The Fifth International Symposium on Traditional Polyphony ...

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302 daiva raCiunaite-viCiniene wreSi simRerasTan (da cekvasTan), mokle ritmulmelodiuri motivebis gameorebasTan da azrovnebis garkveul mdgomareobasTan, meditaciis unikalur saxeobasTan 32 . me araerTxel vaxsene, rom sutartinesis meditaciuri efeqti aRmosavleTTan aris dakavSirebuli. bolos da bolos, arian Tu ara ainebi `aRmosavleTis~ tipuri warmomadgenlebi? saidan modis ase– Ti erToblioba, aseTi sulieri erTianoba? da bolos, minda gagacnoT erTi ucnauri msgavseba litvur da ainebis adaTebs Soris. vidre Cveni savele eqspediciebis dris litvaSi, JematiJaSi (Žemaitija, samogitaSi) Cven Cavwe– reT simReris ucnauri, gaugebari fragmenti. teqstis bolo striqonebi aSkarad asocirdeba ainebis mier daTvis mokvlis arqaul ritualur adaTTan (sur. 16). daTvis Tavs (Tavis qalas) Wyletdnen or boZs Soris (sur. 17). ismis SekiTxva. rogor aRmoCnda es sityvebi litvur sim– ReraSi? iqneb im dros litvaSic arsebobda igive adaTi? Plauk’ meškeli icure daTvis belo (dedali beli micuravs) Per jūreles gadacure zRva Lendres laužydama gadaiare leliani Oja, ojaja, o diax, diax, diax Lendres laužydama gadaiare leliani Stov‘strielčelis monadire dgas Už stoveli Tavisi sadgomis ukan Žad‘ meškele šauti elodeba rom esrolos daTvis bels Oja, ojaja, o diax, diax, diax Žad‘ meškele šauti elodeba rom esrolos daTvis bels Kad tu moni Tuki Sen Ir nušausi mesrole da momkali Bet galvos nespausi Sen ver gamiWylet Tavs Oja, ojaja, o diax, diax, diax Bet galvos nespausi Sen ver gamiWylet Tavs jerjerobiT Riad rCeba kiTxva arsebobda Tu ara msgavsi tradicia litvaSi im dros? amas safuZvliani Seswavla sWirdeba. SeniSvnebi 1 ainebis musikaSi ar aris aseTi zomis sxva musikaluri nimuSebi; dafiqsirebulia mxolod garkveul musikalur teqnikaze dafuZnebuli mokle, ganmeorebadi segmentebi an motivebi. zogierTi momRerali Sesrulebis aseT stils aRwers, rogoricaa retke _ bgeris gamocema (Chiba, 2008: 323–344, 325) 2 http://furiyamusicmaterial.miyakyou.ac.jp/Ainu%28English%29/ainu/kaisetsu/index.html 3 da mainc, litveli da ucxoeli mkvlevrebis naSromebSi termini sutartinesi gadaiqca standartul aRwerad.Aamgvarad, uSedegoa am terminologiis Secvlis mcdeloba (RačiūnaitėVyčinienė, 2002: 73–74)
litvuri da ainuri vokaluri polifoni: zogierTi paraleli 303 4 dRes, Zalian ganzogadebulia pakaitines (pakaitinės) ,,monacvleobis~ klasifikacia. saWiroa ameburi da antifonuri nimuSebis Semdgomi kvleva. ufro zustad, saWiroa am simRerebis rekonstruqcia, rac sa– kmaod rTuli procesia da sabolood migviyvans mkafio klasifikaciamde (Račiūnaitė-Vyčinienė, 2002: 205- 206) 5 koleqtiuri sutartinesis axali da Zveli maxasiTeblebis Tanxvedras avtori ganixilavs sxva sta– tiaSi (Račiūnaitė-Vyčinienė, 2000: 89-103) 6 http:// worldmusictravelling.blogspot.com/2009/11/Hokkaidorevivalofainumusic.html 7 is iyenebs sityvas ,,gafarToebuli~, raTa ganasxvaos polifoniuri tesiturebi sayovelTaod cnobili orxmiani polifoniisa da martivi kanonebisgan (Forlivesi, 2004: 90) 8 isini TiTqosda ,,gviCveneben~ am simRerebisTvis gankuTvnil saerTo moZraobebs. ufro metic, su– tartinesis erTi simReris farglebSi misamReri ucvlelia (Račiūnaitė-Vyčinienė, 2002: 41) 9 SlS 1587. Rimo, rimo tūto. asrulebs 82 wlis mikolas paliulisi (Mykolas Paliulis), saviCiais (Savučiai) ferma, vabalninkasis (Vabalninkas) raioni, qalaqi birJai (Biržai). Caiwera stasus piliulisma (Stasys Paliulis) 1930 wels. PAA (melodia 33, teqsti 11) 10 k. forlivezi Tvlis, rom mxedvelobaSi ar iqna miRebuli musika teqstis gareSe (an iseTi nimuSebi, sadac teqsti Seusabamoa, magaliTad onomatopea an ramdenime sityvis ganmeoreba), amitom misi codnac daikarga. igi aseve Tvlis, rom meoce saukunis dasawyisSi ainebis kulturis SeswavlaSi musika ar iyo kvlevis obieqti (Forlivesi, 2004: 78-79) 11 http://furiyamusicmaterial.miyakyou.ac.jp/Ainu%28English%29/ainu/kaisetsu/index.html 12 SlS I: 734. Žvilgso raselė. asrulebs 78 wlis viqtoria bukauskiene (Viktorija Bukauskienė), sof. kazimieriSke (Ka– zimieriškė), rimSes (Rimšė) raioni, zarasais (Zarasai) olqi. Cawerilia 1936 wels iuozas aidulis (Juozas Aidulis) da iuozas jurgas (Juozas Jurga) mier. LTR 925(162) 13 SIS 510. Apynys auga. asrulebs 101 wlis mariona klasCiuviene (Marijona Klasčiuvienė), sof. bruJai (Bružai), baltriSkes (Baltriškės) raioni, zarasais (Zarasai) olqi. Cawerilia 1939 wels. LTR 2100(105) 14 SlS 1715. asrulebs 67 wlis alene blaJeviCiene (Anelė Blaževičienė). sof. rizgunai (Rizgūnai), paringisis (Paringys) raioni, SvenCionisis (Švenčionys) olqi. Cawerilia iuozas aidulisisa (Juozas Aidulis) da iuozas jurgas (Juozas Jurga) mier 1936 wels 15 SIS 1764. asrulebs 88 wlis zabarskasi (Zabarskas), kamaiais (Kamajai) raioni, rokiSkis (Rokiškis) olqi. Ca– iwera ona kairitem (Ona Kairytė) 1939 wels 16 LLIM 268. Tututui, obelėle. asrulebs 1856 wels dabadebuli katrina rasimaviCiene-veSCiute (Kotryna Rasimavičienė-Veščiūtė). sof. suvaiJZiai (Suvaizdžiai), pandelisis (Pandėlys) raioni. Caiwera stasis palaiuli– sma (Stasys Paliulis) 1936 wels 17 termini humi (bgera, SegrZneba) aRniSnavs dolebisa da eJvnebis xmas, aseve, zogadad, nebimier xmaurs, magaliTad, motociklebisas (Chiba, 2008: 324) 18 LLIM 291. Tututui, obelėle. asrulebs 1862 wels dabadebuli karalina baCiuliene-augustauskaite (Karalina Bačiulienė-Augustauskaitė), sof. puragiai (Pyragiai), kupiSkisis (Kupiškis) olqi. Cawerilia stasus paliulisis
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m o x s e n e b e b i 4-8 oqtomberi
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s a r C e v i redaqtorebisagan ....
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franc foedermairi (avstria) megruli
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Davit Shughliashvili (Georgia) “W
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edaqtorebisagan winamdebare krebulS
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edaqtorebisagan koleqcias. moxseneb
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From The Editors G
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aziuri tradiciuli polifonia ASIAN T
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18 ioseb Jordania anobis arsebuli t
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20 ioseb Jordania mkvlevarebis yura
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22 ioseb Jordania xmianobasTan da T
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24 TRADITIONAL POLYPHONY IN ASIA: P
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26 Joseph Jordania scholar Schehera
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28 Joseph Jordania 2. Asian polypho
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30 Joseph Jordania gestion not only
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32 virtualuri heterofonia: kompozic
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34 munir nuretin bekeni (aSS) migvi
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36 MÜNIR NURETTIN BEKEN (USA) VIRT
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38 Münir Nurettin Beken This becam
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40 munir nuretin bekeni. danarTi M
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42 nino ciciSvili (avstralia, saqar
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44 nino ciciSvili (2) reCitaciuli b
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46 nino ciciSvili upirveles yovlisa
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48 nino ciciSvili kulturis arsebobi
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50 NINO TSITSISHVILI (AUSTRALIA, GE
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52 Nino Tsitsishvili Factor 3: scal
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54 Nino Tsitsishvili A historical i
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56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
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186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
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222 daviT SuRliaSvili rac Seexeba a
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224 daviT SuRliaSvili tradicia, rom
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226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
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236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
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248 Jelena Jovanović Scope of Ethn
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250 elena iovanoviCi. danarTi Jelen
Page 252 and 253: 252 elena iovanoviCi. danarTi Jelen
Page 254 and 255: 254 liTSi aris SemTxveviTi modulaci
Page 256 and 257: 256 simha aromi, polo valeho mimdev
Page 258 and 259: 258 92 simha aromi, polo valeho ara
Page 260 and 261: 260 axla ganvixiloT G kilos sxvadas
Page 262 and 263: 262 simha aromi, polo valeho gadaxr
Page 264 and 265: 264 simha aromi, polo valeho Semdeg
Page 266 and 267: 266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269: 268 Simha Arom, Polo Vallejo 51 Mag
Page 270 and 271: 270 Simha Arom, Polo Vallejo Betwee
Page 272 and 273: 272 Simha Arom, Polo Vallejo 5 II I
Page 274 and 275: 274 Simha Arom, Polo Vallejo 88 Ere
Page 276 and 277: 276 Simha Arom, Polo Vallejo Let us
Page 278 and 279: 278 andrea kuzmiCi (kanada) qarTuli
Page 280 and 281: 280 andrea kuzmiCi musikologia da T
Page 282 and 283: 282 andrea kuzmiCi da profesiuls 3
Page 284 and 285: 284 ANDREA KUZMICH (CANADA) THE TRA
Page 286 and 287: 286 Andrea Kuzmich traditional musi
Page 288 and 289: 288 Andrea Kuzmich the ability to l
Page 290 and 291: 290 daiva raCiunaite-viCiniene (lit
Page 292 and 293: 292 daiva raCiunaite-viCiniene Sin
Page 294 and 295: 294 daiva raCiunaite-viCiniene litv
Page 296 and 297: 296 daiva raCiunaite-viCiniene / su
Page 298 and 299: 298 daiva raCiunaite-viCiniene nebi
Page 300 and 301: 300 daiva raCiunaite-viCiniene buli
Page 304 and 305: 304 (Stasys Paliulis) mier 1932 wel
Page 306 and 307: 306 LITHUANIAN AND AINU VOCAL POLYP
Page 308 and 309: 308 Daiva Račiūnaitė -Vyčinien
Page 318 and 319: 318 10 C. Forlivesi assumes that mu
Page 322 and 323: 322 daiva raCiunaite-viCiniene. dan
Page 334 and 335: 334 mixail lobanovi eTnografiisadmi
Page 336 and 337: 336 mixail lobanovi yoveli maTgani
Page 338 and 339: 338 vielebTan, aramed Crdilo-evropu
Page 340 and 341: 340 Mikhail Lobanov Konz mäthil Gr
Page 342 and 343: 342 Mikhail Lobanov due to the lowe
Page 344 and 345: 344 Mikhail Lobanov Kravchinskaia,
Page 346 and 347: 346 mixail lobanovi. danrTi Mikhail
Page 348 and 349: 348 mixail lobanovi. danrTi Mikhail
Page 350 and 351: 350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
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356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
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370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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