The Fifth International Symposium on Traditional Polyphony ...

390
jeremi fauci
Si ramdenad ganuyofeli nawili iyo simRera qarTvelTa yofisagan, qarTvelma eTnomusiko–
logma magaliTad naduri (Sromis) simRera moitana. is, rac adre yanaSi, Sromis dros
sruldeboda, dRes audio xelsawyoebis saSualebiT JRers. `materialuri da teqnikuri
progresi~ _ ironiuli RimiliT Tqva man. rodesac am Rimilze mivaniSne, aseTi ram miTxra:
,,es aris ara progresi, aramed – regresi. es xalxis arCevania. xalxs uyvars komforti,
manqanebi _ Cemi azriT es didi Secdoma iyo~ (Foutz, Interview subject B007, 2009). mere gaagrZela,
rom bevr sofelSi jer kidev SemorCenilia msgavsi praqtika da rom xalxi cdilobs
qalaqidan sofels daubrundes. me xalxuri simRera cxenosnuri gamaxsenda, romelic cxenis
jiriTisas (mgzavrobisas) sruldeboda da cotaTi daufiqrebeli SekiTxva davsvi: ratom ar
unda imRero an wero samgzavro simRerebi ,,marSutkaze~ (mini avtobusi)? gaicina da Tqva,
rom warsulSi xalxi mReroda, rogorc erToba (Temi) da vis SeuZlia dRes amtkicos, rom
,,marSutkis~ mgzavrebi erTobas warmoadgenen? es adamianebi erTmaneTisTvis ucxoni arian
(Foutz, Interview subject B007, 2009).
saqarTvelos istoriis Sesaxeb Cawerili erT-erTi intervius dros, romelic Tarjimnis
saSualebiT mimdinareobda, aseTi ram iTqva: istoria arasodesaa obieqturi, yvelas gviyvars
warsulis idealizeba, magaliTad, daviT aRmaSeneblis xanisa, Tumca, aravin uwyis im drois
Wir-varami.
cxadia, ar SeiZleba warsulis, winaprebis, kulturis gareSe cxovreba, magram aucile–
belia warsulsa da momavals Soris balansis povna da momavalze orientacia (Foutz, Interview
subject B004, 2009).
tradiciulobis ganmarteba da magaliTebi arsebuli wyaroebidan
winamdebare kvlevis konteqstSi, tradiciuloba warmoadgens moqnil koncefcias imaze,
rac musikalur tradiciaSi moiazreba. am koncefciis gaazrebisas, joslin gilboltis
(Guilbault) wigni tradiciis Sesaxeb warmmarTveli JRera (Governing Sound) damexmara, romelic
alasdar maqnTairisa da raimond uiliamsis (Alasdair MacIntyre and Raymond Williams) Sromebs
eyrdnoba. maqnTairis interpretaciiT, `tradicia istoriulad ganfenili, socialurad gan–
xorcielebuli mtkicebulebaa~ (Guilbault, 2007: 6). qcevisa Tu movlenis (rogoricaa qarTuli
vokaluri musika) istoriul procesSi musikosebis, mkvlevrebisa da auditoriis monawile–
obis gareSe, tradicia ver iarsebebs. gilbolti am ideas ukavSirebs uiliamsiseul ,,SerCeviT
tradicias~, rogorc ,,ganzrax SerCeul formirebuli warsulisa da araformirebuli awmyos
versias, romelic socialuri da kulturuli definiciisa da identifikaciis procesSi
mZlavr rols asrulebs~ (Guilbault, 2007: 6). sxvagvarad rom vTqvaT, qarTuli vokaluri pol–
ifoniisadmi qarTvel eTnomusikologTa msoflmxedvelobisa da aRqmis CamoyalibebaSi isto–
riis udidesi zegavlena Cans. tradiciuloba, amgvarad, warmoadgens rwmenis/Sexedulebis
sakmaod moqnil praqtikas, romelic pirdapir kavSirSia warsulTan da winaprebTan. maSin,
rodesac ,,uZvelesoba~ aRniSnavs siSores raime saganTan, procesTan, adamianebTan, tradi–
ciuloba siaxlovesTan asocirdeba.
tradiciulobis gageba, qarTvelis SemTxvevaSi, ar gulisxmobs auTenturobis naklebo–
bas. is Seicavs potenciur zegavlenebsa da winaaRmdegobebs, rasac SeiZleba adgili hqon–
des, nebismieri xalxis mier, tradiciis an ritualis Sesrulebis procesSi, iqneba es musika–
luri, Tu sxva ram.