The Fifth International Symposium on Traditional Polyphony ...
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294<br />

daiva raCiunaite-viCiniene<br />

litvuri sutartinesis tradicia<br />

g) k<strong>on</strong>trapunqti<br />

sutartinesis tradiciaSi k<strong>on</strong>trapunqti<br />

sxvadasxvanairad vlindeba. me mimaCnia, rom<br />

zogierTi maTgani, SesaZloa, tipologiurad<br />

iyos dakavSirebuli msgavs movlenasTan<br />

ainebis tradiciaSi. erTi magaliTia<br />

dveJines (dvejinės) orxmianoba samxmianobaSi<br />

(sami xmis k<strong>on</strong>trapunqti). es saxelwodeba<br />

zusti ar gaxlavT, da ar asaxavs mxolod<br />

dveJinesTvis – k<strong>on</strong>trapunqtuli polif<strong>on</strong>iis<br />

Tavisufali formisTvis damaxasiaTebel<br />

harm<strong>on</strong>ias, iseve, rogorc erTi da imave<br />

teqstis ganmeorebas sxvadasxva xmaSi. am<br />

tipisTvis sami xmaa gansxvavebuli da ara<br />

ori (mag. 8).<br />

vokaluri sutartinesis kidev erTi jgufia<br />

koleqtiuri sutartinesi. tradiciuli da<br />

jgufuri sutartinesisagan gansxvavebiT mas<br />

4-dan 20-mde momRerali asrulebs jgufurad.<br />

TiToeul Semsrulebels Tavisi xmis partia<br />

aqvs; es aris sityvebisa da musikis garkveuli<br />

formula, romelic xSirad da gauCereblad<br />

meordeba. tradiciul sutartinesSi uxvadaa<br />

sekunduri intervalebi, xolo sutartinesSi<br />

xSirad ismis akordebi, romlebic zustad<br />

Seesabmeba Cveul evropul harm<strong>on</strong>ias (mag. 9).<br />

da mainc, koleqtiur sutartinesSi xSirad<br />

ismis akordebi, romlebsac ver miviCnevT<br />

sruliad axali ganviTarebis Sedegad 5 . es<br />

aris unikaluri mravalxmiani burd<strong>on</strong>ulostinaturi<br />

nimuSebi. zogierT sutartinesSi<br />

vxvdebiT gansakuTrebul arqaul musikalur<br />

maneras, romelsac momRerlebi uwodeben<br />

`kivils~ da ara simReras (mag. 10). vxvdebiT<br />

arqauli artikulaciisa (damoukidebeli, erT–<br />

maneTTan daukavSirebeli teqstebi, romlebic<br />

meordebian SerCeul simaRleze) da calkeuli<br />

xmebis mier Sesrulebuli mkacrad organi–<br />

zebuli ritmebis Tavisebur narevsac.<br />

ainebis tradicia<br />

ainebis zogierTi jgufis vokaluri Janri<br />

Seicavs sacekvao simRerebs, sadac ori an<br />

sami melodia erTdroulad sruldeba xo–<br />

lo saxalinis tradiciaSi aris sacekvao sim–<br />

Reris erTi tipis, sadac ori melodia srul–<br />

deba ise, rogorc ukouki (Chiba, 2008: 333).<br />

amtkiceben, rom upopoebi (simRerebi, romle–<br />

bic damjdar mdgomareobaSi sruldeba) aris<br />

k<strong>on</strong>trapunqtuli an galobaze damyarebuli<br />

polif<strong>on</strong>iuri musikis vokalizebuli forma 6<br />

Tumca, karlo forlivezi (Forlivesi) sxvagva–<br />

rad fiqrobs. mas miaCnia, rom me-20 saukunis<br />

dasawyisSi polif<strong>on</strong>iis k<strong>on</strong>cefcia ganisaz–<br />

Rvreboda mxolod dasavluri musikis mixed–<br />

viT da am terminiT xSirad k<strong>on</strong>trapunqts Caa–<br />

nacvlebdnen. es namdvilad arasworia, vinai–<br />

dan polif<strong>on</strong>ia zogadad gulisxmobs ori an<br />

meti gamokveTili melodiuri xazisgan Semd–<br />

gar musikas, xolo k<strong>on</strong>trapunqti aris am me–<br />

lodiuri xazebis gamoyenebis kompoziciuri<br />

teqnika (Forlivesi, 2004: 80). ainebis musikis ma–<br />

makacebis mier Sesrulebuli nimuSebisTvis<br />

forlivezi qmnis specialur termins ganvr–<br />

cobili polif<strong>on</strong>ia (extended polyph<strong>on</strong>y) 7 .

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