The Fifth International Symposium on Traditional Polyphony ...

siZvele da tradiciuloba qarTul tradiciul vokalur musikaSi
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sakuTrebulma~ sasimRero kulturam ramdenime saukunis Semdeg monodiur qristianul samya–
roSi gamorCeuli qarTuli mravalxmiani galobis TviTmyofadi saxe ganapiroba~ (Tsurtsumia,
2002: 97).
siZvelesTan dakavSirebuli amgvari gancxadebebi, aseve, efuZneba xelnawerTa kvlevis
Sedegebs, romelic miuTiTebs vokaluri musikis kargad ganviTarebuli sanoto da zepiri
gadacemis sistemebis arsebobaze me-13 saukunemde. manana andriaZe da Tamar CxeiZe am sakiTxs
ganixilaven TavianT naSromebSi, romelic qarTul sasuliero musikaSi Wrelis sistemis
musikaluri notaciis istoriul wyaroebs exeba. isini uSveben imis SesaZleblobas, rom
Wreli Seiqmna XVIII-XIX saukuneebSi ukve miviwyebuli qarTuli nevmebis Casanacvleblad, mag–
ram xelnawerebis Sedarebis safuZvelze Cans, rom Wreli arsebobda nevmebis paralelurad
jer kidev me-13 saukuneSi (Andriadze, Chkheidze 2002: 452-454). saqarTveloSi pirvel audioCanawe–
rebze gamocemul wignSi, anzor erqomaiSvili da vaxtang rodonaia akeTeben gansxvavebul
analizs da qarTuli xalxuri simReris saTaveebs Cv.w-mde mesame-meore aTaswleulebiT, xolo
qarTuli mravalxmiani galobis warmoSobas Cv.w-iT me-6 saukuniT aTariReben (Erkomaishvili,
Rodonaia, 2006: 24).
TiTqmis yvela qarTveli mkvlevris azriT, CanawerebSi, xelnawerebsa da Tanamedrove
saSemsruleblo praqtikaSi mkafiod Cans is ,,intonaciuri da sametyvelo Zirebi~ da mniSv–
nelovani elementebi, romlebic qarTuli vokaluri mravalxmianobis siZveleze metyvelebs.
ioseb Jordania am sakiTxs ufro farTo konteqstSi ganixilavs da gvTavazobs eTnomusi–
kologiur kvlevas mravalmxriv _ biologiis, istoriografiis, xelnawerTa kvlevis, ling–
vistikis, metyvelebis paTologiis aspeqtSi (Jordania, 2006). evsevi WoxoneliZe, aseve, ikvlevs
mravalxmianobis saTaveebs qarTul konteqstSi. pirveli simpoziumis masalebSi warmodge–
nil statiaSi igi msjelobs qristianul da warmarTul religiur kulturaTa urTierTda–
mokidebulebaze IV-V saukuneebSi da maT individualur aRmavlobaze religiur praqtikasa
da liturgikul vokalur mravalxmianobaSi. `TiToeuli am individualuri faqtoris rolma
ganapiroba iseTi mniSvnelovani cvlilebebi, rogoricaa mravalxmianobis sxvadasxva struq–
turuli tipebis warmoqmna, polifoniuri azrovnebis ganviTareba da xmebis kontrastuli
moZraoba~ (Chokhonelidze, 2002: 107).
Tamaz gabisonia, Tavis kvlevaSi qarTuli vokaluri mravalxmianobis warmoSobis Sesa–
xeb, acxadebs: ,,Cveni, qarTveli musikismcodneebis movaleobaa arsebul hipoTezebs Soris
SevarCioT qarTuli tradiciuli mravalxmianobis ganviTarebis yvelaze mtkice da myari
modelebi~ (Gabisonia, 2004: 73).
igive damokidebuleba gamosWvivis uZvelesobasTan dakavSirebiT im interviuebidan, rom–
lebic 2009 wels Caviwere centralur saqarTvelosa da kaxeTSi. aqve moviyvan citatas: `ro–
gorc iciT, magaliTad, dasavluri tipis reklamebSi, Tqven yovelTvis acxadebT, rom es
axalia. qarTvelebi (reklamebSi) ufro imas gausvamdnen xazs, rom es Zvelia. Zveli Rvino,
Zveli yavac ki, warmoidgineT da a.S. da a.S. amgvarad, fiqri momavlisken ki ara, ufro war–
suliskenaa mimarTuli. es, garkveulwilad, Tavdacvis meqanizmia. momavali gaurkvevelia, war–
suli ki _ kargad nacnobi. Cveni qveyana Zlevamosili iyo XII-XIII saukuneebSi~ (Foutz, Interview
subject B005, 2009).
garda drois distanciisa, arsebobs agreTve eqsperimentuli distancia imasTan dakavSi–
rebiT, Tu rogor aRiqvamen qarTvelebi TavianT warsuls. imis sailustraciod, Tu warsul–