The Fifth International Symposium on Traditional Polyphony ...
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aRmosavleT saqarTvelos mravalxmiani sasimRero stilis SedarebiTi da dargTaSorisi<br />

Seswavla axlo aRmosavleTisa da centraluri aziis m<strong>on</strong>odiuri musikis k<strong>on</strong>teqstSi<br />

meeqvse faqtori: metri<br />

am faqtoris mixedviTac, sxva qarTuli kuTxeebisa da Janrebis simRerebi gansxvavdebian<br />

aRmosavleT saqarTvelos grZel simRerebSi arsebuli metrisagan, radgan TiTqmis yvela<br />

Janris simReraSi Cven vxvdebiT orwilad, samwilad, an cvalebad metrebs, aRmosavleT sa–<br />

qarTvelos grZel simRerebSi ki, rogorc wesi, bat<strong>on</strong>obs Tavisufali metri.<br />

meSvide faqtori: forma<br />

grZeli simRerebi, rogorc wesi, iyeneben araganmeorebad da arastrofuli agebulebis<br />

sasimRero m<strong>on</strong>akveTebs. es m<strong>on</strong>akveTebi sxvadasxva xangrZlivobisa da gansxvavebuli melodiurharm<strong>on</strong>iuli<br />

Sinaarsisaa. aq simReris forma TandaTan yalibdeba wamyvani melodiuri xme–<br />

bis gaSla-ganviTarebis safuZvelze, da simReris t<strong>on</strong>alobac xSiram maRla-maRla miiwevs.<br />

iseve, rogorc ritmis SemTxvevaSi, simReris formac ar aris damokidebuli poetur teqst–<br />

ze da simRera SeiZleba dasruldes uecrad, poeturi teqstis dasrulebamde. yvela sxva Jan–<br />

ris simRera, rogorc wesi, agebulia msgavsi agebulebis, ganmeorebad, xSirad kupletur<br />

formebze. Tumca isic unda iTqvas, rom dasavleT saqarTvelos zogierT maRalganviTarebul<br />

simReraSi (magaliTad, e.w. `ostatebis~ mier Seqmnil trios simRerebSi) aseve vxvdebiT ara–<br />

simetriul, rTuli Sedgenilobis sasimRero formebs (Tsitsishvili, 2005: 172-179). datirebebSic<br />

vxvdebiT improvizaciaze agebul arasimetriul formebsac, Tumca maTSi ar vxvdebiT meliz–<br />

maturi tipis melodiebs.<br />

SedarebiTma analizma, romelic mokled zemoT warmovadgineT, gviCvena, rom, erTi mxriv,<br />

aRmosavleT saqarTvelos grZel simRerebsa da, meore mxriv, sxva qarTul sasimRero Janrebs<br />

Soris rogorc aRmosavleT, ise dasavleT saqarTveloSi, aris friad mniSvnelovani stilu–<br />

ri gansxvavebebi.<br />

Cveni moxsenebisaTvis gansakuTrebiT mniSvnelovania is, rom aRmosavleT saqarTvelos<br />

grZeli simRerebi avlenen tipologiur paralelebs axlo aRmosavleTisa da centralu–<br />

ri aziis m<strong>on</strong>odiur sasimRero stilebTan. es paralelebi gansakuTrebiT aSkaraa aRmosav–<br />

leT saqarTvelos solo Sromis simRerebSi – orovelebsa da urmulebSi. aRmosavleT<br />

saqarTvelos sufruli simRerebic gviCveneben mTel rig aSkara paralelebs m<strong>on</strong>odiur kul–<br />

turebTan, radgan aq wina planze aris wamoweuli solo tradiciisaTvis damaxasiaTebeli<br />

esTetikuri elementebi, melizmatikis siWarbe, tetraqorduli kiloebi, improvizaciuli rit–<br />

mi, Tavisufali metri, Tavisuflad ganviTarebadi arakupleturi formebi. yvela am Tavi–<br />

seburebiT aRmosavleT saqarTvelos grZeli simRerebi paralelebs avlenen amierkavka–<br />

siis (somxeTisa da Azerbaijanis), aseve wina aziisa da centraluri aziis m<strong>on</strong>odiuri kultu–<br />

rebTan. amierkavkasiisa da centraluri aziis kulturebisaTvis damaxasiaTebeli ornamen–<br />

tuli melodika, araregularurad aqcentirebuli ritmebi, Tavisufali metri da tetraqor–<br />

duli kiloebi detalurad aris ganxiluli foladianis (Poladyan, 1948: 9), kuSnarevisa (Kush–<br />

narev, 1958) da blumis (Blum, 1980: 73) SromebSi.<br />

aRmosavleT saqarTvelos solo Sromis simRerebi (orovelebi da urmulebi) qarTlisa<br />

da kaxeTis garda saqarTvelos arc erT sxva kuTxeSi ar yofila dafiqsirebuli. amave dros,<br />

mniSvnelovani paralelebi arsebobs qarTl-kaxur orovelebsa da urmulebs Soris da som–<br />

xeTSi, azerbaijansa da centralur aziaSi arsebul Sromis simRerebs Soris. es para–<br />

lelebi exeba musikalur enas, socialur funqciasa da eTnografiul k<strong>on</strong>teqsts.<br />

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