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The Fifth International Symposium on Traditional Polyphony ...

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324<br />

daiva raCiunaite-viCiniene. danarTi<br />

Daiva Račiūnaitė -Vyčinienė. APPENDIX<br />

suraTi 7. ainebis ukouki (jdomiT Sesasrulebeli simRera, hokaidos ainuri kulturis kvlevis<br />

centris angariSi #2. hokaidos ainuri kulturis kvlevis centri, 2005 w.-is ivnisi, gv. 5)<br />

Figure 7. Ainu ukouk (sitting s<strong>on</strong>g, Research Report of the Hokkaido Ainu Culture Research Center No. 2. <str<strong>on</strong>g>The</str<strong>on</strong>g> Hokkaido<br />

Ainu Culture Research Center, June 2005. p. 5)<br />

suraTi 8. ori ainu qalbat<strong>on</strong>i ainebis tradiciul rodinSi (nisu) fetvis danayvis dros –<br />

risi praqtikac arsebobs mxolod iezos samxreT nawilSi – ori an sami gog<strong>on</strong>a zis rodinis<br />

garSemo, sadac moTavsebulia fetvi, TiToeul maTgans orive xeliT uWiravs filTaqva, nayaven<br />

da mRerian sityvebs huie, huie Tan xmas umateben, rodesac danayvas ufro meti Zala sWirdeba<br />

da xmas udableben bolosken. nayva daaxloebiT mzis Casvlisken iwye-ba qoxis zRurblze<br />

(Landor, Arnold Henry Savage, 2001). banjgvlian ainebTan an 3800 mili tvirTian unagirze iezoSi da<br />

kruizi kurilis kinZulebze. faq-simile, xelaxali gamocema 1893 w.-is j<strong>on</strong> miureis redaqtorobiT,<br />

l<strong>on</strong>d<strong>on</strong>i. Adamant Media Corporati<strong>on</strong>, 262, citata aRebulia saitidan http://oldphotosjapan.com/photos/652/<br />

ainu-women-using-mortar<br />

Figure 8. Two Ainu women using a traditi<strong>on</strong>al Ainu mortar (nisu) - “During the process of pounding millet—which is<br />

<strong>on</strong>ly practised in the southern part of Yezo—two or three girls stand round a mortar in which the millet has been placed,<br />

and each girl, holding with both hands a pestle, beats and sings, <strong>on</strong>e after the other, the words “Huye, huye,“ as the pestle<br />

is let down, increasing in loudness when the grain requires harder pounding, and slowly decreasing in volume towards the<br />

end. This pounding begins about sunset, and the place chosen for the operati<strong>on</strong> is generally the small porch of the huts.“<br />

(Landor, Arnold Henry Savage, 2001). Al<strong>on</strong>e with the Hairy Ainu or, 3,800 Miles <strong>on</strong> a Pack Saddle in Yezo and a Cruise<br />

to the Kurile Islands. Facsimile reprint of the 1893 editi<strong>on</strong> by John Murray, L<strong>on</strong>d<strong>on</strong>. Adamant Media Corporati<strong>on</strong>, 262;<br />

cit. from http://oldphotosjapan.com/photos/652/ainu-women-using-mortar

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