The Fifth International Symposium on Traditional Polyphony ...

Polyphonic Forms in 17th century Russian Liturgical Music
that these forms of traditional Russian polyphonic chant will also find their way back into the life of the parish.
Notes
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1 Interview, forthcoming in the article: Diasamidze, E. Russian and Georgian Chant: the Phenomenon of their Coexistence in
a Russian Orthodox Church in Tbilisi. Proceedings of the <strong>Fifth</strong> <strong>International</strong> Conference on Orthodox Church Music, ISOCM,
Institute of <strong>The</strong>ology, University of Joensuu, Finland, 2012
References
Brazhnikov, Maksim. (2002). Russkaya Pevcheskaya Paleographiya (Russian Chant Paleography). Saint-Petersburg (in Russian)
Konotop, Anatoli. (1996). Russkoe strochnoe mnogogolosie: tekstologiya, stil, kulturnii kontekst. (Russian Strochnoe Polyphony:
Textology, Style, Cultural Context). Synopsis of doctoral dissertation. Moscow (in Russian)
Smirnova (Arkhimandritova), E. (2003). Ustochnikovedenie rannego russkogo putnodemestvennogo mnogogolosiya (Source
studies of Early Russian Putnodemestvennoe Polyphony). Mnogorospevnost’ v pevcheskoi knige Obikhod: uchebnometodicheskoe
posobie (Variations in the Chant Book Obikhod). Saint Petersburg. (in Russian)
Shugliashvili, Davit. (1991). “Kartuli galobis shtota ertianobis shesakheb” (“On the Unity of the Georgian Chanting Branches”).
In: Old Georgian Professional Music, Issues of History and <strong>The</strong>ory. P. 122-171. Tbilisi: Tbilisi State Conservatoire (In Georgian)
Tsurtsumia, Rusudan. (2005). Meotse saukunis musika, tvitmkopadoba da ghirebulebiti orientatsiebi (20 th Century Georgian
Music, Originality and Value Orientations). Tbilisi: Tbilisi State Conservatoire (in Georgian, summary in English)
Translated by Liana Gabechava