The Fifth International Symposium on Traditional Polyphony ...
The Fifth International Symposium on Traditional Polyphony ... The Fifth International Symposium on Traditional Polyphony ...
322 daiva raCiunaite-viCiniene. danarTi Daiva Račiūnaitė -Vyčinienė. APPENDIX suraTi 1. bronislav pilsudskis ainuri ena da folkloruli masalebi Figure 1. Ainu Language and Folklore Materials of Bronislav Pilsudski suraTi 2. bronislav pilsudski Figure 2. Bronislav Pilsudski suraTi 3a. pilsudskebis sagvareulo gerbi Figure 3a. Pilsudski coat of arms suraTi 3b. pilsudskis didi babuis, bileviCiusis gerbi Figure 3b. Coat of arms of Bilevičius (Bilionis), the great-grandfather of Pilsudski
daiva raCiunaite-viCiniene. danarTi Daiva Račiūnaitė -Vyčinienė. APPENDIX suraTi 4. ainebis tradiciuli musikaluri skivri (Tanimoto, 1965: I) Figure 4. Ainu traditional chest (Tanimoto, 1965: I) 323 suraTi 5. litvuri kanonikuri sutartinesis wreSi mRera (sutartinesis SemsrulebelTa gundi tris keturiose. foto gadaRebulia iurgita tre-inute-iore 2006 wels) Figure 5. Lithuanian canonical singing of sutartinės in round (Sutartinės performers group Trys keturiose. Photo by Jurgita Treinytė-Jorė, in 2006) suraTi 6. litvuri sacekvao sutartinesi (ansambli tris keturiose WAFT-is proeqtSi, foto gadaRebulia oliver kiligis mier, tonlagenis festi-valze, helerau _ xelovnebis evropuli centri drezdenSi (germania), 16 oqtomberi, 2010) Figure 6. Lithuanian dancing sutartinės (
- Page 272 and 273: 272 Simha Arom, Polo Vallejo 5 II I
- Page 274 and 275: 274 Simha Arom, Polo Vallejo 88 Ere
- Page 276 and 277: 276 Simha Arom, Polo Vallejo Let us
- Page 278 and 279: 278 andrea kuzmiCi (kanada) qarTuli
- Page 280 and 281: 280 andrea kuzmiCi musikologia da T
- Page 282 and 283: 282 andrea kuzmiCi da profesiuls 3
- Page 284 and 285: 284 ANDREA KUZMICH (CANADA) THE TRA
- Page 286 and 287: 286 Andrea Kuzmich traditional musi
- Page 288 and 289: 288 Andrea Kuzmich the ability to l
- Page 290 and 291: 290 daiva raCiunaite-viCiniene (lit
- Page 292 and 293: 292 daiva raCiunaite-viCiniene Sin
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- Page 296 and 297: 296 daiva raCiunaite-viCiniene / su
- Page 298 and 299: 298 daiva raCiunaite-viCiniene nebi
- Page 300 and 301: 300 daiva raCiunaite-viCiniene buli
- Page 302 and 303: 302 daiva raCiunaite-viCiniene wreS
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- Page 306 and 307: 306 LITHUANIAN AND AINU VOCAL POLYP
- Page 308 and 309: 308 Daiva Račiūnaitė -Vyčinien
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- Page 334 and 335: 334 mixail lobanovi eTnografiisadmi
- Page 336 and 337: 336 mixail lobanovi yoveli maTgani
- Page 338 and 339: 338 vielebTan, aramed Crdilo-evropu
- Page 340 and 341: 340 Mikhail Lobanov Konz mäthil Gr
- Page 342 and 343: 342 Mikhail Lobanov due to the lowe
- Page 344 and 345: 344 Mikhail Lobanov Kravchinskaia,
- Page 346 and 347: 346 mixail lobanovi. danrTi Mikhail
- Page 348 and 349: 348 mixail lobanovi. danrTi Mikhail
- Page 350 and 351: 350 ana piotrovska ungreTSi boSa mu
- Page 352 and 353: 352 ana piotrovska tradicia grZelde
- Page 354 and 355: 354 ana piotrovska iseT istoriul mi
- Page 356 and 357: 356 THE NOTION OF SO CALLED GYPSY M
- Page 358 and 359: 358 Anna Piotrowska be claimed that
- Page 360 and 361: 360 Anna Piotrowska Consequently im
- Page 362 and 363: 362 Anna Piotrowska Nettl, Bruno. (
- Page 364 and 365: 364 nino razmaZe indi mindi da sxv.
- Page 366 and 367: 366 nino razmaZe qme. (2) Sesrulebi
- Page 368 and 369: 368 THE DYNAMICS OF THE EVOLUTION O
- Page 370 and 371: 370 Nino Razmadze was always perfor
daiva raCiunaite-viCiniene. danarTi<br />
Daiva Račiūnaitė -Vyčinienė. APPENDIX<br />
suraTi 4. ainebis tradiciuli musikaluri skivri (Tanimoto, 1965: I)<br />
Figure 4. Ainu traditi<strong>on</strong>al chest (Tanimoto, 1965: I)<br />
323<br />
suraTi 5. litvuri kan<strong>on</strong>ikuri sutartinesis wreSi mRera (sutartinesis SemsrulebelTa gundi<br />
tris keturiose. foto gadaRebulia iurgita tre-inute-iore 2006 wels)<br />
Figure 5. Lithuanian can<strong>on</strong>ical singing of sutartinės in round (Sutartinės performers group Trys keturiose. Photo by<br />
Jurgita Treinytė-Jorė, in 2006)<br />
suraTi 6. litvuri sacekvao sutartinesi (ansambli tris keturiose WAFT-is proeqtSi, foto<br />
gadaRebulia oliver kiligis mier, t<strong>on</strong>lagenis festi-valze, helerau _ xelovnebis evropuli<br />
centri drezdenSi (germania), 16 oqtomberi, 2010)<br />
Figure 6. Lithuanian dancing sutartinės (<str<strong>on</strong>g>The</str<strong>on</strong>g> group Trys keturiose in WAFT project. Photo by Oliver Killig. Taken at<br />
T<strong>on</strong>lagen Festival, Hellerau - European Centre for the Arts in Dresden (Germany), 16th of October, 2010)