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The Fifth International Symposium on Traditional Polyphony ...

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Virtual Heteroph<strong>on</strong>y: Compositi<strong>on</strong>, Variati<strong>on</strong>,<br />

Texture and Memory in Turkish Classical Music<br />

3 Pers<strong>on</strong>al communicati<strong>on</strong>, 1995<br />

4 Changes in repertoire through oral transmissi<strong>on</strong> are studied elsewhere, e.g., see Owen Wright, 1988, and Yalçin Tura 1988<br />

References<br />

Beken, Münir. (2002). “Preliminary Studies <strong>on</strong> Virtual Heteroph<strong>on</strong>y”. Paper read as a part of the panel “Imperial Reflecti<strong>on</strong>s: Study of<br />

Music of the Past” at the annual meeting of the North-West Chapter of the Society of Ethnomusicology, Vancouver, BC<br />

Beken, Münir. (2004). “Teaching T<strong>on</strong>ality as Mode”. Paper read at the annual meeting of the Hawaii <str<strong>on</strong>g>Internati<strong>on</strong>al</str<strong>on</strong>g> C<strong>on</strong>ference <strong>on</strong> Arts<br />

and Humanities. H<strong>on</strong>olulu, Hawaii<br />

Feldman, Walter Z. (1996). Music of the Ottoman Court. Intercultural Music Studies; 10. Berlin: VWB-Verlag für Wissenschaft und<br />

Bildung<br />

Tura, Yalçın. (1988). Türk Musikisinin Mes’eleleri (<str<strong>on</strong>g>The</str<strong>on</strong>g> Problems of Turkish Music). Istanbul: Pan Yayıncılık<br />

Wright, Owen. (1988). “Aspects of Historical Change in the Turkish Classical Repertoire”. Journ. Musica Asiatica 5, 1-108. New York:<br />

Cambridge University Press<br />

39

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