F
Page 513: franc foedermairi. danarTi Franz F
Page 517 and 518: 517 morimoto masako, honda manabu,
Page 519 and 520: qarTuli tradiciuli mravalxmianobis
Page 521 and 522: 521 MORIMOTO MASAKO, HONDA MANABU,
Page 523 and 524: Study on the Sound Structure of Geo
Page 525 and 526: morimoto masako, honda manabu, niSi
Page 527 and 528: 527 kavai norie, morimoto masako, h
Page 537 and 538: kavai norie, morimoto masako, honda
Page 539 and 540: kaxuri simRerebis gaSifvris sakiTxe
Page 541 and 542: CHALLENGES IN MUSICAL TRANSCRIPTION
Page 543 and 544: nona lomiZe. danarTi Nona Lomidze.
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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