The Fifth International Symposium on Traditional Polyphony ...

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uak (UDC) 784.4 (479.22) (063) redaqtorebi EDITED BY gamocemaze muSaobdnen: THIS PUBLICATION WAS PREPARING BY: rusudan wurwumia ioseb Jordania RUSUDAN TSURTSUMIA JOSEPH JORDANIA nino razmaZe maka xarZiani Tamaz gabisonia NINO RAZMADZE MAKA KHARDZIANI TAMAZ GABISONIA © Tbilisis vano sarajiSvilis saxelobis saxelmwifo konservatoriis tradiciuli mravalxmianobis kvlevis saerTaSoriso centri, 2012 © <strong>International</strong> Research Center for Traditional Polyphony of Tbilisi Vano Sarajishvili Tbilisi State Conservatoire, 2012 ISBN 978-9941-9197-9-4 garekanis mxatvari nika sebiskveraZe Cover Design by NIKA SEBISKVERADZE kompiuteruli uzrunvelyofa laSa yuraSvili, nino razmaZe Computer Service by LASHA KURASHVILI, NINO RAZMADZE daibeWda S.p.s. saund orbitSi, Tbilisi, saqarTvelo Printed in Saund Orbit Ltd, Tbilisi, Georgia
s a r C e v i redaqtorebisagan ............................................................................................................................................................................................. 9 aziuri tradiciuli polifonia ioseb Jordania (avstralia, saqarTvelo) tradiciuli mravalxmianoba aziaSi: problemebi da perspeqtivebi .................................................. 17 munir nuretin bekeni (aSS) virtualuri heterofonia: kompozicia, variacia, struqtura da mexsiereba Turqul klasikur musikaSi ......................................................................................................................................................... 32 nino ciciSvili (avstralia, saqarTvelo) aRmosavleT saqarTvelos mravalxmiani sasimRero stilis SedarebiTi da dargTaSorisi Seswavla axlo aRmosavleTisa da centraluri aziis monodiuri musikis konteqstSi ................................................................................................................................................................................ 42 maikl tenzeri (kanada) kunZul balis gamelanis musikis polifoniuri aspeqtebi ......................................................................... 58 iu-siu lu (taivani) axali polifoniuri stilis ganviTareba _ taivaneli aborigenebis SemTxveva .................. 71 marina qavTaraZe, ekaterine buCukuri (saqarTvelo) polifoniisa da monofoniis urTierTmimarTebis problema qarTuli qalaquri folkloris magaliTze .................................................................................................................................................................... 84 rie koCi (iaponia) ainus tradiciuli musikis mravalxmianobis stilebi da zogierTi uaxlesi cvlileba ........................................................................................................................................................................................................ 97 kavkasiuri mravalxmianoba ala sokolova (ruseTi, adiRes respublika) adiReas tradiciuli kulturis ameburi sasimRero formis mniSvnelobebi da kodebi ........................................................................................................................................................................................................ 115 natalia zumbaZe, qeTevan maTiaSvili (saqarTvelo) kavkasiel xalxTa mravalxmianoba da misi mimarTeba qarTulTan (audioalbomis _ kavkasiel xalxTa musika Tbilisis saxelmwifo konservatoriis fonoarqividan _ mixedviT) .......................................................................................................................................................................................................... 133 maia gelaSvili (saqarTvelo) pankisis xeobis qistebis tradiciuli musikis SeswavlisaTvis ........................................................... 155 maka xarZiani (saqarTvelo) samxmiani simRerebis gaerTxmianebis sakiTxisaTvis qarTul musikalur folklorSi (raWa da svaneTi) .................................................................................................................................................. 163 manana SilakaZe (saqarTvelo) qarTuli da adiReuri instrumentuli musika mravalxmianobis konteqstSi (tipologiuri paralelebi) .......................................................................................................................................................... 173 tradiciuli polifoniis regionuli stilebi da musikaluri ena Jana partlasi (estoneTi) cvlilebis kvaldakval: setus simRerebis wyoba (samxreT-aRmosavleT estoneTi) ......... 185 3
Page 1: m o x s e n e b e b i 4-8 oqtomberi
Page 5 and 6: franc foedermairi (avstria) megruli
Page 7 and 8: Davit Shughliashvili (Georgia) “W
Page 9 and 10: edaqtorebisagan winamdebare krebulS
Page 11 and 12: edaqtorebisagan koleqcias. moxseneb
Page 13 and 14: From The Editors G
Page 15: aziuri tradiciuli polifonia ASIAN T
Page 18 and 19: 18 ioseb Jordania anobis arsebuli t
Page 20 and 21: 20 ioseb Jordania mkvlevarebis yura
Page 22 and 23: 22 ioseb Jordania xmianobasTan da T
Page 24 and 25: 24 TRADITIONAL POLYPHONY IN ASIA: P
Page 26 and 27: 26 Joseph Jordania scholar Schehera
Page 28 and 29: 28 Joseph Jordania 2. Asian polypho
Page 30 and 31: 30 Joseph Jordania gestion not only
Page 32 and 33: 32 virtualuri heterofonia: kompozic
Page 34 and 35: 34 munir nuretin bekeni (aSS) migvi
Page 36 and 37: 36 MÜNIR NURETTIN BEKEN (USA) VIRT
Page 38 and 39: 38 Münir Nurettin Beken This becam
Page 40 and 41: 40 munir nuretin bekeni. danarTi M
Page 42 and 43: 42 nino ciciSvili (avstralia, saqar
Page 44 and 45: 44 nino ciciSvili (2) reCitaciuli b
Page 46 and 47: 46 nino ciciSvili upirveles yovlisa
Page 48 and 49: 48 nino ciciSvili kulturis arsebobi
Page 50 and 51: 50 NINO TSITSISHVILI (AUSTRALIA, GE
Page 52 and 53:
52 Nino Tsitsishvili Factor 3: scal
Page 54 and 55:
54 Nino Tsitsishvili A historical i
Page 56 and 57:
56 Nino Tsitsishvili References Ale
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58 kunZul balis gamelanis musikis p
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60 maikl tenzeri saciis xangrZliobi
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62 maikl tenzeri arsebobas, Sreebs
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64 Michael Tenzer repeats cyclicall
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66 Michael Tenzer pulsations serves
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68 maikl tenzeri. danarTi Michael T
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70 magaliTi 4. bgeris simaRlis, dro
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72 iu-siu lu Tsou (Tsou) 6 733 seis
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74 iu-siu lu sawyis etapze taivanel
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76 iu-siu lu 4 paralelur kvartebsa
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78 Yu-Hsiu Lu in Taiwanese aborigin
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80 Yu-Hsiu Lu earliest tribes in th
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82 iu-siu lu. danarTi Yu-Hsiu Lu. A
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84 marina qavTaraZe, ekaterine buCu
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92 Marina Kavtaradze, Ekaterine Buc
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98 rie koCi akompanementiT, instrum
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100 cxr. 3 rie koCi 1) kanonuri uko
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102 rie koCi rasac mReroda wamyvani
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104 ON THE POLYPHONIC SINGING STYLE
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106 singing the same melody followi
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108 Rie Kôchi 3. Recent movements
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110 Rie Kôchi Kôchi, Rie. (ed.).
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112 rie koCi. danarTi Rie Kôchi. A
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115 ala sokolova (adiRe, ruseTi) ad
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adiReas tradiciuli kulturis ameburi
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123 ALLA SOKOLOVA (RUSSIA, REPUBLIC
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The Meanings and C
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The Meanings and C
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The Meanings and C
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ala sokolova. danarTi Alla Sokolova
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133 natalia zumbaZe, qeTevan maTiaS
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kavkasiel xalxTa mravalxmianoba da
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143 NATALIA ZUMBADZE, KETEVAN MATIA
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Caucasian Peoples’ Polyphony and
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natalia zumbaZe, qeTevan maTiaSvili
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155 maia gelaSvili (saqarTvelo) pan
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pankisis xeobis qistebis tradiciuli
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ON THE STUDY OF THE TRADITIONAL MUS
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On the Study of the Traditional Mus
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163 maka xarZiani (saqarTvelo) samx
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samxmiani simRerebis gaerTxmianebis
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samxmiani simRerebis gaerTxmianebis
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On the Change of Three-Part Songs i
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On the Change of Three-Part Songs i
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173 manana SilakaZe (saqarTvelo) qa
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qarTuli da adiReuri instrumentuli m
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177 MANANA SHILAKADZE (GEORGIA) GEO
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Georgian and Adyghe Music in the Co
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manana SilakaZe. danarTi Manana Shi
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Ktradiciuli polifoniis regionuli st
Page 186 and 187:
186 Jana partlasi mizezis gamo. upi
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188 Jana partlasi naxevartoniani ki
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190 ŽANNA PÄRTLAS (ESTONIA) RETRA
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192 Žanna Pärtlas melodic lines c
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194 Jana partlasi. danarTi Žanna P
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196 damwyebi xma qarTul mravalxmian
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198 Tamaz gabisonia g) mxolod simRe
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200 Tamaz gabisonia sovs, damwyebis
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202 Tamaz Gabisonia of these songs
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204 Tamaz Gabisonia mazhogh). So do
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206 Tamaz gabisonia. danarTi Tamaz
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Page 210 and 211:
Page 212 and 213:
212 gerald florian mesneri mosaxldn
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214 gerald florian mesneri lebi da
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216 GERALD FLORIAN MESSNER (AUSTRAL
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218 Gerald Florian Messner gives us
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220 Gerald Florian Messner Audio Ex
Page 222 and 223:
222 daviT SuRliaSvili rac Seexeba a
Page 224 and 225:
224 daviT SuRliaSvili tradicia, rom
Page 226 and 227:
226 daviT SuRliaSvili damowmebuli l
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228 Davit Shughliashvili characteri
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230 Davit Shughliashvili the bell),
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232 daviT SuRliaSvili. danarTi Davi
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234 daviT SuRliaSvili. danarTi Davi
Page 236 and 237:
236 elena iovanoviCi (serbeTi) hibr
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238 elena iovanoviCi rebiT, sakvlev
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240 elena iovanoviCi lis `damuqeba~
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242 JELENA JOVANOVIĆ (SERBIA) HYBR
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244 Jelena Jovanović (Dević, 1979
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246 Jelena Jovanović of the new st
Page 248 and 249:
248 Jelena Jovanović Scope of Ethn
Page 250 and 251:
250 elena iovanoviCi. danarTi Jelen
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252 elena iovanoviCi. danarTi Jelen
Page 254 and 255:
254 liTSi aris SemTxveviTi modulaci
Page 256 and 257:
256 simha aromi, polo valeho mimdev
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258 92 simha aromi, polo valeho ara
Page 260 and 261:
260 axla ganvixiloT G kilos sxvadas
Page 262 and 263:
262 simha aromi, polo valeho gadaxr
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264 simha aromi, polo valeho Semdeg
Page 266 and 267:
266 OUTLINE OF A SYNTAX OF CHORDS I
Page 268 and 269:
268 Simha Arom, Polo Vallejo 51 Mag
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270 Simha Arom, Polo Vallejo Betwee
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272 Simha Arom, Polo Vallejo 5 II I
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274 Simha Arom, Polo Vallejo 88 Ere
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276 Simha Arom, Polo Vallejo Let us
Page 278 and 279:
278 andrea kuzmiCi (kanada) qarTuli
Page 280 and 281:
280 andrea kuzmiCi musikologia da T
Page 282 and 283:
282 andrea kuzmiCi da profesiuls 3
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284 ANDREA KUZMICH (CANADA) THE TRA
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286 Andrea Kuzmich traditional musi
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288 Andrea Kuzmich the ability to l
Page 290 and 291:
290 daiva raCiunaite-viCiniene (lit
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292 daiva raCiunaite-viCiniene Sin
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294 daiva raCiunaite-viCiniene litv
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296 daiva raCiunaite-viCiniene / su
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298 daiva raCiunaite-viCiniene nebi
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300 daiva raCiunaite-viCiniene buli
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302 daiva raCiunaite-viCiniene wreS
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304 (Stasys Paliulis) mier 1932 wel
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306 LITHUANIAN AND AINU VOCAL POLYP
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308 Daiva Račiūnaitė -Vyčinien
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318 10 C. Forlivesi assumes that mu
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322 daiva raCiunaite-viCiniene. dan
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Page 332 and 333:
Page 334 and 335:
334 mixail lobanovi eTnografiisadmi
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336 mixail lobanovi yoveli maTgani
Page 338 and 339:
338 vielebTan, aramed Crdilo-evropu
Page 340 and 341:
340 Mikhail Lobanov Konz mäthil Gr
Page 342 and 343:
342 Mikhail Lobanov due to the lowe
Page 344 and 345:
344 Mikhail Lobanov Kravchinskaia,
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346 mixail lobanovi. danrTi Mikhail
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348 mixail lobanovi. danrTi Mikhail
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350 ana piotrovska ungreTSi boSa mu
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352 ana piotrovska tradicia grZelde
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354 ana piotrovska iseT istoriul mi
Page 356 and 357:
356 THE NOTION OF SO CALLED GYPSY M
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358 Anna Piotrowska be claimed that
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360 Anna Piotrowska Consequently im
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362 Anna Piotrowska Nettl, Bruno. (
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364 nino razmaZe indi mindi da sxv.
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366 nino razmaZe qme. (2) Sesrulebi
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368 THE DYNAMICS OF THE EVOLUTION O
Page 370 and 371:
370 Nino Razmadze was always perfor
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372 nino razmaZe. danarTi Nino Razm
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374 magaliTi 4. oTxxmianoba patara
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377 ekaterine oniani (saqarTvelo) q
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qarTuli galobis mravalxmianobis sak
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ON THE POLYPHONY OF GEORGIAN CHANT
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On the Polyphony of Georgian Chant
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ekaterine oniani. danarTi Ekaterine
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387 jeremi fauci (aSS) siZvele da t
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siZvele da tradiciuloba qarTul trad
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Ancientness and Traditionality in G
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401 svimon (jiqi) jangulaSvili (saq
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mravalxmiani musikaluri qsovilis tr
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SPECIFIC FEATURES OF THE POLYPHONIC
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Specific Features of the Polyphonic
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svimon (jiqi) jangulaSvili. danarTi
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ivliane nikolaZe: qarTul ZlispirTa
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Ivliane Nikoladze: The</str
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Page 437 and 438:
Page 439 and 440:
jon a. gremi. danarTi John A. Graha
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M 447 ekaterine diasamiZe (saqarTve
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mravalxmianobis formebi rusul saekl
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mravalxmianobis formebi rusul saekl
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Polyphonic Forms in 17th century Ru
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Polyphonic Forms in 17th century Ru
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ekaterine diasamiZe. danarTi Ekater
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459 baia JuJunaZe (saqarTvelo) XIX
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XIX saukunis qarTuli samgaloblo tra
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XIX saukunis qarTuli samgaloblo tra
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New Tendencies in the Nineteenth-Ce
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New Tendencies in the Nineteenth-Ce
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aia JuJunaZe. danarTi Baia Zhuzhuna
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aia JuJunaZe. danarTi Baia Zhuzhuna
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gamSvenebaTa struqturuli formulebi
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ORNAMENTED STRUCTURAL FORMULAS IN T
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Ornamented Structural Formulas in t
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nino naneiSvili. danarTi Nino Nanei
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nino naneiSvili. danarTi Nino Nanei
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485 gerda lexlaitneri (avstria) non
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zogierTi mosazreba mravalxmiani mus
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Some Considerations on the Interpre
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gerda lexlaitneri, nona lomiZe. dan
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gerda lexlaitneri, nona lomiZe. dan
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503 franc foedermairi (avstria) meg
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megruli simReris sami Sedevri, Cawe
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Three Masterpieces of Megrelian Son
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franc foedermairi. danarTi Franz F
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517 morimoto masako, honda manabu,
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qarTuli tradiciuli mravalxmianobis
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521 MORIMOTO MASAKO, HONDA MANABU,
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Study on the Sound Structure of Geo
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morimoto masako, honda manabu, niSi
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527 kavai norie, morimoto masako, h
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kavai norie, morimoto masako, honda
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kaxuri simRerebis gaSifvris sakiTxe
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CHALLENGES IN MUSICAL TRANSCRIPTION
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nona lomiZe. danarTi Nona Lomidze.
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555 leila maruaSvili (saqarTvelo) q
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qarTuli xalxuri polifoniis tradicie
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Refraction of Georgian Folk Polypho
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leila maruaSvili. danarTi Leila Mar
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leila maruaSvili. danarTi Leila Mar
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ioseb Jordania, xelovnebaTmcodneobi
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polo valeho, eTnomusikologiis doqto
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578 simpoziumis organizatorebi mxar
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