06.05.2013
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386 ekaterine oniani. danarTi Ekaterine Oniani. APPENDIX magaliTi 4a. kereseliZe, xelnaweri Q-674: 650 Example 4a. Kereselidze, manuscript Q-674: 650 magaliTi 4b. kereseliZe, xelnaweri Q-830: 112 Example 4b. Kereselidze, manuscript Q-830: 112
387 jeremi fauci (aSS) siZvele da tradiciuloba qarTul tradiciul vokalur musikaSi ,,rasac siZvele ar etyoba, qarTvels ar ainteresebs~ – moswrebulad Tqva lukam, qarT– velma sociologma da jazis Tayvanismcemelma. ,,Sexede Cvens taZrebs, Cvens musikas~. visxe– diT erT modur barSi rusTavelis gamzirze da imisaTvis, rom rogorme rusuli videok– lipis xma CagvexSo, xmamaRla vsaubrobdiT qarTuli tradiciuli vokaluri musikis kultu– rul mniSvnelobaze. cxadia, ,,Zveli~ _ raRacnairi, burusiT moculi sityvaa, romelic, Tu qarTvelis mier aris naTqvami, mkveTrad gansxvavebul JReradobas iZens evropelTan an Crdi– lo amerikelTan SedarebiT. qarTul konteqstSi, ,,Zveli~ faqtobrivad uZvelesis sinonimia. 2009 wlis zafxulSi, qarTvelebisagan aRebuli interviusa da qarTveli eTnomusikologebis naSromTa inglisuri Targmanebis gacnobis safuZvelze, CemTvis sruliad naTeli gaxda, rom qarTvelebi aRniSnaven maTi tradiciuli vokaluri musikis ,,uZvelesobas~ im gagebiT, ro– gorc es me mesmis. qarTul eTnomusikologiasa da, zogadad, qarTul kulturaSi, siZvelis cnebas Zalze mniSvnelovani roli ekisreba misi musikis ganxilvisas da, Cemi Rrma rwmeniT, igive SeiZleba iTqvas qarTuli tradiciuli vokaluri musikis ,,tradiciulobis~ aRqmasa da muzicirebaze. winamdebare proeqtis monacemTa wyaro moicavs qarTuli eTnomusikologiuri lite– raturis nawils da im interviuTa detalur analizs, romelic 2009 wlis zafxulSia Cawe– rili qarTvelebisagan, maT Soris, musikosebis, aramusikosebisa da mkvlevrebisagan. marTa– lia, darwmunebuli var, rom am interviuebSi aisaxeba qarTuli kulturis aspeqtebi, magram mxolod es ar SeiZleba iyos kulturis ganmsazRvreli. qarTvel eTnomusikologTa naSro– mebis kvaldakval, unda vaRiaroT, rom uZvelesoba da tradiciuloba qarTuli kulturis mniSvnelovani maxasiaTeblebia. SesaZlo kulturuli urTierTzemoqmedebis Seswavla sakmaod safrTxilo saqmea, maSi– nac ki, Tu igi kulturul jgufs `miekuTvneba~. eTnomusikologiur insaiderebsa (insider) da auTsaiderebze (outsider) msjelobisas, nazir jairazboi (Jairazbhoy) gamoTqvams ramdenime Tval– sazriss, rac, garkveulwilad, miadvilebs analizs. misi azriT, arc erT eTnomusikologs SeuZlia ganacxados, rom imaze ,,ufro Rrma intuiciuri xedva aqvs~ maTi kvlevis saganze, vidre Tavad xalxs (Jairazbhoy, 1984: 37). minda garkveviT vTqva: me verasodes gavigeb qarTul musikas, istoriasa da kulturas bolomde, vinaidan, amisaTvis, unda iyo qarTveli da yve– laferi ganicado, rogorc qarTvelma. Tumca, amave dros, jairazboi ambobs, rom outsider-s SeuZlia ,,moitanos gasxvavebuli xedva da midgoma, rac xels Seuwyobs konkretuli musika– luri fenomenis gaSuqebas inovaciuri gaazrebisa da midgomebis~ meSveobiT (Jairazbhoy, 1984). sruliad gulwrfelad unda vTqva, rom ,,gamomgoneblobas~ ver daviCemeb, amitomac, winam– debare naSromis mizania am sakiTxisadmi interesis gamowveva. kidev erTi Semaferxebeli garemoeba SeiZleba iyos kulturul kvlevebSi mkacrad gansa– zRvruli koncefciebisa da ideebis TiTqmis paTologiuri saWiroeba. amitom, winamdebare pro– eqtSi, siZvelesa da tradiciulobaze saubrisas, unda gvqondes ara mkacri, zusti defini–
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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86 marina qavTaraZe, ekaterine buCu
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88 marina qavTaraZe, ekaterine buCu
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90 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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94 Marina Kavtaradze, Ekaterine Buc
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96 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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208 Tamaz gabisonia. danarTi Tamaz
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210 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
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290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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310 Daiva Račiūnaitė -Vyčinien
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312 Daiva Račiūnaitė -Vyčinien
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314 Daiva Račiūnaitė -Vyčinien
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316 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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320 Daiva Račiūnaitė -Vyčinien
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322 daiva raCiunaite-viCiniene. dan
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324 daiva raCiunaite-viCiniene. dan
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326 daiva raCiunaite-viCiniene. dan
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328 daiva raCiunaite-viCiniene. dan
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330 daiva raCiunaite-viCiniene. dan
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332 daiva raCiunaite-viCiniene. dan
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334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
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338 vielebTan, aramed Crdilo-evropu
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340 Mikhail Lobanov Konz mäthil Gr
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342 Mikhail Lobanov due to the lowe
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344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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siZvele da tradiciuloba qarTul trad
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siZvele da tradiciuloba qarTul trad
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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Ancientness and Traditionality in G
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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mravalxmiani musikaluri qsovilis tr
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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Specific Features of the Polyphonic
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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svimon (jiqi) jangulaSvili. danarTi
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svimon (jiqi) jangulaSvili. danarTi
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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ivliane nikolaZe: qarTul ZlispirTa
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ivliane nikolaZe: qarTul ZlispirTa
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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Ivliane Nikoladze: The</str
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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jon a. gremi. danarTi John A. Graha
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jon a. gremi. danarTi John A. Graha
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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zogierTi mosazreba mravalxmiani mus
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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Some Considerations on the Interpre
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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franc foedermairi. danarTi Franz F
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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qarTuli tradiciuli mravalxmianobis
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qarTuli tradiciuli mravalxmianobis
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Study on the Sound Structure of Geo
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Study on the Sound Structure of Geo
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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Page 545 and 546:
nona lomiZe. danarTi Nona Lomidze.
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Page 547 and 548:
nona lomiZe. danarTi Nona Lomidze.
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Page 549 and 550:
nona lomiZe. danarTi Nona Lomidze.
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Page 551:
nona lomiZe. danarTi Nona Lomidze.
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Page 555 and 556:
555 leila maruaSvili (saqarTvelo) q
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Page 557 and 558:
qarTuli xalxuri polifoniis tradicie
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Page 559 and 560:
qarTuli xalxuri polifoniis tradicie
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Page 561 and 562:
qarTuli xalxuri polifoniis tradicie
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Page 563 and 564:
Refraction of Georgian Folk Polypho
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Page 565 and 566:
Refraction of Georgian Folk Polypho
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Page 567 and 568:
Refraction of Georgian Folk Polypho
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Page 569 and 570:
leila maruaSvili. danarTi Leila Mar
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Page 571 and 572:
leila maruaSvili. danarTi Leila Mar
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Page 573 and 574:
ioseb Jordania, xelovnebaTmcodneobi
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Page 575 and 576:
polo valeho, eTnomusikologiis doqto
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Page 578 and 579:
578 simpoziumis organizatorebi mxar
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