The Fifth International Symposium on Traditional Polyphony ...

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338 vielebTan, aramed Crdilo-evropuli regionis sxva xalxTa burdonuli mravalxmianobis masalebis safuZvelze movaxdinoT erToblivi gunduri simReris formis adreuli etapebis rekonstruireba? rogorc Cans, Crdilo-aRmosavleT evropis Tanamedrove xalxebis eTnikuri musika kidev bevr aRmoCenebs gvpirdeba mravalxmianobis kvlevis TvalsazrisiT. SeniSvnebi 1 mxedvelobaSia dasrulebuli melodiebi da ara kilouri bgeraTrigebis konstruqciebi da ritmuli formulebi mixail lobanovi 2 1950-ian wlebSi jer kidev ar iyo SemuSavebuli Tanamedrove rusul folkloristikaSi dReisaTvis miRebuli mravalxmianobasTan dakavSirebuli terminologia. terminiT podgolosok rubcovas mosaz– rebiT dabal partias ekuTvnis, xolo pirveli xma warmoadgens damwyeb solists 3 burdonuli xazi mihyavs gundsac Targmna liana gabeCavam
339 MIKHAIL LOBANOV (RUSSIA) JOINT SINGING OF THE VEPSES AND ARCHAIC PHENOMENA IN THE PEASANTS’ MULTIPART SINGING IN THE BALTIC COUNTRIES On the map of the spreading of traditional ethnic types of multipart singing, as presented by our colleague Joseph Jordania in his book “Who Asked the First Question”, Vepses are also mentioned (Jordania, 2006: 67). But here the author simply indicates that he did not possess any material concerning their singing, but I happen to have some. I am going to touch upon this issue not only in order to fill in the blank spaces but also because of the fact that, in my opinion, it provides grounds to formulate some hypotheses about the early stages of multipart singing in the region, where the roads of different peoples – Finno – Hungarians, Balts and eastern Slavs – intersected. <strong>The</strong> Vepses, a small nation belonging to the Finno-Baltic language subgroup, live on the western shores of Onega Lake, in the eastern part of the Leningrad district and in the bordering regions of the Vologda district. <strong>The</strong> Vepses call themselves Vеps’, Bepsia, Lyudinikad, Vepslayne (informally they, at least, the southern Vepses, are called Chukhars). <strong>The</strong> centres of Vepses are the large villages of Shеltozero, Ozera, Vinnitsa, Oshta and others. As to their language they are divided into three dialectal groups: northern (on the shores of Onega Lake), middle (Vologda and Leningrad districts) and southern (Leningraddistrict) (fig. 1). Formerly the Vepses, in whose ethnonym historians trace the transformation of the names Ves’ or Chud’ of the Russian chronicles, were quite great in number. But according to the census of 1939 they amounted only to 32000 people and in 1979, their number was reduced to 8000, but ten years later, in 1989 their number already grew to 12000; it should be noted that the number of people knowing the native language always remains the same – 40 – 45 per cent. <strong>The</strong> validity of the data requires some explanation: some Vepses areas have being occupied by Finns during the Great Patriotic War. After the War, many Vepses called themselves Russians since feared to share the fate of other persecuted nations at USSR. Local autorities help to Vepses too to registry as Russians. Now, when the Vepses can also enjoy the priviledges meant for the small nations of the North, a reverse process has started, and the Veps roots are remembered by those, who abandoned them a long time ago. As it is aptly said in one of the modern articles, the Veps of the chronicles “during its evolution failed to reach the stage of forming an independent state of its own and turned into a remnant of the once-existing nation, which was no longer able to create its own history” (http://finugor.ru/node/867). So far the Vepses have not nurtured their own literature, great artists, musicians, but the interest in their ethnography, archaeology and folklore from without – St Petersburg, Petrozavodsk, Estonia, Finland – is great. Now the cultural centres of the Vepses are in the village of Vinnitsa – a House of Culture, a village house in Shеltozero, a school in the village of Korba, where there is a small museum of regional studies. In Vinnitsa a Festival of the Veps Language and Culture is held annually, every second Sunday of June. Now not only poems are created in the Veps language but the works of world classics are being translated as well. This is how Pushkin’s lines sound in the Veps language:
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
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254 liTSi aris SemTxveviTi modulaci
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256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
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260 axla ganvixiloT G kilos sxvadas
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262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
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266 OUTLINE OF A SYNTAX OF CHORDS I
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268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
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278 andrea kuzmiCi (kanada) qarTuli
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280 andrea kuzmiCi musikologia da T
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282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
Page 288 and 289: 288 Andrea Kuzmich the ability to l
Page 290 and 291: 290 daiva raCiunaite-viCiniene (lit
Page 292 and 293: 292 daiva raCiunaite-viCiniene Sin
Page 294 and 295: 294 daiva raCiunaite-viCiniene litv
Page 296 and 297: 296 daiva raCiunaite-viCiniene / su
Page 298 and 299: 298 daiva raCiunaite-viCiniene nebi
Page 300 and 301: 300 daiva raCiunaite-viCiniene buli
Page 302 and 303: 302 daiva raCiunaite-viCiniene wreS
Page 304 and 305: 304 (Stasys Paliulis) mier 1932 wel
Page 306 and 307: 306 LITHUANIAN AND AINU VOCAL POLYP
Page 308 and 309: 308 Daiva Račiūnaitė -Vyčinien
Page 318 and 319: 318 10 C. Forlivesi assumes that mu
Page 322 and 323: 322 daiva raCiunaite-viCiniene. dan
Page 334 and 335: 334 mixail lobanovi eTnografiisadmi
Page 336 and 337: 336 mixail lobanovi yoveli maTgani
Page 340 and 341: 340 Mikhail Lobanov Konz mäthil Gr
Page 342 and 343: 342 Mikhail Lobanov due to the lowe
Page 344 and 345: 344 Mikhail Lobanov Kravchinskaia,
Page 346 and 347: 346 mixail lobanovi. danrTi Mikhail
Page 348 and 349: 348 mixail lobanovi. danrTi Mikhail
Page 350 and 351: 350 ana piotrovska ungreTSi boSa mu
Page 352 and 353: 352 ana piotrovska tradicia grZelde
Page 354 and 355: 354 ana piotrovska iseT istoriul mi
Page 356 and 357: 356 THE NOTION OF SO CALLED GYPSY M
Page 358 and 359: 358 Anna Piotrowska be claimed that
Page 360 and 361: 360 Anna Piotrowska Consequently im
Page 362 and 363: 362 Anna Piotrowska Nettl, Bruno. (
Page 364 and 365: 364 nino razmaZe indi mindi da sxv.
Page 366 and 367: 366 nino razmaZe qme. (2) Sesrulebi
Page 368 and 369: 368 THE DYNAMICS OF THE EVOLUTION O
Page 370 and 371: 370 Nino Razmadze was always perfor
Page 372 and 373: 372 nino razmaZe. danarTi Nino Razm
Page 374 and 375: 374 magaliTi 4. oTxxmianoba patara
Page 377 and 378: 377 ekaterine oniani (saqarTvelo) q
Page 379 and 380: qarTuli galobis mravalxmianobis sak
Page 381 and 382: ON THE POLYPHONY OF GEORGIAN CHANT
Page 383 and 384: On the Polyphony of Georgian Chant
Page 385 and 386: ekaterine oniani. danarTi Ekaterine
Page 387 and 388: 387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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