The Fifth International Symposium on Traditional Polyphony ...
The Fifth International Symposium on Traditional Polyphony ... The Fifth International Symposium on Traditional Polyphony ...
304 (Stasys Paliulis) mier 1932 wels. PAA 229 19 http://furiyamusicmaterial.miyakyou.ac.jp/Ainu%28English%29/ainu/kaisetsu/index.html 20 iqve 21 iqve 22 iqve daiva raCiunaite-viCiniene 23 SlS 92b. asrulebs 85 wlis karlina statuleviCiene (Karlina Statulevičienė), dabadebuli sof. radiSiaiSi (Ra– dišiai), iuJintais (Jūžintai) raioni, rokiSkisis (Rokiškis) regioni. Cawerilia 1939 wels, LTR 2108(225) 24 erTi sqesis warmomadgenlebis mier Sesrulebuli es cekva uZvelesi warmoSobisaa. mag. saritualo cekvebs, Cveulebriv, asruleben mxolod qalebi an mxolod mamakacebi. cekvis aseTi mkacri gamijnva da diferenciacia didi xnis manZilze ucvleli iyo (Račiūnaitė-Vyčinienė, 2002: 40) 25 http://furiyamusicmaterial.miyakyou.ac.jp/Ainu%28English%29/ainu/kaisetsu/index.html 26 SlS 533. Aš kanapį sejau. asrulebs 80 wlis morta Salciene (Morta Šalcienė), sof. vosiunai (Vosiūnai), adutiSkis (Adutiškis) raioni, SvenCionusis (Švenčionys) olqi. Cawerilia 1938 wels leonas bielinis (Leonas Bielinis) mier. LTR 1925(6) 27 SlS 507. Žalias žalias žolynelis. asrulebs 80 wlis morta Salciene (Morta Šalcienė), sof. vosiunai (Vosiūnai), adu– tiSkis (Adutiškis) raioni, SvenCionusis (Švenčionys) olqi. Cawerilia 1938 wels leonas bielinis (Leonas Bielinis) mier. LTR 1925(7) 28 magaliTad, LLIM 78-Si. aq aris msgavsi imitaciuri safexurebi (daRmavali TanamimdevrobiT) rac da– maxasiaTebelia centraluri afrikis bantus sayviris tipis musikaluri polifoniisaTvis. es aris drois kanonis unikaluri saxeoba (Aroma (compiler), 1992: 2, 3) 29 pirvels qals, romelic iwyebs Cabervas igive kolo (kol’ö) CamorCeba da obzlan poliaso (obzlan’ pölias’ö) ukravs salamurs; meore qals axasiaTeben, rogorc ,,ukan mimdevnebels, vinc misdevs da eweva~ da a.S (Жуланова, 1997: 163) 30 sainteresoa, rom musikosebi, romlebic gvian uerTdebian danarCenebs, ver iazreben Cabmis verc ormag da verc sammag princips rogorc sinkopirebas, aramed Tavisi CarTva miaCniaT dakvris ,,sakuTar, swor~ ritmad anu igives gameorebad, oRond drois sxva segmentSi (Kubik, 1988: 84) 31 afrikuli musikis kanoni, rogorc movlena, sakmaod kargad aRweres g. hercogma (Herzog, 1949), r. bre– ndlma (Brandl, 1965) da sxva mkvlevrebs 32 sutartiness (SesaZloa ainebis upopo polifoniasac) aqvs ucnauri hipnoturi efeqti (Tumca es mov– lena dRemde ar aris siRrmiseulad Seswavlili) am efeqts qmnis monotonuri ritmi, misamReris xSiri ganmeoreba da misamRerebis struqturebi
litvuri da ainuri vokaluri polifoni: zogierTi paraleli audiomagaliTebi 305 audiomagaliTi 1. litvuri treine tititi tatao SIS 484a. asrulebs birzais raionis momReralTa jgu– fi, Cawerilia 1937 w. LTR pl. 186a(5) audiomagaliTi 2. Ainugo onsei shiryo senshu: inbunhen: (04)-(07A) Suwariuta rinshoka, Tamura, Suzuko, vasedas uni– versitetis gamomcemloba, 1996. http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/5609/1/A16008.mp3 audiomagaliTi 3. himns kekStas kekStelis (Cxikvi, patara Cxikvi), monacvleobiT asruleben 75 wlis anastasia sisenienetrapikaite da 42 wlis vilhelmina petkeviCiene-sisenaite, sofeli beniunai, rimSes raioni, ignalinas mxare. Cawerilia 1969 wels. SeniSvna: ,kvarteti keturine. Cven mas vmRerodiT sa– Zovarze an muSaobis dros saRamos _ zogi Zafs, rTavda, zogic _ bades qsovda. erTi an ramdenime mom– Rerali mReroda hei Cxikvo, patara Cxikvo da ase Semdeg; sxvebi pasuxobdnen _ tui tuui. KTP 136 (1) audiomagaliTi 4. Ainugo onsei shiryo senshu: inbunhen: (04)(08B) Suwariuta rinshoka, Tamura, Suzuko, gv. 40–42, 1996 http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/5612/1/A16011.mp3 Targmna maia kaWkaWiSvilma
- Page 254 and 255: 254 liTSi aris SemTxveviTi modulaci
- Page 256 and 257: 256 simha aromi, polo valeho mimdev
- Page 258 and 259: 258 92 simha aromi, polo valeho ara
- Page 260 and 261: 260 axla ganvixiloT G kilos sxvadas
- Page 262 and 263: 262 simha aromi, polo valeho gadaxr
- Page 264 and 265: 264 simha aromi, polo valeho Semdeg
- Page 266 and 267: 266 OUTLINE OF A SYNTAX OF CHORDS I
- Page 268 and 269: 268 Simha Arom, Polo Vallejo 51 Mag
- Page 270 and 271: 270 Simha Arom, Polo Vallejo Betwee
- Page 272 and 273: 272 Simha Arom, Polo Vallejo 5 II I
- Page 274 and 275: 274 Simha Arom, Polo Vallejo 88 Ere
- Page 276 and 277: 276 Simha Arom, Polo Vallejo Let us
- Page 278 and 279: 278 andrea kuzmiCi (kanada) qarTuli
- Page 280 and 281: 280 andrea kuzmiCi musikologia da T
- Page 282 and 283: 282 andrea kuzmiCi da profesiuls 3
- Page 284 and 285: 284 ANDREA KUZMICH (CANADA) THE TRA
- Page 286 and 287: 286 Andrea Kuzmich traditional musi
- Page 288 and 289: 288 Andrea Kuzmich the ability to l
- Page 290 and 291: 290 daiva raCiunaite-viCiniene (lit
- Page 292 and 293: 292 daiva raCiunaite-viCiniene Sin
- Page 294 and 295: 294 daiva raCiunaite-viCiniene litv
- Page 296 and 297: 296 daiva raCiunaite-viCiniene / su
- Page 298 and 299: 298 daiva raCiunaite-viCiniene nebi
- Page 300 and 301: 300 daiva raCiunaite-viCiniene buli
- Page 302 and 303: 302 daiva raCiunaite-viCiniene wreS
- Page 306 and 307: 306 LITHUANIAN AND AINU VOCAL POLYP
- Page 308 and 309: 308 Daiva Račiūnaitė -Vyčinien
- Page 310 and 311: 310 Daiva Račiūnaitė -Vyčinien
- Page 312 and 313: 312 Daiva Račiūnaitė -Vyčinien
- Page 314 and 315: 314 Daiva Račiūnaitė -Vyčinien
- Page 316 and 317: 316 Daiva Račiūnaitė -Vyčinien
- Page 318 and 319: 318 10 C. Forlivesi assumes that mu
- Page 320 and 321: 320 Daiva Račiūnaitė -Vyčinien
- Page 322 and 323: 322 daiva raCiunaite-viCiniene. dan
- Page 324 and 325: 324 daiva raCiunaite-viCiniene. dan
- Page 326 and 327: 326 daiva raCiunaite-viCiniene. dan
- Page 328 and 329: 328 daiva raCiunaite-viCiniene. dan
- Page 330 and 331: 330 daiva raCiunaite-viCiniene. dan
- Page 332 and 333: 332 daiva raCiunaite-viCiniene. dan
- Page 334 and 335: 334 mixail lobanovi eTnografiisadmi
- Page 336 and 337: 336 mixail lobanovi yoveli maTgani
- Page 338 and 339: 338 vielebTan, aramed Crdilo-evropu
- Page 340 and 341: 340 Mikhail Lobanov Konz mäthil Gr
- Page 342 and 343: 342 Mikhail Lobanov due to the lowe
- Page 344 and 345: 344 Mikhail Lobanov Kravchinskaia,
- Page 346 and 347: 346 mixail lobanovi. danrTi Mikhail
- Page 348 and 349: 348 mixail lobanovi. danrTi Mikhail
- Page 350 and 351: 350 ana piotrovska ungreTSi boSa mu
- Page 352 and 353: 352 ana piotrovska tradicia grZelde
304<br />
(Stasys Paliulis) mier 1932 wels. PAA 229<br />
19 http://furiyamusicmaterial.miyakyou.ac.jp/Ainu%28English%29/ainu/kaisetsu/index.html<br />
20 iqve<br />
21 iqve<br />
22 iqve<br />
daiva raCiunaite-viCiniene<br />
23 SlS 92b. asrulebs 85 wlis karlina statuleviCiene (Karlina Statulevičienė), dabadebuli sof. radiSiaiSi (Ra–<br />
dišiai), iuJintais (Jūžintai) rai<strong>on</strong>i, rokiSkisis (Rokiškis) regi<strong>on</strong>i. Cawerilia 1939 wels, LTR 2108(225)<br />
24 erTi sqesis warmomadgenlebis mier Sesrulebuli es cekva uZvelesi warmoSobisaa. mag. saritualo<br />
cekvebs, Cveulebriv, asruleben mxolod qalebi an mxolod mamakacebi. cekvis aseTi mkacri gamijnva<br />
da diferenciacia didi xnis manZilze ucvleli iyo (Račiūnaitė-Vyčinienė, 2002: 40)<br />
25 http://furiyamusicmaterial.miyakyou.ac.jp/Ainu%28English%29/ainu/kaisetsu/index.html<br />
26 SlS 533. Aš kanapį sejau. asrulebs 80 wlis morta Salciene (Morta Šalcienė), sof. vosiunai (Vosiūnai), adutiSkis<br />
(Adutiškis) rai<strong>on</strong>i, SvenCi<strong>on</strong>usis (Švenči<strong>on</strong>ys) olqi. Cawerilia 1938 wels le<strong>on</strong>as bielinis (Le<strong>on</strong>as Bielinis) mier.<br />
LTR 1925(6)<br />
27 SlS 507. Žalias žalias žolynelis. asrulebs 80 wlis morta Salciene (Morta Šalcienė), sof. vosiunai (Vosiūnai), adu–<br />
tiSkis (Adutiškis) rai<strong>on</strong>i, SvenCi<strong>on</strong>usis (Švenči<strong>on</strong>ys) olqi. Cawerilia 1938 wels le<strong>on</strong>as bielinis (Le<strong>on</strong>as<br />
Bielinis) mier. LTR 1925(7)<br />
28 magaliTad, LLIM 78-Si. aq aris msgavsi imitaciuri safexurebi (daRmavali TanamimdevrobiT) rac da–<br />
maxasiaTebelia centraluri afrikis bantus sayviris tipis musikaluri polif<strong>on</strong>iisaTvis. es aris<br />
drois kan<strong>on</strong>is unikaluri saxeoba (Aroma (compiler), 1992: 2, 3)<br />
29 pirvels qals, romelic iwyebs Cabervas igive kolo (kol’ö) CamorCeba da obzlan poliaso (obzlan’<br />
pölias’ö) ukravs salamurs; meore qals axasiaTeben, rogorc ,,ukan mimdevnebels, vinc misdevs da eweva~<br />
da a.S (Жуланова, 1997: 163)<br />
30 sainteresoa, rom musikosebi, romlebic gvian uerTdebian danarCenebs, ver iazreben Cabmis verc ormag<br />
da verc sammag princips rogorc sinkopirebas, aramed Tavisi CarTva miaCniaT dakvris ,,sakuTar, swor~<br />
ritmad anu igives gameorebad, oR<strong>on</strong>d drois sxva segmentSi (Kubik, 1988: 84)<br />
31 afrikuli musikis kan<strong>on</strong>i, rogorc movlena, sakmaod kargad aRweres g. hercogma (Herzog, 1949), r. bre–<br />
ndlma (Brandl, 1965) da sxva mkvlevrebs<br />
32 sutartiness (SesaZloa ainebis upopo polif<strong>on</strong>iasac) aqvs ucnauri hipnoturi efeqti (Tumca es mov–<br />
lena dRemde ar aris siRrmiseulad Seswavlili) am efeqts qmnis m<strong>on</strong>ot<strong>on</strong>uri ritmi, misamReris xSiri<br />
ganmeoreba da misamRerebis struqturebi